Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-12-01T21:10:54Z No. of bitstreams: 1 IgaraMeloDantas_DISSERT.pdf: 2079350 bytes, checksum: aeb0b4b5149d554ef039c9221d5519a4 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-12-05T00:21:36Z (GMT) No. of bitstreams: 1 IgaraMeloDantas_DISSERT.pdf: 2079350 bytes, checksum: aeb0b4b5149d554ef039c9221d5519a4 (MD5) / Made available in DSpace on 2017-12-05T00:21:36Z (GMT). No. of bitstreams: 1 IgaraMeloDantas_DISSERT.pdf: 2079350 bytes, checksum: aeb0b4b5149d554ef039c9221d5519a4 (MD5) Previous issue date: 2017-07-28 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Esta disserta??o apresenta um estudo panor?mico acerca da oralidade no romance africano, particularmente, na obra Niketche: uma hist?ria de poligamia (2004), da mo?ambicana Paulina Chiziane, considerada a primeira escritora de seu pa?s a publicar neste g?nero. Investigamos a forma sob a qual o corpo da narra??o articula as tr?s categorias que desempenham um importante papel para a sensibilidade e a percep??o do oral no texto escrito: a voz, a letra e o gesto. Pela natureza do corpus escolhido, tal estudo adentrou discuss?es acerca do papel da mulher enquanto escritora, tecendo interpreta??es concernentes aos discursos ficcional, hist?rico e cultural sobre a mulher e associando o espa?o da cria??o art?stica a um terreno poss?vel de emergir novas formas de representa??o para o feminino. Os instrumentos que serviram de base para nossas reflex?es encontram-se ancorados nas postula??es da teoria liter?ria em torno da oralidade, como os escritos de Paul Zhumthor (2000) e Hampat?-B? (1980), al?m das teorias de cunho cultural e p?s-colonial de Homi k. Bhabha (2003) e Gayatry Spivak (2010). / This dissertation presents a panoramic study concerning the orality in African novel, particularly, in the book called Niketche: uma hist?ria de poligamia (2004), from Mozambican writer Paulina Chiziane, considered one of the first novelist from her country to publish in this genre. We investigated the form in which the narration embodies and articulates the three categories that features an important role to the sensitivity and the oral perception of the written text: the voice, the letter and the gesture. By the nature of the chosen corpus, such study permeated discussions about the role of the woman as a writer, weaving interpretations concerning the fictional, historic and cultural discourses about the women and associating the space of the artistic creation as a possible territory in which new forms of representation emerge concerning the feminine. The instruments that served as basis to our reflections are anchored in the postulates of the literary theory about the orality, such as the works of Paul Zumthor (2000) and Hampat?-B? (1980), as well as the cultural and post-colonial studies of Homi K. Bhabha (2003) and Gayatry Spivak (2010).

