This work of creative nonfiction is meant to explore the effects of combat-related post-traumatic stress disorder in American war veterans and their families. As a work of blended literary journalism and memoir, the author interviewed afflicted veterans from World War II to the current Iraq and Afghanistan wars, included scholarly research, and reflected on how her father's dealings with the disorder have affected her family. / by Hillary Boles. / Thesis (M.F.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.

The transition to democracy in South Africa has resulted in systemic efforts to ensure equality education for all. However, despite such endeavours to address inequities, inequalities still remain regarding not only resources but also classroom pedagogies. One aspect of classroom pedagogy is the teaching of writing. The writing proficiency of mainly non-mother tongue learners seldom surpasses that of mother tongue speakers of English. Writing is seldom explicitly taught. Moreover, factual texts are almost never taught in schools although they are one of the most powerful genres in society. Systemic transformation in South Africa is often driven by global trends that focus on functional literacy. The Outcomes Based Curriculum is such an initiative with its emphasis on skills, values, critical thinking, and learner centeredness. The current process writing approach in our schools, within the framework of Outcomes Based Education, does not address the needs of all learners. The focus on grammar, correctness, and creative outpourings of self -reflective essays, advantages the learner familiar with the cultural heritage discourse. It disempowers those who are from different cultural or linguistic backgrounds. Writing is a social practice, and in order to write effectively learners have to uncover the generic conventions that configure different genres. In schools this translates into an explicit pedagogy of writing underpinned by theory. This thesis attempts to seek an alternate approach to the teaching of writing in a multicultural classroom, using the genre approach. The research was collaboratively planned and implemented as an action research intervention, at a multicultural school in Durban. The aims were to change learner attitudes to writing, use genre theory to teach learners explicitly about linguistic and generic conventions, produce a factual group text, and to transform my own practice. The first part of the thesis describes the rationale for the research within the context of transformation, issues of democracy education, and multiculturalism as a challenge to educators teaching English primary language. The second part examines the theories that inform this research especially genre theory, critical language awareness, functional grammar, and critical literacy. The implementation of the project in carefully planned and explicit stages is the subject of the third part of the thesis. It also describes how field notes, questionnaires, and the leaflets were used for data collection in the field of research. The fourth section addresses the action research intervention at Park High within a ten-day cycle, together with an integrated analysis of data collected and the findings. The final section of the thesis examines the limitations of the project together with recommendations for improved practice in the writing classroom. The findings indicate that learners value explicit pedagogies and that learning about generic conventions improves confidence and competence. The findings further suggest that learning about genres and generic conventions is a lengthy and difficult process. However, this process has the potential to transform implied pedagogies for both mother tongue and non-mother tongue learners in a post-apartheid society. / Thesis (M.Ed.)-University of Natal, Durban, 2002.

Thesis (Ph. D.)--Ohio State University, 2007. / Full text release at OhioLINK's ETD Center delayed at author's request

Touching Brýnstone is the story of Beth, a young journalist who is troubled by misfortunes in her family and work circumstances. In a Pretoria library she is seduced by a book that consoles her and progressively becomes a fetish object. It sparks a journey to Japan, where she arrives to teach English. She is intent on meeting the author, whom she confounds with protagonist and book. This Bildungsroman is an exploration of the complex relationship between inner and outer self, and the struggle towards wholeness. Beth must find a way out of the obsession so that she can return to South Africa with an enriched insight into her shadow self.

A collection of mostly lyrical poems. The poems explore moments of experience and thought relating to longing and belonging, in terms of relations, memory and place. The poems are mostly short and intense. Silence and implied meanings are often as important as what is said; shadows are evoked to recall substance. Though short, the poems are not tightly closed – on the contrary, meanings proliferate in the process of exploration.

