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Modern women in republican Shanghai, the 1920s-1930s: discourses and images.January 2004 (has links)
Cheung Yin-ki. / Thesis submitted in: December 2003. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 121-132). / Abstracts in English and Chinese. / Chapter Chapter 1: --- Introduction --- p.1 / Chapter Chapter 2: --- Modern Women in Shanghai --- p.11 / Chapter Chapter 3: --- Modeng (Modern) --- p.24 / Chapter Chapter 4: --- """Queens"": Female Students in Shanghai" --- p.35 / Chapter Chapter 5: --- """Flower Vase"": Pink-Collar Women in the Workplace" --- p.50 / Chapter Chapter 6: --- Beautification and Modern Women --- p.69 / Chapter Chapter 7: --- Conclusion --- p.92 / Appendix --- p.100 / Bibliography --- p.121
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民國城市女性的性論述空間: 以1930年代上海《玲瓏》雜誌(1931-1937)為研究個案. / Space for sexual discourses of urban women in Republican China: a case study of Ling Long Women's Magazine (1931-1937), Shanghai / Minguo cheng shi nü xing de xing lun shu kong jian: yi 1930 nian dai Shanghai "Ling long" za zhi (1931-1937) wei yan jiu ge an.January 2011 (has links)
章霈琳. / "2011年8月". / "2011 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 139-150). / Abstract in Chinese and English. / Zhang Peilin. / Chapter 第一章 --- 緒論 / Chapter (一) --- 硏究緣起 --- p.1 / Chapter (二) --- 近代中國史與性文化硏究 --- p.3 / Chapter (三) --- 前人有關《玲瓏》的硏究 --- p.9 / Chapter (四) --- 本文硏究方法 --- p.16 / Chapter (五) --- 本文章節安排 --- p.16 / Chapter 第二章 --- 1920-1930年代上海城市文化中的「性」 / Chapter (一) --- 引言 --- p.19 / Chapter (二) --- 視覺文化中的「性」 --- p.20 / Chapter (三) --- 出版物和報刊中的性知識及性論爭 --- p.27 / Chapter (四) --- 情慾文學 --- p.34 / Chapter (五) --- 「女性刊物」:女性的性論述空間 --- p.36 / Chapter (六) --- 結語 --- p.39 / Chapter 第三章 --- 《玲瓏》(1931-1937) ´ؤ一談論「女性的性」的空間 / Chapter (一) --- 引言 --- p.41 / Chapter (二) --- 《玲瓏》:「三和」出版事業的組成部分之一 --- p.42 / Chapter (三) --- 有關「女編輯」陳珍玲的影響力及其身份的考察 --- p.45 / Chapter (四) --- 《玲瓏》部分男性編輯對「女性的性」的認知 --- p.53 / Chapter (五) --- 結語 --- p.61 / Chapter 第四章 --- 《玲瓏》中女性的性論述 / Chapter (一) --- 引言 --- p.63 / Chapter (二) --- 《玲瓏》女性作者對男性性心理及慾求的抨擊 --- p.64 / Chapter (三) --- 未婚女性的情慾心聲 --- p.71 / Chapter (四) --- 婚姻中女性的性經驗 --- p.79 / Chapter (五) --- 女性的同性情慾 --- p.82 / Chapter (六) --- 結語 --- p.87 / Chapter 第五章 --- 《玲瓏》中男性中心的性論述(1935.2-1937.8) / Chapter (一) --- 引言 --- p.89 / Chapter (二) --- 編輯彭兆良對「女性的性」的誤讀和聯想 --- p.89 / Chapter (三) --- 由性事引發的男性國族懸想 --- p.95 / Chapter (四) --- 男性中心論述中的處女貞操觀 --- p.97 / Chapter (五) --- 結語 --- p.100 / Chapter 第六章 --- 結論 --- p.102 / Chapter (一) --- 1920-1930年代兩性性論述的差異及其成因 --- p.102 / Chapter (二) --- 1930年代女性的性處境和性心聲及《玲瓏》對女性的 思我 --- p.104 / Chapter (三) --- 《玲瓏》:不純粹、不穩定、受限制的女性性論述空間 --- p.106 / Chapter (四) --- 女性的性論述及媒體運作 --- p.107 / Chapter 附錄一 : --- 1931-1937年間《玲瓏》性論述表列 --- p.109 / Chapter 附錄二 : --- 〈《精華週刊》申請登記書及來往文書〉 (1945.11-1946.11 ) --- p.123 / Chapter 附錄三 : --- 〈華東行政委員會新聞出版局關於同意三和出版社歇 業的函件〉 --- p.125 / 參考書目 --- p.127 / 附圖: / Chapter 圖2-1 : --- 劉海粟的油畫作品〈女人體〉 --- p.21 / Chapter 圖2-2 : --- 郎靜山的人體攝影作品 --- p.22 / Chapter 圖2-3 : --- 《申報》中「狗頭牌避蛟香粉」廣告 --- p.23 / Chapter 圖2-4 : --- 杭稚英所繪的月份牌 --- p.23 / Chapter 圖2-5 : --- 杭稚英所繪的月份牌 --- p.23 / Chapter 圖2-6 : --- 郭建英人體漫畫 --- p.24 / Chapter 圖2-7 : --- 郭建英人體漫畫 --- p.25 / Chapter 圖2-8 : --- 張大千〈摩登仕女〉局部 --- p.25 / Chapter 圖2-9 : --- 《良友》圖片〈銀幕上的十個熱女郎〉局部 --- p.26 / Chapter 圖2-10 : --- 1934年上海電影《百花洲》劇照 --- p.26 / Chapter 圖2-11 : --- 梁啓超對《馮小青性心理變態揭秘》一書評語 --- p.32 / Chapter 圖2-12 : --- 《馮小青性心理變態揭秘》附圖 --- p.33 / Chapter 圖2-13 : --- 1932年11月《女朋友》中一頁 --- p.38 / Chapter 圖2-14 : --- 1931年《甜心》第12期封面 --- p.39 / Chapter 圖2-15 : --- 許瑾近照 --- p.40 / Chapter 圖2-16 : --- 許瑾身份資訊 --- p.40 / Chapter 圖3-1 : --- 《電聲》編輯言論 --- p.43 / Chapter 圖3-2 : --- 《中外影訊》中的「珍玲信箱」 --- p.45 / Chapter 圖3-3 : --- 陳珍玲的言論 --- p.46 / Chapter 圖3-4 : --- 《皇后》編輯陳霞的言論 --- p.51 / Chapter 圖3-5 : --- 《玲瓏》編輯萍霞的言論 --- p.51 / Chapter 圖3-6 : --- 《玲瓏》編輯萍霞的言論 --- p.51 / Chapter 圖3-7 : --- 「玲瓏叢書第一種」《產前須知》序 --- p.52 / Chapter 圖3-8 : --- 張品惠近照 --- p.53 / Chapter 圖3-9 : --- 晴波近照 --- p.53 / Chapter 圖3-10 : --- 何碧芳近影 --- p.54 / Chapter 圖3-11 : --- 珍妮洛美的照片 --- p.56 / Chapter 圖3-12 : --- 「少女的煩惱」 --- p.57 / Chapter 圖3-13 : --- 「南錫卡洛將吻的留影」 --- p.57 / Chapter 圖3-14 : --- 諾伐羅的接吻劇照 --- p.57 / Chapter 圖3-15 : --- 「新人物崇拜(的) 新偶像」 --- p.58 / Chapter 圖3-16 : --- 「同性之愛」 --- p.58 / Chapter 圖3-17 : --- 「酥胸」 --- p.59 / Chapter 圖3-18 : --- 「沉思」(黑白影社影展出品) --- p.60 / Chapter 圖3-19: --- 「今古豔聞」徵稿標語 --- p.61 / Chapter 圖4-1 : --- 吳秀清近照 --- p.69 / Chapter 圖4-2 : --- 《婦女生活》編輯對吳麗娟的評價 --- p.74 / Chapter 圖4-3 : --- 《玲瓏》編輯介紹吳麗娟的言論 --- p.74