Submitted by PPG Hist?ria (historia-pg@pucrs.br) on 2018-05-15T13:51:39Z No. of bitstreams: 1 Disserta??o_JuliaMonticeliRocha FINAL.pdf: 3089996 bytes, checksum: 81087a0a48711138dbec7b663c6a3fc9 (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-05-21T12:53:03Z (GMT) No. of bitstreams: 1 Disserta??o_JuliaMonticeliRocha FINAL.pdf: 3089996 bytes, checksum: 81087a0a48711138dbec7b663c6a3fc9 (MD5) / Made available in DSpace on 2018-05-21T13:18:14Z (GMT). No. of bitstreams: 1 Disserta??o_JuliaMonticeliRocha FINAL.pdf: 3089996 bytes, checksum: 81087a0a48711138dbec7b663c6a3fc9 (MD5) Previous issue date: 2018-03-20 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work of research aims to analyse the speeches proffered by Samora Mois?s Machel, revolutionary leader of the Mozambique Liberation Front (FRELIMO) and the first Mozambique president, from 1973 to 1980, within the scope of a political and ideological project that aimed the emancipation of women. Therefore, we contextualize FRELIMO?s first years of formation and the beginning of the anti-colonialist fight which resulted on the establishment of the Frelimo?s government after the independence. After this stage, it was possible to understand the first steps of the project articulated by Frelimo as well as the importance of the creation of the Female Detachment, in 1967, and of the Mozambican Women Organization, in 1973, throughout the speech proffered during the I Mozambican Women Congress. The last analytic stage of the work consists in observing the ambiguities in the speeches proffered within the scope of the political and ideological project development during the Samora Mois?s Machel government. Hereupon, we problematize the differences found in the speeches, from 1973 and after 1976, that when reflecting upon the political situation in which they were proffered, validate the project supporting FRELIMO?s goals about feminine emancipation. / Este trabalho de pesquisa tem como objetivo analisar os discursos proferidos por Samora Mois?s Machel, l?der revolucion?rio da Frente de Liberta??o de Mo?ambique (FRELIMO) e primeiro presidente de Mo?ambique, de 1973 a 1980, no ?mbito da promo??o de um projeto pol?tico e ideol?gico que visava ? emancipa??o da mulher. Para tanto, contextualizam-se os primeiros anos de forma??o da FRELIMO e o in?cio da luta anticolonial, que resultou no estabelecimento do governo da Frelimo ap?s a independ?ncia do pa?s. A partir dessa etapa, ? poss?vel compreender os primeiros passos do projeto formulado pela Frelimo, assim como a import?ncia da cria??o do Destacamento Feminino, em 1976, e da Organiza??o da Mulher Mo?ambicana, em 1973, por meio do discurso proferido durante o I Congresso da Mulher Mo?ambicana. A ?ltima etapa anal?tica do trabalho consiste em observar as ambiguidades nos discursos proferidos no ?mbito do desenvolvimento do projeto pol?tico e ideol?gico durante o governo de Samora Mois?s Machel. Com isso, problematizam-se as diferen?as encontradas nos discursos, de 1973 e ap?s 1976, que, ao refletirem a situa??o pol?tica em que foram proferidos, d?o sentido ao projeto, corroborando com os objetivos da FRELIMO quanto ? emancipa??o feminina.

Made available in DSpace on 2015-04-14T13:39:06Z (GMT). No. of bitstreams: 1 455754.pdf: 893669 bytes, checksum: bd2adfaf3363bf9cdd14e534251c086f (MD5) Previous issue date: 2014-01-07 / Search, in the narratives of three novels by the Mozambican writer Mia Couto , any references to boats, barges, ships, vessels, canoes (finally, water transport in general) and realize how the different symbologies and meanings that carry these elements relate to and enrich such narratives are the main objectives of this research. Thus , the literary texts that form the corpus of this study are Terra Son?mbula, O outro p? da sereia and A confiss?o da leoa each volume representing a decade of the author's production, since the books were published in 1992 ( his first novel ) , 2006 and 2012 , respectively. The theory of this work was grounded mainly in the works of Gilbert Durand, Gaston Bachelard, Carl Gustav Jung and Mircea Eliade, in regards to issues relating to the imaginary. However, it is also important to check those specific aspects about Mozambique, its culture, society and beliefs, as well as about the writer whose work is reviewed here, in order to discover how these characteristics may alter the imagery related to water transports within the literary texts in question . For this reason, the studies of Laura Padilla, Ana Mafalda Leite, Pires Laranjeira, Inoc?ncia Mata, among others, were selected. / Buscar, nos meandros de tr?s romances do escritor mo?ambicano Mia Couto, quaisquer refer?ncias a barcos, barcas, naus, navios, canoas (enfim, a transportes aqu?ticos em geral) e perceber como as diferentes simbologias e significados que esses elementos carregam relacionam-se com e enriquecem tais narrativas s?o os principais objetivos desta pesquisa. Assim, os textos liter?rios a formarem o corpus do presente estudo s?o Terra son?mbula, O outro p? da sereia e A confiss?o da leoa cada volume representando uma d?cada da produ??o do autor, uma vez que os livros foram publicados em 1992 (seu primeiro romance), 2006 e 2012, respectivamente. J? a teoria do trabalho embasa-se, principalmente, nas obras de Gilbert Durand, Gaston Bachelard, Carl Gustav Jung e Mircea Eliade, no que diz respeito ?s quest?es relacionadas ao imagin?rio e a seu funcionamento. Por?m, tamb?m faz-se importante verificar aqueles aspectos espec?ficos acerca de Mo?ambique, de sua cultura, sociedade e cren?as, e tamb?m do escritor cuja obra ? aqui analisada, a fim de descobrir como essas particularidades podem modificar o imagin?rio relacionado a transportes aqu?ticos dentro dos textos liter?rios em quest?o. Para isso, foram selecionados os estudos dos te?ricos Laura Padilha, Ana Mafalda Leite, Pires Laranjeira, Inoc?ncia Mata, entre outros.

