This study investigates the shofar and it´s relation to classical music in modern and contemporary time, and examine the cause of this interest in the western world among composers and musicians, namely the unique sound. The origins of the shofar stems from the Tanakh as a sacred ritual instrument and as a marketer of time up until today. Through rabbinic efforts of interpreting and preserving the authentic doctrines it has survived throughout millennia. With this newfounded interest conflicts and discussions of whether the shofar should be contained within its jewish sacred context of frame or whether it should be allowed to be used in profane music jewish or otherwise. With this paper I want to bring attention to the complex situation of the use of shofar and it´s motives in a profane world. Is it possible to take the shofar out of its traditional jewish context and maintain its reverence and authentic status of dignity. Through hermeneutic method these issues will be highlighted.