Thesis (doctoral)--Universidad de Zaragoza, 1977. / Includes bibliographical references (p. 305-316).

Tesis--Universidad de Madrid. / Bibliography: p. [221]-224.

Tesis--Universidad de Madrid. / Bibliography: p. [221]-224.

Thesis (doctoral)--Facultad de Derecho (Universidad de Zaragoza?), 1932. / Includes bibliographical references (p. 79-81).

Thesis (Ph. D.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Pós-Graduação em Literatura, Mestrado em Literatura e Práticas Sociais, 2014. / Submitted by Larissa Stefane Vieira Rodrigues (larissarodrigues@bce.unb.br) on 2014-11-07T19:39:18Z No. of bitstreams: 1 2014_MariaAlineDeAndradeCorreia.pdf: 2282342 bytes, checksum: 7707469db3caa65c91e145b1536ee449 (MD5) / Approved for entry into archive by Raquel Viana(raquelviana@bce.unb.br) on 2014-11-10T15:22:23Z (GMT) No. of bitstreams: 1 2014_MariaAlineDeAndradeCorreia.pdf: 2282342 bytes, checksum: 7707469db3caa65c91e145b1536ee449 (MD5) / Made available in DSpace on 2014-11-10T15:22:23Z (GMT). No. of bitstreams: 1 2014_MariaAlineDeAndradeCorreia.pdf: 2282342 bytes, checksum: 7707469db3caa65c91e145b1536ee449 (MD5) / O objetivo principal dessa pesquisa esteve centrado em mostrar e analisar o fenômeno do espelhamento em alguns romances gráficos da atualidade. O corpus ficou delimitado em três textos: Berço de corvos, que é uma releitura da novela Cuna de cuervos, da jovem escritora espanhola Zaragoza, para a linguagem dos quadrinhos, feito pelo também jovem desenhista espanhol Didac Plà. Os outros dois textos, Espelho e Sombra, fazem parte da trilogia de Suzy Lee, essa já conhecida pelas suas ilustrações em textos direcionados para crianças, os quais ela mesma convencionou chamar de “trilogia da margem”. De certa forma, nesses textos, o espelhamento aparece, de maneira geral, em momentos de muita reflexão, dúvida, embates de caráter ou mudanças de atitude para as personagens elencadas; portanto, ele se torna um fenômeno que representa a fronteira, o limiar, a passagem, seja no sentido psíquico ou de delimitação dos espaços na narrativa. Para esta pesquisa, então, será analisado o tema do espelhamento como um representante da experiência limiar para as personagens e, nesse entendimento, como uma dialogia entre os mundos possíveis. Dessa forma, a análise também se desenvolverá em torno do trato com a imagem e seus elementos, item hermenêutico importante para a conjugação híbrida do verbal e do não verbal na estrutura arquitetônica de uma Graphic Novel. A base teórica para o estudo desses dois elementos estruturais, e para o tema do espelhamento, estará centrada, mas não exclusivamente, na teoria do crítico russo Mikhail Bakhtin e nos seus conceitos de fronteira, experiência limiar, autonomia e autoconsciência. ____________________________________________________________________________________ ABSTRACT / The main objective of this research was centered in to analyze the phenomenon of mirroring in some Graphic Novels today. The corpus was bounded on three texts: Cradle of crows, which is a retelling of the novel Cuna de cuervos, the young Spanish writer Zaragoza, for the language of comics, also made by the young Spanish designer Didac Plà. The other two texts, Mirror and Shadow, part of Suzy Lee trilogy, this already known for her illustrations in texts aimed at children, which she herself conventionally called "Border Trilogy". Somehow, in these texts, mirroring appears, generally, at moments of much reflection, doubt, cashes of ethos or changes in listed characters attitude, so, it becomes a phenomenon which represents the line, the threshold, the transition psychic sense or delimitation of the spaces in the narrative. Then, this research will be considered mirroring theme as an agent of the threshold experience for characters and, by this way, as a dialogism between possible worlds. By this way, the analysis also will develop around the deal with the image and its elements, hermeneutic important item for the hybrid combination of verbal and non-verbal into the architectural structure of a Graphic Novel. The theoretical basis for these two structural elements studying, and for the mirroring theme will be concentrated, but not exclusively, on the theory of critic Russian Mikhail Bakhtin and on his concepts of border, threshold experience, autonomy and self-conscience.

Tableau d’honneur de la Faculté des études supérieures et postdoctorales, 2009-2010 / Ancrée dans la perspective de l'économie politique, cette thèse porte sur les pratiques expressives et les projets politico-culturels de plusieurs groupes d'activistes culturels de la ville de Puebla. au Mexique. Nous défendons la thèse selon laquelle l'étude des pratiques en question nécessite une analyse détaillée de l'ensemble des conditions socioéconomiques et politiques se trouvant à leur base, et non seulement une analyse interprétative de leurs dimensions identitaires et symboliques, tel que proposé par d'autres études sur la jeunesse. Ce positionnement analytique a entraîné la discussion et révision de concepts propres aux études des jeunes, comme production et consommation culturelle, style, transgression, production et construction de l'espace urbain, etc. Le travail ethnographique fut réalisé auprès de divers groupes des jeunes connus sous l'appellation de collectifs et qui mènent des projets culturels dans la ville de Puebla. Les espaces semi-privés et publics fréquentés par ces groupes ont aussi constitué l'objet de recherche de cette thèse. Une attention spéciale a été accordée à l'étude des formes d'accès des activistes à ces espaces. En général, les résultats du travail montrent que, malgré leur caractère contestataire et leur richesse discursive, les pratiques mises de l'avant par les activistes à l'étude ne peuvent échapper aux rapports sociaux et aux dynamiques économiques, politiques et culturelles qui configurent, dans une logique capitaliste, l'espace urbain et régional à Puebla. Ces dynamiques ne sont cependant pas conçues comme univoques, mais plutôt comme complexes et contradictoires. Le modèle analytique de la recherche comprend des apports conceptuels tels que l'inclusion de l'analyse régionale dans l'étude des pratiques des jeunes, l'insertion de ces dernières dans une approche tenant en compte les conflits et les négociations reliées à la reproduction de l'espace urbain et, enfin, la mise en évidence de la dimension politique des pratiques expressives des jeunes.

Thesis (Ph. D.)--Columbia University, 1996. / Includes bibliographical references (p. 217-237) and index.

Thesis (Ph.D.)--Columbia University, 1996. / Includes bibliographical references (p. 217-237) and index.

<i>"Whoever attempts to solve the riddle of space in the abstract will construct the outline of emptiness and call it space. Whoever attempts to meet man in the abstract will speak with his echo and call this a dialogue. Man still breathes in and out. When is Architecture going to do the same?"</i>¹ In order to develop a language in architecture, an architect spends a lifetime building and refining the grammar and expressions he or she uses. With study and an understanding of place, one can use architectural language to develop a dialogue with place. Without dialogue the architecture is empty. This interpretation of Aldo Van Eyck's statement is a beginning for this effort in design. The site, the "place," was chosen first for values which make it unique, and the project and its program were developed later. The observation of place extended from the physical environment, its history, and culture, to other aspects which make up the "spirit of place," as described by Christian Norberg-Schulz. The attempt was then to design in relation to aspects which I felt were important to the place, to create a dialogue. / Master of Architecture