Made available in DSpace on 2015-04-14T13:39:16Z (GMT). No. of bitstreams: 1 461224.pdf: 1145927 bytes, checksum: 0f09cda30a4705d2c4f7d36daa6a7a48 (MD5) Previous issue date: 2014-04-30 / This thesis was born from the desire to investigate the images of men and their ways of narrating themselves as a remedy to the insatiable thirst of identities, whose theme is the literary field, prime matter by the novelistic genre. The present study is a proposal to reading from the contemporary building strategies romance character. The fictional figure is focused here, as a phenomenon, conditioned by temporality inherent in the narrative setup process, highlights the constitutive nature of oneself, enabling the reader to formulate images of man being in full swing. Given the goals formulated by the thematic cross between character, identity and memory, were elected as corpus of work two novels of fiction of the post-colonial African Literatures, Sleepwalking Earth (1992) and A river called time, a house called land (2002), Mia Couto, whose narratives, possibly due to the historical, social and cultural conditions there is the common themes, that question now more acute than in other literary spaces, the formulation of identities. The constitution of the person who designs the narrative discourse in these works leads to the fictional figure approach as being-in-the-world, as Heidegger's concept that implies the existence of temporal experience by activity in the world. With the target of achieving recognition itself and thus encompass the meaning of life, oneself appears then, as a subjective dimension articulated by the difficulty to establish truth in our mind. / Esta tese nasce do desejo de investigar as imagens do homem e suas formas de narrar a si mesmo como rem?dio ? insaci?vel sede de identidades, cuja tem?tica ?, no campo liter?rio, mat?ria privilegiada pelo g?nero romanesco. O presente estudo consiste numa proposta de leitura do romance contempor?neo a partir das estrat?gias de constru??o da personagem. A figura ficcional ? focalizada, aqui, como fen?meno que, condicionado pela temporaliza??o inerente ao processo de configura??o narrativa, p?e em evid?ncia a natureza constitutiva do eu, possibilitando ao leitor a formula??o de imagens do homem em plena atividade de ser. Tendo em vista os objetivos a serem cumpridosmediante o cruzamento tem?tico entre personagem, identidade e mem?ria, foram eleitos como corpusdo trabalho dois romances da fic??o p?s-colonial das Literaturas Africanas, Terra son?mbula(1992) e Um rio chamado tempo, uma casa chamada terra(2002), de Mia Couto, em cujas narrativas, devido ?s condi??es hist?ricas, sociais e culturais, observa-sea incid?ncia de temas que problematizam, hoje de forma mais aguda que em outros espa?os liter?rios, a formula??o dasidentidades. A constitui??o da pessoa que se projeta pelo discurso narrativo nessas obras conduz ? abordagem da figura ficcional como ser-no-mundo, conceitoheideggeriano cujano??o implica a exist?ncia pela atividade da experi?ncia temporal no mundo. Como destino de alcan?ar o pr?prio reconhecimento e, assim, abarcar o sentido da pr?pria vida, o eu aparece como uma dimens?o subjetiva articulada pelas aporias da mem?ria.