Akademisk avhandling--Lund. / Extra t.p. with thesis statement, inserted. Includes index. Bibliography: p. [151]-157.

Inaug.-Diss.--Munich. / Vita. "Die Schrift erscheint auch als Jahresaugabe 1958 des Vereins für C̀hristliche Kunst' in München." Bibliography: p. [7-8].

Thesis (M.Arch.)--University of Hong Kong, 2002. / Includes bibliographical references. Also available in print.

Akademisk avhandling--Lund. / Extra t.p. with thesis statement, inserted. Includes index. Bibliography: p. [151]-157.

This study is not concerned with the evaluation of Hawthorne's artistic criticism but with the uses he made art objects in his writing. Such a study should give suggestions for interpretation of his works, as well as information concerning literary devices and technique in style. It should consider the contribution of the art objects to the literary artistry of the works in which they appear. Such a study has not previously been made.

No description available.

M.Tech. (Fine Art) / In this thesis I attempt to show that it is possible to resolve 'difference' most effectively in non-verbal ways. One method is in making art. To demonstrate this, I first describe my own thought system and belief structure, as part of western culture. I try to show the impasse this has reached. I then offer art-making, particularly within Post-modern premises, as a potent means of resolving 'difference'. I use my own and Barbara L 'Angie's work to show that this is possible, not only for black artists with Western influences, but also white artists with African influence on their largely European-based outlook.

自清代吳大澂《古玉圖考》以來，中國玉器研究便與社會、禮制等相關聯，隨著20世紀下半葉良渚文化、紅山文化、興隆窪文化等遺址史前精美玉器的發現，玉器研究也逐漸從傳統金石學轉向考古學研究的方向，集中於聚落或墓葬研究。 / 源於石器研究領域的操作鏈方法為玉器技術研究提供了新的方向和視角。它注重動態性、持續性和完整性，將靜態遺存轉變為動態過程，還原某一特定的生產流程，通過比較不同群體的技術系統還原其背後社會、認知層面的異同。 / 操作鏈方法應用於玉器研究主要可以從聚落和作坊遺址兩個角度展開，本文以後者為重，選取環珠江口地區的白芒遺址個案分析，將操作鏈概念應用於玉石飾物作坊研究中，並進而尋找環珠江口地區不同遺址之間存在的生產消費關係，以及環珠江口地區作坊遺址所代表的技術與文化特徵。 / Since Wu Da-zheng’s Catalogue of Ancient Jades (Gu yu tu kao) in the Qing Period, research of Chinese jades has largely focused on analyses of their social and ritual significances. In latter half of the 20th century, excavations in Liangzhu, Hongshan, and Xinglongwa culture sites discovered many prehistoric jades. These important discoveries gradually shifted ancient jade studies to an archaeological approach, focusing on the settlement and burial contexts of the jades. / The use of the Chaîne Opératoire (French for "operational sequence") method in lithic studies has provided us a new research perspective and direction in the study of jades. This method pays attention to the full life history of the jades, from production to consumption and abandonment, which is treated as a dynamic and continuous process. Furthermore, it allows us to analyze the social and cognitive dimensions of the jade users through comparisons of the jades’ production technologies and use wear. / This paper applies the chaîne opératoire method to study jades by analyzing related settlements and lapidary workshops, especially the latter. Using the lapidary workshop at Pak Mong site on Lantau Island as the main case study, this study will examine the production and consumption of the Pearl River Delta region, and discuss the technological and cultural characteristics that these lapidary workshops represent. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 温雅棣. / Thesis (M.Phil.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 77-88). / Abstracts in English and Chinese. / Wen ya di.

林曉東. / 呈交日期"一九九八年十二月". / 論文 (藝術碩士)--香港中文大學, 1999. / 參考文獻 (leaves 36-37). / 附中英文摘要. / Cheng jiao ri qi "Yi jiu jiu ba nian shi er yue". / Lin Xiaodong. / Lun wen (yi shu shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves 36-37). / Fu Zhong Ying wen zhai yao. / 目錄 --- p.1 / 前言 --- p.3 / 提要 --- p.4 / Abstract --- p.5 / Chapter 第一章 --- 現代藝術的起始與界定 --- p.6 / 現代藝術是甚麼 --- p.6 / 現代藝術起始之歧見 --- p.7 / 現代藝術之本文界定 --- p.8 / Chapter 第二章 --- 藝術媒介的界定 --- p.11 / 傳統藝術品的功能指涉´ؤ´ؤ服務對象與之帶來的標準 --- p.11 / 藝術品的功能指涉之轉向與新媒體的出現´ؤ´ؤ媒介分劃的再界定 --- p.13 / Chapter 第三章 --- 圖像的承繼與流傳一攝影術 --- p.18 / 圖象的特質與文字的關係 --- p.18 / 攝影術中的原物與複本 --- p.24 / Chapter 第四章 --- 從一件藝術作品的完成：反思藝術媒介的本質 --- p.26 / Chapter 1. --- 社會文化 --- p.28 / Chapter 2. --- 作者 --- p.28 / Chapter 3. --- 意念 --- p.28 / Chapter 4. --- 製作 --- p.29 / Chapter 5. --- 成品 --- p.30 / Chapter 6. --- 命題 --- p.30 / Chapter 7. --- 觀眾 --- p.31 / Chapter 8. --- 觀賞 --- p.31 / Chapter 9. --- 討論 --- p.32 / Chapter 10. --- 紀錄 --- p.32 / Chapter 11. --- 流傳 --- p.32 / Chapter 12. --- 時間性 --- p.33 / Chapter 第五章 --- 總結 --- p.34 / 參考書目 --- p.36 / 附圖 --- p.38

Thesis (Honors)--College of William and Mary, 2008. / Includes bibliographical references (leaves 79-81). Also available via the World Wide Web.