Texte remanié de: Diss.--Kulturwissenschaftliche Fakultät--Frankfurt an der Oder--Europa-Universität Viadrina, 2002. / Corps du texte en allemand, contient des textes en polonais et en russe. Bibliogr. p. 353-370. Notes bilbiogr.

Ed. commerciale de: Diss.--Freiburg, 2003. / Bibliogr. p. 249-259. Notes bibliogr. Index.

Diss.--Lett.--Hamburg--Univ., 1999. / Bibliogr. p. 324-340. Notes bibliogr. Index.

Thesis (Ph. D.)--University of Chicago, 2002. / "August 2002." Includes bibliographical references (leaves 241-264). Also available on the Internet.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1978. / Vita. Includes bibliographical references (leaves 354-365).

Thesis (doctoral)--Rijksuniversiteit te Groningen. / Description based on print version record.

Thesis (Ph. D.)--University of Chicago, Dept. of Slavic Languages and Literatures, August, 2002. / Includes bibliographical references. Also available on the Internet.

Axmatova wrote the poem Primorskij park Pobedy in 1950 for Slava miru, a collection of verses that glorified Stalin. This poem was included in all her books that were published before her death (1966), apparently to please her censors. A few specialists that are trying today to establish a canonical and definitive version of her poetical works believe that Primorskij park Pobedy cannot be treated as a real Axmatova poem. The exclusion of a "parasitical" element seems unjustified if we conceive Axmatova's poetical works not as a complete Book, that is a definite and homogenous whole, but as a variable unity with undetermined limits. / When we read Primorskij park Pobedy through an intertextual network, the superficial meaning of the poem cracks and collapses. The text becomes open: under a trivial and official meaning is concealed an infinity of possible meanings. Our thesis explores this polysemy by showing how Axmatova's poem can generate a system of intertextual relations.

Anna Akhmatova's poetical works have been heard of a lot in the past few years, mainly because of the celebration in 1989 of her 100th birthday. But if literary analyses of her works can be counted by the hundreds, to find something written about her in, let's say, a more semantical fashion can prove very difficult. A writer is nothing without his words, and among these words, the verbs play an important role, since their mission is to convey the action of a sentence. If one can dispose of all the verbs of a given writer, one is in a better position to analyse this writer. Furthermore, if this list of verbs comprises all the conjugated forms of these verbs, then one has a fantastic data base with illimited possibilities. A frequency dictionnary is a first rate tool in order to establish comparisons, and this is what I attempted to do in this work.

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