A vast amount of literature has been published about Germany's campaign in Russia during the Second World War. New attention has been focused on the role played by indoctrination in the conduct of the ideological war. / This thesis examines the thematic content of the German Armed Forces circular Mitteilungen fur die Truppe for a period that coincides with the climactic confrontation on the Eastern Front. It illustrates the presence of a coherent propaganda policy designed to boost troop resilience. / The data have been derived from copies of the primary source, namely part of the captured German records microfilmed at Alexandria, Virginia. The evidence is augmented through other primary and secondary sources.

No description available.

No description available.

Thesis (Ph. D.)--State University of New York at Binghamton, History Department, 3007. / Includes bibliographical references.

The French government under Philippe Petain, based at Vichy, simultaneously collaborated with the Germans and promoted French patriotism. French artists and designers produced an abundance of posters, paintings, sculptures and other objets d'art, examples of which are included here, to promote the values of the "new order." Although Christian symbols were common, fascist symbols among the mass-produced images support the idea that the Vichy regime was not merely authoritarian, but parafascist. / The fine arts were purged of "foreign" influences, yet the German Arno Breker was invited to exhibit his sculptures in Paris. In the spirit of national redressement, traditional French art was promoted; however, Modern art, which Hitler condemned as cultural Bolshevism, continued to be produced. With reference to the words of Petain, Hitler, French artists and art critics, and a variety of artworks, this thesis shows how art was used to propagate the ideology of the Vichy regime.

This thesis is a rhetorical analysis of Frank Capra's World War II information film series, Why We Fight, produced from 1942-1945. The series' mythological messages are examined using the four national parables as defined by Robert Reich (1987), namely The Mob at the Gates, The Triumphant Individual, The Benevolent Community, and The Rot at the Top. The values conveyed through the national parables are analyzed using a delineation of 17 core American values provided by Steele and Redding (1962). The analysis reveals the basic narrative structure of the series constituted by the myths, The Battle of Good and Evil and The Foundation Myth of America. Particularly, these two myths are crucial for America's shift from an isolationist to interventionist paradigm in foreign policy. This change in the mythical system initiated America's emergence as a world power after World War II. / Department of Telecommunications

No description available.

The study examined China's conduct of its most important overseas propaganda activities in the United States during World War II. The findings showed that the main characteristics of China's propaganda in the United States in the war years included, (a) official propaganda in the United States was operated by the Chinese News Service and its branch offices in several cities; (b) unofficial propaganda involved work by both Americans and Chinese, among them, missionaries, newspapermen, and businessmen who tried to help China for different reasons; (c) both China lobby and Red China lobby, changed people's image about China, either the Nationalists or the Communists; and (d) propaganda toward the overseas Chinese in the United States was to collect donations and stir up patriotism.

Project (B.A.)--James Madison University, 2009. / Includes bibliographical references.

Rowland Kenney was a British propaganda agent operating in Norway during both the First World War and the Second World War. He has been forgotten by history but the re-discovery of his private collection of materials allows for an analysis of his work. Kenney was deeply involved in the development of propaganda policy and practice. In the First World War, his work in Norway resulted in thousands of pro-British articles appearing in the Norwegian press as well as the realignment of the Norwegian national news agency. In the interwar years, in spite of severe medical difficulties, Kenney continued to work within the field of propaganda, becoming instrumental in the establishment of the British Council. At the start of the Second World War, he returned again to Norway, but was forced to flee during the German invasion of April 1940. During the Second World War, Kenney became the Director of the Northern Section of the Foreign Division in the Ministry of Information where he continued to affect policy-creation and the development of propaganda. There is no doubt that Kenney was a key figure in this development. His professional network and his varied roles within the propaganda bureaucracy speak to his level of involvement, and his documented accomplishments even more so. Finally discovering Kenney's story and his impact illustrates vividly a few aspects of how the practice of propaganda mutated and changed between 1916 and 1942.