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The influence of skill on the formation and spread of urban poverty areasStanman, Craig, January 1970 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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A survey of the Mexicans in Los AngelesMcEuen, William Wilson. January 1914 (has links)
Thesis (M.A.)--University of Southern California, 1914. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [104-105]).
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Telearbeit - Impulse für eine zukunftsfähige Regionalentwicklung? Fallbeispiele aus dem Silicon Valley und Los Angeles für "Lernende Regionen" /Sandmann, Patrick. January 2000 (has links) (PDF)
Bochum, Universiẗat, Diss., 2000.
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Simulation of post-earthquake water supply restoration calibration and application /Brink, Susan A. January 2009 (has links)
Thesis (M.A.S.)--University of Delaware, 2009. / Principal faculty advisor: Rachel A. Davidson, Dept. of Civil & Environmental Engineering. Includes bibliographical references.
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Organized workers and the making of Los Angeles, 1890-1915Stansbury, Jeffrey D. January 2008 (has links)
Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 718-745).
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Centro de justicia y de reinserción social Los ÁngelesGómez Caruz, Mitchel January 2016 (has links)
Memoria para optar al título de Arquitecto
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The history of horn playing in Los Angeles from 1920 to 1970: a lecture recital, together with three recitals of selected works for horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and othersHilliard, Howard (Howard Louis) 05 1900 (has links)
The History of Horn Playing in Los Angeles from 1920 to 1970 begins with the horn players who played in the silent film orchestras and the Alfred Brain's tenure with the Los Angeles Philharmonc. This study details the introduction of sound tracks, the early studio orchestras, the contact studio orchestras, the musician union's role in structuring the work environment, the horn players who played in both the Los Angeles Philharmonicand the studios, major figures from the subsequent freelance perios such as Vincent de Rosa, and the local and international influence of the Los Angeles Horn Club.
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The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and othersHilliard, Howard (Howard Louis) 05 1900 (has links)
The History of Horn Playing in Los Angeles from 1920 to 1970 begins with the horn players who played in the silent film orchestras and the Alfred Brain's tenure with the Los Angeles Philharmonic. This study details the introduction of soundtracks, the early studio orchestras, the contract studio orchestras, the musician union's role in structuring the work environment, the horn players who played in both the Los Angeles Philharmonic and the studios, major figures from the subsequent freelance period such as Vincent de Rosa, and the local and international influence of the Los Angeles Horn Club.
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A representação da realidade social em The Big Lebowski / The representation of social reality in The Big LebowskiMurata, Marcos Fuzita 17 September 2010 (has links)
Esta dissertação busca analisar o filme The Big Lebowski (O Grande Lebowski, 1998), escrito e dirigido por Joel e Ethan Coen. Devido à grande quantidade de recursos estilísticos utilizados na construção da narrativa, o filme é considerado um exemplo inequívoco de uma obra pós-moderna. A narrativa não apenas se alimenta de incontáveis referências culturais, por meio da reciclagem de textos anteriores e da mistura de gêneros e estilos, mas também se apoia no uso de várias outras técnicas, como a repetição de motivos visuais, o uso recorrente de clichês e a fragmentação do enredo. Por outro lado, apesar da estética pós-moderna, é difícil ignorar a existência de um conteúdo histórico, uma vez que muitos temas relevantes são inseridos no fluxo da narrativa. A guerra do Golfo, o Reaganismo e os movimentos políticos dos anos 60 são alguns dos temas encontrados no filme, que tem como cenário a cidade de Los Angeles no início da década de 90. Nesse sentido, a nossa hipótese é de que o filme revela uma contradição entre duas tendências opostas: a estética pós-moderna e a representação do conteúdo histórico. / This dissertation aims at analyzing the movie The Big Lebowski (1998), written and directed by Joel and Ethan Coen. Owing to the great amount of stylistic devices deployed to construct the narrative, the movie has been regarded as an unequivocal example of a postmodern work. Not only does the narrative feed on countless cultural references, through the recycling of former texts and the mixture of genres and styles, but it also relies on many other techniques, such as the repetition of visual motifs, the recurrent use of clichés and the fragmented storytelling. On the other hand, despite the postmodern aesthetics, it is difficult to overlook the existence of a historical content, as many relevant themes abound in the narrative flow. The Gulf War, the Reaganism and the political movements of the sixties are some of the themes found in the movie, which is set in the city of Los Angeles in the early nineties. In this sense, our hypothesis is that the movie brings forth a contradiction between two opposing tendencies: the postmodern aesthetics and the representation of the historical content.
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Context : Echo ParkWhempner, Patricia Lee January 1982 (has links)
Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography: p. 164-165. / by Patricia Lee Whempner. / M.Arch.
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