My dissertation analyzes the work of the artist group 3Nós3 (the name is a pun in Portuguese meaning "three knots/ we three"), who performed artistic actions in public space that they referred to as "urban interventions" on the streets of São Paulo from 1979 to 1982. These ranged from placing garbage bags over the heads of monumental sculptures to taping Xs across the doorways of art galleries along with signs reading "What is inside remains the same; what is outside expands." Within the context of the military regime that had ruled Brazil since 1964, the urban interventions targeted symbols of authority ranging from public sculpture to the art world establishment. My research focuses on one of the most noteworthy traits of the group's activities: their almost complete absence from the history of Brazilian art. In spite of the recent popularity on the international artistic circuit of contemporary Brazilian art with a performative edge (the artists Hélio Oiticica and Lygia Clark being the best examples of this type of work) the work of 3Nós3 has remained obscure, even within Brazil. The explanations for this lack of attention to 3Nós3 include the transitional political nature of the abertura period during which the interventions took place, the artists' own denial of traditional artistic circuits and involvement in youth subcultures, the ephemeral nature of the interventions themselves, and a lack of understanding of the reasons why the artists chose to work in public space, particularly in regard to the interventions' relationship with their audience. The goal of my dissertation is to argue for the inclusion of the interventions into the history of art without relying on arguments related to their quality, i.e. whether or not they constitute "good art." Rather, it is only through a detailed consideration of the specific cultural and political contexts in which the works occurred that they start to make sense. I conclude by examining the present-day conditions that could make the inclusion of 3Nós3 into larger international artistic movements such as street art and "the interventionists" (including Eduardo Srur and the Grupo Contra Filé, among others) possible. / text

A street sign is a kind of traffic sign displayed along the street to show the street name so that both pedestrians and drivers can know where they are. It is believed to be originated from the massive pillar or milestone built by the Romans in the ancient time. In ancient China, sometimes at the entrance of the main path in a village or town would have a small gateway showing the path name, bearing the function of the street sign. Nowadays, street signs with different designs and materials can be seen everywhere. Hong Kong was originally a small fishing village in South China for many years with paths connecting different areas. Since 1842, Hong Kong was officially become a British colony. The first formal street built on the colonial land was Hollywood Road and street signs of modern meaning appeared since the mid 19th century. Street signs of different designs for a long time are functioning as a mark of a place, but they are also the living witnesses of history. However, when we review the present heritage conservation policies and works done by the government, the focus of conservation falls mainly on large-scale artefacts and small relics have always been neglected. Street signs, although small in size and changing from time to time, can definitely be regarded as the important heritage of the past and present Hong Kong. The key issue addressed by this dissertation is that street signs are not only a mark of a place, but also have significant heritage value which can be regarded as one of the important urban heritage in Hong Kong’s streetscape as different street signs can reflect the historical development and social-political transformation of Hong Kong in the past years in terms of designs, materials, locations, mounting methods and naming system. This dissertation will focus on the street signs at Pei Ho Street in Sham Shui Po as a case study. There is a great variety of different kinds of street signs in the street which are worth for further research and analysis in both tangible and intangible manners. The purpose is to reveal the significance of my street sign study in the area of heritage conservation, and to show the distribution of different street signs in Pei Ho Street and their characteristics, so as to set up a template for analysing other street signs in Hong Kong and establish their significance in the local history for future study. / published_or_final_version / Conservation / Master / Master of Science in Conservation

published_or_final_version / Architecture / Master / Master of Architecture

published_or_final_version / Architecture / Master / Master of Architecture

published_or_final_version / abstract / toc / Chinese Historical Studies / Master / Master of Arts

