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1	Organická kompozice v abstraktním malířství, literatuře a hudbě 20. století / Organic Composition in 20th century abstract art, music and literature Mücková, Kristýna January 2010 (has links) The Diploma thesis Organic composition in 20th century abstract Art, Music and Literature aims to explain the gradual process of liberalization of expressive means in Arts, Music and Literature during the 20th century. It describes the picture's emancipation from the dependence on objective reality, particularly V. Kandinsky's way towards abstract expressionism. In Music it traces A. Schonberg's development of the free atonality, and the stream of consciousness technique of J. Joyce in literature. The thesis' second part will be dealing with various manifestations of the organic composition after WWII- action and informal painting in the USA and Europe with its qualitative change. A musical and literal paralel to the principal of organic order will also be briefly introduced on the example of E. Brown's and J. Cage's aleatoric music and the spontaneous writing of J. Kerouac. Selected artistic personalities will be put into socio-cultural context of their time. As a result there comes a complex picture of the organic composition development process, suitable to be used as a source of information for teachers. The didactical part of the thesis will be focused on the possibility of using the given topic in the educational environment.
2	Performing Controlled Indeterminacy in Leo Brouwer's "Sonata Mitología de las Aguas No. I, para Flauta y Guitarra" Rodriguez, Hector Javier 05 1900 (has links) Leo Brouwer's Sonata Mitología de las Aguas No. I for flute and guitar, first published in 2017, has taken its place as an important twenty-first-century addition to the flute and guitar duo repertory. I provide a brief historical context for the work, followed by preparation guides for guitar alone and duo passages. My preparation guides include exercises and rehearsal strategies, focusing on those passages of the work that include controlled indeterminacy. The study of indeterminacy in music is unusual in the pedagogy of the classical guitarist; this leaves guitarists unprepared for dealing with pieces, especially chamber works, that use improvisation or aleatoric music as a primary element. I take a multifaceted approach to facilitate the realization of the indeterminate sections of the work; this includes demonstrations of my traditional music notation transcriptions and other rehearsal strategies and the application of music performance study systems by James Thurmond and Marcel Tabuteau. This document aims to provide guidance to creating an organic, natural aesthetic in the actualization of Brouwer's groundbreaking work. guitar flute indeterminacy aleatoric music aleatory chamber music Leo Brouwer Mitologia de las aguas classical guitar improvisation Cuban music James Thurmond Marcel Tabuteau Guitar music -- Analysis, appreciation. Aleatory music -- History and criticism. Academic theses

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Organická kompozice v abstraktním malířství, literatuře a hudbě 20. století / Organic Composition in 20th century abstract art, music and literature

Performing Controlled Indeterminacy in Leo Brouwer's "Sonata Mitología de las Aguas No. I, para Flauta y Guitarra"