Responding to Student Writing: Strategies for a Distance-Teaching Context identifies viable response techniques for a unique discourse community. An overview of paradigmatic shifts in writing and reading theory, 'frameworks of response' developed to classify response statements for research purposes, and an overview of research in the field provide the theoretical basis for the evaluation of the empirical study. The research comprises a three-fold exploration of the response strategies adopted by Unisa lecturers to the writing of Practical English (PENl00-3) students. In the first phase the focus falls on the effect of intervention on the students' revised drafts of four divergent marking strategies - coded correction, minimal marking, taped response and self assessment. All the experimental strategies tested result in statistically-significant improvement levels in the revised draft. The benefits of self assessment and rewriting, even without tutorial intervention, were demonstrated. The study is unique by virtue of its distance-teaching context, its sample size of 1750 and in the high significance levels achieved. The second phase of the research consisted of a questionnaire that determined 2640 students' expectations with respect to marking, the value of commentary, their perceptions of markers' roles and their opinions of the experimental strategies tested. Their responses were also correlated with their final Practical English examination results. The third phase examined tutorial response. The framework of response, developed for the purpose, revealed that present response strategies represent a regression to the traditional product-orientated approach to writing that contradicts the cognitive and rhetorical axiological basis of the course. There is thus a disjunction between the teaching and theoretical practices. The final chapter bridges this gap by examining issues of audience, transparency, ownership, timing of intervention and training. The researcher believes that she has successfully identified practical and innovative strategies that assist lecturers in a distance-teaching context to break away from old response blueprints. / English Studies / D.Litt. et Phil. (English)

A full dissertation submitted in fulfillment of the requirements for the degree of Masters in Education Presented to the Faculty of Education and Social Sciences at the Cape Peninsula University of Technology 2013 / In this qualitative exploratory study the primary purpose was to examine the nature of teaching strategies employed by two Grade 3 teachers to teach writing literacy. The following research questions underpinned the study: i) What strategies are being implemented by Grade 3 teachers to develop literacy skills in their classes ii) How appropriate, relevant and potentially effective are these strategies in terms of the aspects of literacy they address and support? Interviews and video-observations of the teaching-learning process were the two methods of data collection. Through a constant interplay between what teachers do as they teach writing literacy and literature accounts of what constitutes good teaching of writing literacy, the study aimed to arrive at conclusions regarding the question on whether the teaching strategies were appropriate, relevant and have potential for effectiveness. Both the interview and observation data were analysed using the constant comparative method in order to arrive at conclusions regarding the two research questions. The study has revealed that though teaching happened in a piecemeal fashion, the teachers use a variety of good teaching strategies to develop literacy among their learners.

Vicky, a thirty something English radio journalist, has moved to Cape Town to try and work out what it is that's missing from her life and to fill the gap. At first she thinks she's found what she's looking for, but a series of unsettling events makes her realise she has simply brought her problems with her. She goes back to England, ostensibly for work, where she is contacted by her stepbrother, Mark. They hardly know each other but he has a reason for wanting to find her. They meet and, for both of them, their encounters change the way they see themselves and their relationships. Vicky comes to understand more about her past and her family and, for the first time, to find a connection with her emotional life

We're in an alternate universe, circa Dickensian London. Leofric Lieven, a local crime lord, is about to find the past catching up on him. The Romany Carnival has come to town, and a gypsy woman, his former lover and partner in crime, demands from him a favour which will redress his betrayal of years before: he must secure a stolen object and return it to her. But things go horribly wrong when local delivery boy Cards Bennish is kidnapped by Leofric’s competitor before he can deliver the goods that will cover Leofric's debt to the gypsy. In this world, humans can shape shift into animals, entirely or only partially, dog fighting is the favourite pastime for high stakes betting, and power belongs to the highest bidder. The gypsy’s final bet, for the highest stakes yet, will seal the fates of a number of people, for better or worse

The Talisman is an adventure story set in a future where much of today's cultural memory and technology has been lost. Following a hunting accident, a young man named Forest survives a life-threatening wound and embarks on a quest for knowledge. Rising sea levels, bands of marauders, wild animals and the perils of survival in the broken world are not the only problems facing the survivors. The nature of the collapse of the society, what triggered it and its subsequent unfolding, bequeaths an existential quandary upon them that only Forest, and a rare text as old as the earth itself, can unravel