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Att välja perspektiv : "Arkitektur i Sverige - Funktion, konstruktion och estetik genom tiderna".Håkansson, Fredrik January 2006 (has links)
<p>This essay tries to show how The Swedish Museum of Architecture, Stockholm, with the exibition Architecture in Sweden - Function, Design and Aesthetic through the Ages, presents and represents architecture. It is stated that this is done in a multi-perspectival, multimedial fashion, with the aid of, for example, photography, models and mixed material surrounding the wide concept of ’architecture’. One chapter discusses the relationships between the exhibition on site, the exhibition catalog and the museum´s website. Another chapter argues that there can be no essential or perfect representation of architecture, although this utopian wish most certainly exists even today. A general idea is that the problems regarding architectural representation has something to do with its double position within art history as well as its multi-dimensional characteristics. In addition to this, our daily encounters with architecture is also said to contribute. Furthermore, it is argued that exhibitions understood as site-specific and temporal events, need further research.</p>
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Att välja perspektiv : "Arkitektur i Sverige - Funktion, konstruktion och estetik genom tiderna".Håkansson, Fredrik January 2006 (has links)
This essay tries to show how The Swedish Museum of Architecture, Stockholm, with the exibition Architecture in Sweden - Function, Design and Aesthetic through the Ages, presents and represents architecture. It is stated that this is done in a multi-perspectival, multimedial fashion, with the aid of, for example, photography, models and mixed material surrounding the wide concept of ’architecture’. One chapter discusses the relationships between the exhibition on site, the exhibition catalog and the museum´s website. Another chapter argues that there can be no essential or perfect representation of architecture, although this utopian wish most certainly exists even today. A general idea is that the problems regarding architectural representation has something to do with its double position within art history as well as its multi-dimensional characteristics. In addition to this, our daily encounters with architecture is also said to contribute. Furthermore, it is argued that exhibitions understood as site-specific and temporal events, need further research.
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”Tar tid till det otroliga” : Om att göra Sveriges Arkitekturmuseum, 1960–1966. / ”Takes an amazing time” : Doing the Swedish Museum of Architecture, 1960–1966.Dufva Carlén, Nathan January 2022 (has links)
This thesis investigates events prior to, during and after the founding of the Swedish Museum of Architecture, in November 1962. Through the application of concepts derived from Bruno Latour’s Actor-Network-Theory, traces of the actors involved in the processes are followed, such as the activities of the museum’s first head archivist and superintendent, Birgitta Wallgren. The Museum of Modern Art’s traveling exhibition Visionary Architecture is studied as an example of how, in Latour’s sense, actors transform ”the elements that they are supposed to carry”. The thesis is thus looking for activity, the ”doing” of the museum. The institution’s earliest years is a previously rather unstudied topic. Thus, the thesis aims to contribute to the growing research field that focuses on how architectural history has been written in Sweden.
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