Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-04-11T19:30:44Z No. of bitstreams: 1 FranciscoMagnoSilvaDeAraujo_TESE.pdf: 1713229 bytes, checksum: 18e387f2df272def69ee51d15c6438c0 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-04-12T19:39:16Z (GMT) No. of bitstreams: 1 FranciscoMagnoSilvaDeAraujo_TESE.pdf: 1713229 bytes, checksum: 18e387f2df272def69ee51d15c6438c0 (MD5) / Made available in DSpace on 2018-04-12T19:39:16Z (GMT). No. of bitstreams: 1 FranciscoMagnoSilvaDeAraujo_TESE.pdf: 1713229 bytes, checksum: 18e387f2df272def69ee51d15c6438c0 (MD5) Previous issue date: 2017-02-20 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / O presente estudo prop?e analisar a primazia estil?stica d?O Ateneu (1888) de Raul Pomp?ia, buscando mostr?-lo como romance que elege a poesia como mat?ria de cria??o, motivo pelo qual se revela uma das obras mais modernas da Literatura Brasileira. A par de ampla releitura da bibliografia pertinente, que parte da revis?o da fortuna cr?tica do livro em correspond?ncia com a teoria da recep??o, busca-se mostrar a mec?nica da ?cr?nica de saudades? de S?rgio por meio de tr?s procedimentos: primeiro, como transposi??o aleg?rica da realidade para a f?bula; segundo, como metalinguagem po?tica atualizada na forma do romance; e, por fim, como reciclagem barroca de antigos c?digos ret?ricos na moderna prosa de fic??o. / The present study proposes to analyze the stylistic primacy of Raul Pomp?ia?s O Ateneu (1888), seeking to show it as a novel that elects poetry as the creative material, making of it one of the most significant works within the Brazilian literary panorama. Along with a broad re-reading of the pertinent bibliography, which starts from the review of the book's critical fortune in correspondence with the reception theory, it seeks to show the mechanics of S?rgio's "chronic of homesickness" through three procedures: first, as an allegorical transposition of reality into the fable; second, as a poetic meta-language updated in the form of the novel; and, finally, as baroque recycling of old rhetorical codes in modern fictional prose.