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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The history of bands in Union City, Tennessee

Unknown Date (has links)
The band movement in America has played a prominent role in the development of its cultural life. The large number of bands participating in numerous school and civic activities each year is a criterion by which one may ascertain the place of bands in the culture of America today. The degree to which bands have contributed to this culture is evidenced by the growth of the movement itself, as well as the demands placed upon it. Sunderman stated that in a survey made in 1943 there were over 2,000,000 players registered in approximately 25,000 bands and 40,00 orchestras in the American public schools alone. / Advisor: Robert L. Briggs, Professor Directing Paper. / Typescript. / "August, 1954." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Music Education." / Includes bibliographical references (leaves 77-79).
2

The Development of Bands from the Baroque Period to the Present

Lee, Noah Aquilla, Jr. 08 1900 (has links)
The following chapters concern the development of bands of musical wind instruments in Europe and America. These groups may be most conveniently divided into two main classes of bands, military and civilian. Military bands may be defined as those organizations directly under governmental or army rule. This large class of bands includes: brigade bands, regimental bands, post bands and service bands. Brigade bands in early English history comprised two or more regimental bands, each regiment maintaining several bands. These groups were also popular in colonial America. In turn, each regiment of the military (army) had units of companies including troops, batteries, or cavalries. The units were authorized to maintain bands in their respective companies; fife and drum bands were also included. Certain bands of these companies were stationed permanently at military headquarters; these are referred to as post bands. In this country an increase in the number of regular army bands (infantry, cavalry, and artillery) has been marked since the latter part of the nineteenth century. These army bands and those of other branches (navy, marine corps, air force, coast guard, etc.) are included under the general name of service bands. The second main class includes a large group of civilian bands. As the name implies, the organizations are composed of civilians and are independent of the military groups. This class includes: circus bands, fraternal bands, industrial bands, organized militia bands, professional bands, school bands, and town or independent bands. The militia bands were bodies of citizens enrolled as military forces for a period of instruction; they were not called into active service except in an emergency. These other civilian, groups perform for civic functions, ceremonies, etc. History shows that the civilian bands have imitated the military bands in instrumentation and repertoire. It is quite apparent that the original army or military band gave rise to the origin of the civilian type of band. Today it is quite common to refer to a civic group as a "military" band, the term actually meaning the size of instrumentation rather than the personnel. Other terms describing instrumentation are "concert" and "symphonic" which may apply to either of the two main classes of bands.
3

The American community band history and development /

Hartz, Jason Michael. January 2003 (has links)
Thesis (M.A.)--Marshall University, 2003. / Title from document title page. Document formatted into pages; contains viii, 53 p. Includes bibliographical references (p. 41-44).
4

The marching band and its sound on the field a thesis submitted in partial fulfillment ... for the degree of Master of Music (Music Education) /

Runsten, Gary W. January 1971 (has links)
Thesis (M.M.)--University of Michigan, 1971.
5

Amateur brass and wind bands in southern England between the late eighteenth century and circa 1900.

Lomas, Michael John. January 1990 (has links)
Thesis (Ph. D.)--Open University. BLDSC no. DX92093. / 2 volumes.
6

The marching band and its sound on the field a thesis submitted in partial fulfillment ... for the degree of Master of Music (Music Education) /

Runsten, Gary W. January 1971 (has links)
Thesis (M.M.)--University of Michigan, 1971. / eContent provider-neutral record in process. Description based on print version record.
7

Factors related to students' decisions to continue in band

Stewart, Jennifer Laura. January 2002 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references. Available also from UMI Company.
8

The marching band and its sound on the field a thesis submitted in partial fulfillment ... for the degree of Master of Music (Music Education) /

Runsten, Gary W. January 1971 (has links)
Thesis (M.M.)--University of Michigan, 1971. / eContent provider-neutral record in process. Description based on print version record.
9

History, analysis and repertory of the symphonic band in the United States

Boyd, Earl Woodrow. January 1946 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1946. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [107]-108).
10

Essential and desirable music and music-teaching competencies for first-year band instructors in the public schools

Parr, Jerry Duane, January 1976 (has links)
Thesis--University of Iowa. / Includes bibliographical references (leaves 213-217).

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