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11	Power, truth, and knowledge in modern Hispanic narrative Manuel Zeno Gandía, Vicente Blasco Ibáñez, and Benito Pérez Galdós / Nalbone, Lisa J. Gomariz, José. January 1900 (has links) Thesis (Ph. D.)--Florida State University, 2006. / Advisor: José Gomariz, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed June 8, 2006). Document formatted into pages; contains vi, 75 pages. Includes bibliographical references.
12	Theorizing Sonata Form from the Margins: The Keyboard Sonata in Eighteenth-Century Spain Espinosa, Bryan Stevens 05 1900 (has links) This study describes a set of salient formal norms for the eighteenth-century Spanish keyboard sonata through an application of Hepokoski and Darcy's sonata theory, William Caplin's form-functional theory, and Robert Gjerdingen's schema theory. It finds that particular thematic types, intra-thematic functions, and rhetorical markers characterize this repertoire. In order to trace the development of these norms throughout the eighteenth century, this work is organized into two parts. The first part (Chapters 2 and 3) examines the mid-century Spanish keyboard sonatas of Sebastián de Albero (1722–1756), Joaquín Ojinaga (1719–1789), and their contemporaries. The second part (Chapters 4 and 5) examines the late-century Spanish keyboard sonatas of Manuel Blasco de Nebra (1750–1783) and his contemporaries. Sonata Sonata Form Keyboard Sonata Music of Spain Music Eighteenth Century Eighteenth-Century Music Sonata Theory Form Functions Schema Schemata Schema Theory Keyboard Piano Albero Ojinaga Blasco de Nebra Music

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Power, truth, and knowledge in modern Hispanic narrative Manuel Zeno Gandía, Vicente Blasco Ibáñez, and Benito Pérez Galdós /

Theorizing Sonata Form from the Margins: The Keyboard Sonata in Eighteenth-Century Spain