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Falling in and out of the cosmopolitan romance: state, market, and the making of Shanghainese women'sromantic love experiencesSun, Jue, 孙珏 January 2012 (has links)
Shanghai is often regarded as China’s best embodiment of cosmopolitanism,
transcending the local through the purchase of global goods that, in turn,
allows its citizens to be part of a post-socialist world. This aspiring outlook of
Shanghai is often the result of larger institutional changes, such as the move to
a market economy and China’s entry into WTO. Crucial to the understanding
of how this state-mediated cosmopolitan culture came to have an impact on
the lives of individuals, the key patterns in romantic experiences of young
Shanghainese women are discussed in elaborate detail in this thesis. In
particular, this study focuses on two specific forces, namely the state and the
market, that have greatly shaped the romantic context of cosmopolitan
Shanghai. As such, this thesis seeks to answer three key questions: 1) Is it
possible that the Chinese state has (re)structured contemporary Shanghainese
women’s romantic experiences and, if so, in what ways? 2) Do current
findings on the role of the consumer market in shaping romantic practices also
apply within the context under study? 3) In what ways have Shanghainese
women played out their love lives in the current context?
Building a theoretical framework from state-role theory which emphasizes the
role of the Chinese state in initiating life-altering social transformations and
theory that relates romantic love to the consumer culture and the social
organization of advanced capitalism, this thesis asserts that the romantic
experiences of young Shanghainese women both mirror and extend the
fundamental arguments framing both theories, thus offering new levels of
complexity for examining the relationship between romantic love and culture.
Through an open-ended interview process following grounded theory
principles, 44 respondents (age 25-39) are asked questions regarding their
romantic experiences to provide key details from the context under study. The
findings of this study suggest that the state and the state-mediated consumer
culture has produced contradictions in the romantic experiences of young
Shanghainese women. While as cosmopolitan individuals young women are
supposed to be desirous and constraint-free in pursuit of their romantic ideals,
persistent class and gender hierarchies, and rising economic and emotional
uncertainties, nevertheless, undercut their freedom and many of the incentives
to realize these ideals. Such freedom is further undercut by mounting pressure
from their parents who are primarily dependent on their only daughters, as a
result of the family-planning policy and other shifting state policies in the past,
for long-term financial and emotional care amidst rising costs and barely
functional social welfare programs. Caught in a tension between self desires
and traditional role obligations, young women become rational actors in their
romantic experiences as they negotiate or even transform the conventionalities
by lurching between different understandings of love and varying moralities of
self and family to justify their motives and behaviors. As such, their romantic
experiences embody the market ethos of consumer capitalism—rational, selfinterested,
strategic, and profit-maximizing––complexly entangled in a
material and moral environment built by the socialist state. / published_or_final_version / Sociology / Doctoral / Doctor of Philosophy
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