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The music of Ernest BlochJones, William M. January 1963 (has links)
Thesis--Indiana University. / Vita. Includes bibliographical references.
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Selected cello works of Ernest Bloch : a descriptive essay /Becker, Karen Andrews, January 1999 (has links)
Thesis (D.M.A.)--University of Texas at Austin, 1999. / Vita. Discography: leaves 77-79. Includes bibliographical references (leaves 80-83). Available also in a digital version from Dissertation Abstracts.
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The viola in early twentieth-century music : a performer's analysis of works by Rebecca Clarke, Paul Hindemith and Ernest Bloch /Man, Pauline. January 2005 (has links) (PDF)
Thesis (M.Phil.) - University of Queensland, 2006. / Includes bibliography.
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Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958) -- a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and OthersStirzaker, Kim E. (Kim Elizabeth) 05 1900 (has links)
The lecture was presented on November 18, 1991. This presentation focused on the only two compositions for solo flute and orchestra by Ernest Bloch. Written during the last three years of the composer's life, the pieces are representative of his last style period. While Suite Modale is neobaroque in style, Two Last Poems is much more subjective. Together they represent a synthesis of many of the stylistic characteristics of Ernest Bloch. The musical parameters discussed included form, melody, texture, rhythm, harmony, and expressive devices.
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An analytical look at trumpet solo works by Eugène Bozza, Vincent Persichetti, Halsey Stevens, Alexander Arutunian, Eric Ewazen, and Ernest BlochCaldwell, Deborah January 1900 (has links)
Master of Music / Department of Music, Theatre, and Dance / Gary C. Mortenson / This report is an analysis and exploration of the following works: Eugène Bozza’s Caprice, Vincent Persichetti’s The Hollow Men, Halsey Stevens’s Sonata for Trumpet and Piano, Alexander Arutunian’s Concerto for Trumpet, Ernest Bloch’s Proclamation, and Eric Ewazen’s Grand Valley Fanfare.
The purpose of this report is to aid performance preparation of these pieces by providing thematic and formal analysis as well as identifying general unifying elements for each piece. Once identified, these patterns will help the performer communicate the broad musical ideas to the audience by finding a balance between the technical aspects and musical statements in each work.
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