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While personal accounts and interpretive overviews have been written about the allied invasion and occupation of Italy during World War II, this study is the first to utilize recently published American Foreign Relations volumes dealing with the wartime conferences. Organized into five chapters, the study surveys allied conferences leading to the invasion of Italy, Italian political developments during occupation, and allied relief and rehabilitation efforts. The conclusions are that Churchill, while correct in .assessing Italy's strategic value, undermined his own policy through political meddling and a desire for revenge. In combination with Roosevelt, whose interest in Italy was political and at best marginal, Churchill needlessly delayed stabilization of Italian economic and political conditions.

There are few events in the history of humankind which have been more compelling than the Second World War (1939-1945). Unfortunately, most of what transpired during this period of history stands obscured by events such as D-Day, Kursk, and Midway, all happenings which popular history has been more than happy to dwell upon. This study' s intent is to, with the use of primary materials, analyze one of the more "obscured" happenings of the Second World War, the Rashid Ali al-Kilani Revolt of April and May 1941. Central to this work is an assessment of the policy responses of both Great Britain and Germany to the Baghdadbased revolt. It also seeks to answer the following question: why did Great Britain approach the coup with great urgency, while Germany, for the most part, paid it very little attention? In the case of Great Britain, its traditional power position in the Middle East, and possession of both the Suez Canal and extensive oil stocks, was challenged by Axis activity in north Africa, the Balkans and Crete. The Iraqi coup simply exacerbated the British problem. London's fears were valid and its successful response reflected as much. For Germany and its leader Adolf Hitler, ideological concerns took precedence over a Middle Eastern campaign. A Nazi invasion of the Soviet Union, an event which, by design, would destroy Slavism, Bolshevism, and much of world Jewry, plus gain greater Germany "living space," was primary to Hitler's thinking in the spring of 1941. Furthermore, the Fuehrer's desire for an Anglo-German "understanding" seems to have influenced his attitude in regards to the coup. Conclusions are also drawn that the policy paths chosen by each European player during the coup were met with dissension. In Great Britain's case, Middle Eastern Commander-in-Chief Archibald Wavell felt that aggressive British action in Iraq might antagonize Arab nationalism. For Germany, Foreign Minister Joachim von Ribbentrop was a major advocate of an antiBritish strategy and corresponding Nazi activity in Iraq. The Rashid Ali coup represented the last opportunity for Ribbentrop, prior to "Barbarossa," to expose the great vulnerability of the British Empire. From this, proffered is the theory that Ribbentrop, through an exploitation of the Iraq coup, was perhaps attempting to dissuade Hitler from an invasion of the Soviet Union.

Doctor of Philosophy (PhD) / This thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.

Doctor of Philosophy (PhD) / This thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.

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