Retail image has received considerable attention in the academic literature in recent years, its influence on consumer behaviour demonstrated extensively in contexts such as stores, brands, shopping malls and tourist destinations. It is therefore surprising that the study of retail image in a town centre has been neglected. Town centres, since time immemorial existing as markets facilitating the exchange of goods, have throughout history been of significant importance to local and national economies. Yet academic interest in consumers choice of town centres, and particularly their image perceptions of these locations, has only been stimulated in response to competition from the development of purpose-built shopping malls. Research into town centres as distinct locations has been extremely limited. The research reported in this thesis has studied town centre image as a specific retail location. In doing so, the research has also addressed a further limitation in the retail image literature. Researchers have pointed to the limited theoretical development in retail image studies, and particularly to the discrepancy between image conceptualisation and its operationalisation. Image is conceptualised as having both tangible qualities and an aura of psychological attributes (Martineau, 1958), but its measurement has focussed almost exclusively on its physical properties, ignoring the less tangible elements which it is hypothesised to contain. As a consequence of adopting a theoretical approach to town centre image, this research has for the first time developed a model of town centre image which addresses both its tangible and intangible qualities, and which comprises three dimensions: functional, experiential and symbolic. The model was tested using Structural Equation Modelling based on a survey of 816 consumers in three town centres. Analysis of the results suggests that consumers perceive town centre image as a higher order construct consisting of these three dimensions, and that their image perceptions focus on top-level salient aspects of the retail provision, together with feelings, emotions, and subjective attitudes towards the town centre. It is suggested that this conceptualisation provides a more accurate measure of consumer perceptions of town centre image for future academic researchers and for practitioners, particularly as town centres are currently the focus of government policy to support their continuing preservation as important local and national economic drivers.

Western governments face increasing demands to achieve both cost efficiency and responsiveness in their public services leading to radical and challenging transformations. Following the imposition of New Public Management (NPM) approaches within England, it is argued that similar elements of NPM can be also seen within Scottish healthcare, despite policy divergences following devolution. This thesis considers the influence of NPM on Scottish hospital frontline nursing staff in their work. It explores the ways in which managerial practices (specifically professional management; discipline & parsimony; standard setting & performance measurement; and consumerism) have shaped the working relationships, interactions, and knowledge-exchange between managers, staff and patients and the ability of staff to carry out nursing duties within an acute hospital setting. The study is a qualitative interpretivist study grounded in the methodology of adaptive theory and draws upon the works of Lipsky (1980) in order to explore how the front-line nurses cope with and resist the demands of the workplace. Based on thirty-one qualitative interviews with front-line nursing staff in an inner city hospital in Scotland, this thesis presents the findings resulting from nurses’ views of management, finances, policies, targets, audits and consumerism. The findings show that these nurses believe there has been a proliferation of targets, audits and policies, an increasing emphasis on cost efficiency and effectiveness, a drive for professional management and a greater focus on consumerism in NHS Scotland. These are all closely linked to the ethos of NPM. From the findings it can be seen that many elements influence the working relationships of the frontline hospital nursing staff. The study suggests that the main reason for conflict between managers and nursing staff is due to their differing foci. Managers are seen to concentrate on issues of targets, audits and budgets with little thought given to the impact these decisions will have on patient care or nurses’ working conditions. Furthermore the findings highlight high levels of micro-management, self-surveillance, control and the regulation of the frontline nursing staff which has led to tensions both between nursing staff and managers, but also with patients and the public. Finally, although there has supposedly been policy divergence between Scotland and England, this thesis has identified many similarities between Scottish and English polices and NPM approaches continues to influence the working relationships of front-line nursing staff within this study despite the rhetoric that Scotland has moved away from such practices.

The Azusa Street Revival was a movement started in 1906 by a small group of black individuals at a prayer meeting in Los Angeles, California. The revival is largely considered the beginning of the Pentecostal movement. This paper investigates the relationship between the worship practices of the Azusa Street Revival and the musical and religious traditions of the West and Central African peoples who were the ancestors of some of the most prominent and influential participants in the movement. These practices, which include spirit possession, physical movement and rhythm, musical collaboration, and indeterminate times of worship, seemingly made their way from Africa into the daily lives of African American slaves, where they were adopted by participants at the American camp meetings of the early nineteenth century. From there, these West and Central African musical traditions became instituted in the holiness movement, the precursor to the Azusa Street Revival.

