Introduction: The aim of this paper is to discuss the phenomenon of the Shoah from most angles and sides to avoid simplification and generalization. The result is the creation of activities for pupils outlining the Holocaust, the Shoah. I want to combine eyewitness testimony uměleckoliterárním rendition of the theme of the Shoah. For greater expertise as a starting point of my work I choose: I. general characteristics of totalitarianism or the system that gave rise to the Shoah, II. insight into historical context, as my activity is usable in more subjects: literature, civics and history is necessary for me this season prepared and factually. III. The art of literature related to the topic of the Shoah affected by the "wine", I will try to demonstrate the immanence of the destruction of human society, which is also what should be heard even at the end of my activities. IV. The final activity will be articulated eyewitness testimony and artistic text (which process the same historical events) will be outlined their educational use in the subjects: civics, history and literature. Target activity will be interdisciplinary, as it is mainly designed for the needs of secondary schools, for the interconnection of multiple information sources and their mutual confrontation, which leads to less distortion of...

La littérature française des voyages présente un univers complexe, bien souvent ancré à l'identité culturelle du pays. Cependant la clôture de ce système littéraire n'interdit pas la présence d'une large intertextualité et la possibilité de comparaisons avec l'histoire de l'art et la production artistique italienne analysée par les auteurs. À l'intérieur du voyage français en Italie, Gênes reste une étape encore inconnue dont l'approche des auteurs envers son patrimoine artistique n'a jamais était suffisamment étudiée. La présente thèse de doctorat a donc pour objet celui de comprendre la perception du patrimoine artistique génois dans les journaux français de voyage entre le XVIIe et le XVIIIe siècle. La recherche, à travers une étude critique et détaillée, a donc comme but non seulement celui de déterminer les divers processus culturels qui ont contaminé le goût et les préférences artistiques des voyageurs durant leur permanence à Gênes, mais aussi celui de comprendre l'approche de ces derniers à l'égard de la production artistique locale. / This project aims to be a critical study on how the artistic heritage of the city of Genoa is perceived in French travel literature from the 17th and 18th centuries.To this date no study has examined in depth what was the French travelers view on the artistic work they encountered and how their view and taste was heavily influenced by the art literature conventions of the Royal Academy of Paris.This research is a comparison study between travel literature, art literature and local guides of the of the time. The purpose of the work is therefore to determine which were the wider cultural processes that influenced the taste and preferences of the travelers and, more specifically, to understand what was their view on the Genoese artistic production.

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