<p> The diagnostic category of PTSD does not capture culture-relevant symptomatology, that is, somatization, for Cambodian refugees in the United States. Somatization may function as a buffer against chronic PTSD symptomatology in Cambodian refugees because somatization represents a culture-specific coping strategy for this population. The purpose of the present study is to assess the correlation between somatization and degree of PTSD symptoms. The study also addresses the mental health disparities in the Cambodian refugee population in order to inform the literature on access to better trauma-informed mental health services. </p><p> Participants were recruited from community mental health agencies in Oakland, CA and Long Beach, CA. Two "data-gathering" groups of Cambodian refugees (<i>N</i> = 26) were administered a demographic questionnaire, the Harvard Trauma Questionnaire-Revised (HTQ-R) and the Somatoform Dissociation Questionnaire-20 (SDQ-20) in Khmer and English. The correlational relationship between demographic variables was also analyzed in order to explore contextual factors behind the findings of the study's main research question. Recommendations for assessment and treatment of PTSD in Cambodian refugees were then discussed based on the study's findings. Health care utilization by Cambodian refugees was examined and recommendations were suggested for improvement in public policy and health care services.</p><p> The hypothesis of this study that the level of somatization was inversely related to degree of PTSD symptomatology in Cambodian refugees was not supported. The Pearson Correlational Coefficient analysis produced a statistically significant positive relationship (<i>r</i> = .34) between somatization and traumatization in Cambodian refugees as measured by scores on the SDQ-20 and the HTQ-R. The role of specific somatoform symptoms in the chronicity of PTSD symptomatology was explored. The positive correlation found between the SDQ-20 and HTQ-R supported previous research, demonstrating the relationship between somatoform dissociation and higher PTSD symptomatology in Cambodian refugees. </p>

<p> This thesis explores Japanese society through the lens of cultural hybridity and liminality to understand the shift towards nonconformity and hyper-individualism among post-postwar Japanese. This shift reflects an important point in Japan's transculturation process whereby post-postwar Japanese have developed a cultural hybridity of inbetweenness (liminality) juxtaposing their native Japaneseness (<i>wakon</i>) against their adopted Westernness (<i>y<span style="text-decoration:overline"> o</span>kon</i>). This <i> wakon-y<span style="text-decoration:overline">o</span>kon </i> hybrid construct is posing a challenge to Japan's longstanding hybrid modernity philosophy of <i>wakon-y<span style="text-decoration:overline"> o</span>sai</i> (Japanese spirit- Western things), which perpetuated the pre-modern core values and collectivist ethics of Japaneseness for nearly 150 years below its fa&ccedil;ade of Western modernity. The dilemma inherent in Japan's <i>wakon-y<span style="text-decoration:overline"> o</span>kon</i> in-betweenness is foreshadowed in the pioneering works of Abe K<span style="text-decoration:overline">o</span>b<span style="text-decoration:overline"> o</span> and Murakami Haruki, who both illuminated the conflicting juxtaposition of the core values and ethics of Japaneseness (wakon) and <i>seken</i>-Other (the jury-surrounding- the-Self) against the pursuit of the individualist ethics of Westernness (y<span style="text-decoration:overline"> o</span>kon) and Selfhood (<i> shutaisei)</i> within their imaginaries. </p>

This thesis explores the changing identity of Asian North American women in the past thirty years through the analysis of the work of three Asian North American female artists, Liu Hung (b.1948), Jin-me Yoon (b.1960), and Nikki S. Lee (b.1970). It argues that Asian North American female identity has evolved in three stages: firstly, it shows a close connection with a diasporic imagined community bound by ones cultural origin; secondly, it is rooted in a settled diasporic community, meanwhile remains tied to the original homeland as an imaginary political space for unification; lastly, the new transnational Asian female identity rejects classification based on race and gender and embraces an identity rooted in globalization. / History of Art, Design and Visual Culture

Thesis (M.S.)--Indiana University, 2005. / Includes bibliographical references (leaves 93-101). Also available online (PDF file) by a subscription to the set or by purchasing the individual file.

Thesis (M.S.)--Indiana University, 2005. / Includes bibliographical references (leaves 93-101).

Thesis (Ph.D.)--York University, 2006. Graduate Programme in Geography. / Typescript. Includes bibliographical references (leaves 305-324). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR19799

Thesis (M.A.)--California State University, Sacramento, 1993. / Title from PDF image of title page (viewed Apr. 15, 2008). Includes bibliographical references (p. 128-137).

Thesis (Ph. D.)--UCLA, 2007. / Includes bibliographical references (leaves 240-261).

Thesis (Ph. D.)--University of Notre Dame, 2009. / Thesis directed by Rory McVeigh and William Carbonaro for the Department of Sociology. "October 2009." Includes bibliographical references (leaves 200-210).

Thesis (Ph. D.)--University of Michigan, 2000. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 354-369).