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Anton Felix SchindlerHüffer, Eduard, January 1909 (has links)
Thesis (doctoral)--Universität Leipzig, 1909. / Bibliography: p. [v]-vi.
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An aesthetic analysis of the Beethoven Quartet opus 59 number I, first movementWaltz, Howard. January 1939 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1939. / Typescript. eContent provider-neutral record in process. Description based on print version record.
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33 |
Beethoven as pianist a view through the early chamber music /Parr-Scanlin, Denise, January 1900 (has links) (PDF)
Thesis (D.M.A.)--University of Texas at Austin, 2005. / Vita. Includes bibliographical references.
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From waltz to minuet a narrative journey of memory in Beethoven's "Diabelli Variations", Op. 120 /Jensen, Lia M. January 1900 (has links)
Thesis (Ph.D.)--University of Nebraska-Lincoln, 2006. / Title from title screen (site viewed Aug. 22, 2007). PDF text: 422 p. : music, facsim. UMI publication number: AAT 3211384. Includes bibliographical references. Also available in microfilm and microfiche formats.
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The Beethoven folksong project in the reception of Beethoven and his musicLee, Hee Seung. January 2006 (has links)
Thesis (Ph. D.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 171-182).
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Was die Mode streng geteilt?! Beethovens Neunte während der deutschen TeilungStahl, Christina M. January 2009 (has links)
Zugl.: Dortmund, Techn. Univ., Diss., 2009
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A Comparison of the Variation Technique Employed by Beethoven and CoplandParrish, Mary Kay, 1940- 05 1900 (has links)
Draws a comparison between the piano variation techniques of Beethoven and Copland with reference only to the two works discussed herein, Thirty-Two Variations and Piano Variations, with the intent of gaining from these isolated examples knowledge of the changes in variation writing from Beethoven's time to the present.
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Karajan the interpreter : a critique /Burgess, Parke G. January 1997 (has links)
Thesis (D. Mus. Arts)--University of Washington, 1997. / Vita. Includes bibliographical references (leaves [360]-363).
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39 |
The cyclical principle as used in the construction of piano sonatas.Moore, William Howard, January 1975 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: J. Marion Magill. Includes bibliographical references.
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The influence of Wolfgang Amadeus Mozart on the creative life and output of Ludwig van Beethoven : a cross-genre investigation /Briggs Roberts, Jeremy Ryan. January 2004 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2004. / Vita. Includes bibliographical references (leaves 120-122).
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