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The nature of Thomas Hardy's wallsHoward, Laura Lynn 08 1900 (has links)
No description available.
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La funzione simbolica dello spazio nella trilogia di Giorgio Bassani /Tumino, Anna Maria. January 2000 (has links)
This thesis examines the symbolic use of space in the trilogy of Giorgio Bassani: Gli occhiali d'oro, Il giardino dei Finzi-Contini and Dietro la porta. / All written in the first person, the novels are part of a continuum since in each one the same narrator remembers a different event from his past. All three novels recreate events which took place prior to the Second World War; two make direct reference to the grueling period of antisemitism under the Fascist regime. / Through the spatial element we analyze the moral and psychological states of the various characters, in particular of the young Jewish protagonist who is suddenly a social outcast due to the racial persecutions. Furthermore, space in these novels reflects the emotional state of the most important character of the trilogy, the narrator, who still, after many years shows signs of unresolved issues.
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Narrative, ephemerality and the architecture of the contemporary cityLivesey, Graham January 1991 (has links)
No description available.
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La funzione simbolica dello spazio nella trilogia di Giorgio Bassani /Tumino, Anna Maria. January 2000 (has links)
No description available.
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The geometry of love and the topography of fear : on translation and metamorphosis from poem to buildingKanekar, Aarati 05 1900 (has links)
No description available.
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The architecture of ethics in postmodern fiction /Hawley, Brad Kendall. January 2000 (has links)
Thesis (Ph. D.)--University of Oregon, 2000. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 308-319). Also available for download via the World Wide Web; free to University of Oregon users.
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The space of Kafka /McDonald, Timothy E. G. January 1994 (has links)
The following study investigates the fictional works of an early twentieth century Czechoslovakian writer named Franz Kafka. "The space of Kafka" is explored primarily through the "identity" of his characteristic monster figures and the temporally disjunctive narratives through which they travel. Monstrosity is qualified here as a principal mode of translation through which Kafka engaged the very terms of "identity" which an "individual" faces in the appearance of any "work". The intimations of a monstrous self are probed through Kafka's work in relation to human experience, intentionality, alterity and a "present" which is en-acted specifically as one form of the past. Through Kafka's paradigmatic "monster", "double" and "bachelor" figures, we find not "alternative" orientations of the "self" which contemporary literature and architecture may choose to undertake, but intrinsic re-presentations of the very relation which any self, any author, already is in the appearance of a "work".
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Why architects wear black and other grotesque and sublime mysteries : being a demonstration of eros & melancholy in the hermetical art of architecture with reference to the Hypnerotomachia Poliphili of Colonna wherein he showeth, that all things human are but a dream ; in the representation whereof are many things figured salutary and worthy in remembrance / Hypnerotomachia poliphiliWinton, T. E. (Tracey Eve) January 1996 (has links)
A study of the symbolism of love and melancholy in the Hypnerotomachia Poliphili, an architectural treatise of the Italian Renaissance written as a dream, in which an alchemical narrative structures the shaping of an adept through the education of his cognitive faculties. This author has speculated on the representational strategies of this satyrical and literary architecture and translated into English several key passages from the hero's rhythmythical journey through a musaic architectural wonderland.
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"Ever learning to dwell" habitability in nineteenth and twentieth century American literature /Wilson, Christine Renee. January 2008 (has links)
Thesis (Ph. D.)--Michigan State University. Dept. of English, 2008. / Title from PDF t.p. (viewed on Apr. 16, 2009) Includes bibliographical references (p. 197-206). Also issued in print.
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Poeta faber erdichtete Architektur in der italienischen, spanischen und französischen Literatur der Renaissance und des Barock.Goebel, Gerhard. January 1971 (has links)
Habilitationsschrift--Freie Universität, Berlin. / Bibliography: p. [242]-250.
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