Costa Rica is a small country located in Central America, characterized by having one of the most stable democracies in Latin America. Costa Rica was the first country in the world to officially abolish its armed forces (1949), following the Civil War in 1948. From the time of its foundation as a Republic, Costa Rica has been defined in terms of homogeneity and socio-economic equality. These two features have been recognized as the main elements of the country's national identity, and the reason for Costa Ricans to be perceived as peaceful and happy individuals. This research utilizes the methodological lens of Performance Studies to analyze these iconic elements of Costa Rican national identity and to challenge the view of Costa Rica as a paradise. Even though the international community continues defining this country in the same manner in which it was defined during the second part of the nineteen century, the reality is that during the last three decades this nation has changed so much that the same definition is not adequate anymore. Street violence in the country has become a threat to citizens of all socio-economic classes, taking away their peace and happiness. I analyze this development and the response by the citizens in an attempt to show that Costa Rica is facing an internal conflict that could have devastating on its society. Many social movements have formed during the last decade to try to bring Costa Rica back to the nation it was at the beginning of the twentieth century. The most important characteristic of these movements is that they try to unmask the country showing that it is not peaceful in an attempt to recover the peace they believed characterized the Costa Rica of their ancestors.

This study was designed to explore sexuality, parenthood, identity, and relationships among female and male youth living on the streets of Durban CBD. It sprung from my previous engagement on the street, which suggested the striking impact of gender on the lives of the youth. Much literature on children and youth living on the street ignore the gendered nature of street life, and this study filled the knowledge gap about gender constructions and gendered relationships on the street. Framed by critical theory, this study explored how constructions of masculinities and femininities are played out on the street and impact the youth’s relationships. It specifically focused on intersectionalities with socio-economic and other structures in understanding gender. Focus groups and individual interviews were conducted with 37 youth on the street, of which 17 were female. Approximately 50 focus group sessions and individual interviews were conducted. Due to drug use and lack of sleep, the concentration levels of the youth would vary a great deal, and the analysis is mainly based on approximately 25 of the focus groups sessions and interviews, which provided satisfactory depth. My extensive involvement on the street and the study’s embeddedness in practical, therapeutic, and conscientising social work ensured rich material. With the participants’ permission, the sessions were tape-recorded. The material was analysed according to critical discourse analysis. Four themes emerged during the analysis: Men as providers, violence, sex, and sexuality on the street; Girls’ violence and contestations of femininity and masculinity; Gang culture and constructions of masculinity; and Constructions of motherhood and fatherhood. Male provision was a major construction of masculinity among the youth on the street, greatly compromised by their socio-economic marginalisation. Consistent with international literature, poverty`s assault on masculinity was evident, and violence was a means to compensate for a wounded sense of masculinity and to establish male superiority. Girls’ sex work was a major gender role transgression, contesting hegemonic femininity, males’ control over women, and the provider role of boyfriends, and was violently opposed by the males living on the street. Girls worked hard to present themselves according to acceptable constructions of femininity, and framed their sex work according to the mandate of male provision, as caring relationships with wealthier men. Young mothers on the street struggled with the contradiction between constructions of motherhood and sex work. There was a demand for them to not give up custody of their children, yet the conditions of homelessness and the street made adequate caring impossible, and the mothers were almost inevitably doomed to condemnation and failure as ‘good’ women. Though male provision was a dominant construction of masculinity, it was not reflected in the actual lives of the youth on the street, and violence was by far the most important means to establish and confirm manliness. The significance given to violence was, in addition to the significant impact of poverty and consequent male vulnerability, framed by rules of the 26 gang. Conscientising work among the youth to reveal the real sources of their oppressions is called for, as well as practical and therapeutic work. Their lives reflect dominant structure in the larger society, and work towards egalitarian relations among genders in society overall as well as measures to transform the profound socio-economic inequality nationally and globally are called for. / Thesis (M.A.)-University of KwaZulu Natal, Durban, 2011.