The life and work of Bob Krčil have so far been known from fragments and unsubstantiated legends. The aim of this essayistic piece is to lay out the deeper motives of his personal trajectory, photographic oeuvre, and activities for the Czech exile community. Krčil’s photographic body of work is inseparably connected with his eventful life. The writing of the thesis was preceded by tracking down and putting together Krčil’s fragmented estate, sorting out his correspondence and writings, and interviewing people who knew him personally. By drawing on these materials, the thesis aims to provide insight into the life and motivations of this important figure of Czech exile culture.

Plant physiologist Bohumil Němec is one of the most important people in the history of Czech science. In this thesis, crucial concepts and theories that B. Němec developed in his scientific and popularizing publications are described and put in context. In addition, materials from the personal fond of B. Němec located in the Archive of the CAS were used. Particular questions tackled in this thesis are those of stimuli transmission in plants, the starch-statolith theory of gravitropism, morphaesthesia, organogenes, Němec's approach to evolutionary theory, and genetics, and the division of organisms in two groups. Moreover, Němec's role in the contemporary debates about vitalism, mechanism, and the effect of these two philosophies on the approach towards scientific research is indicated. By that, Němec's transition from the mechanism to the so-called physiology of stimuli (Rheizphysiologie) is illustrated. The outcome of the thesis is broadening the knowledge in the history of plant physiology, especially the history of the natural sciences in the Czech context.

This thesis is deals with Hrabal's novella Too Loud a Solitude in the English translation and its reception. First, it briefly describes Hrabal's life and work in the context of the co called normalization period in Czechoslovakia, focusing on the novella itself and the three variations of the original Czech text. Before the translation analysis, the possible source text for the translation is discussed since the endings of the Czech text and the English translation are considerably different. The source of the difference was determined by consulting the French translation and related commentary. The analysis compares the ending of the original with the endings of the English and the French translation, translation of proper names and three selected sections of the Czech and the English text. Afterwards, the thesis describes the reception of the novella in Czech and English literature and also readers' reviews at the Goodreads website. The analysis and the reception are assessed on the basis of the theory of cultural manipulation. The most important achievements are: identifying the source text for the English translation, description of translation method and shifts and discussion of differences between the Czech and the English attitude to the novella. Powered by TCPDF (www.tcpdf.org)

This diploma thesis (Journalism of Social Democratic Exile after February 1948 /1948- 1953/) studies the history of social democratic party in exile between the years 1948 and 1953 with special focus on journalism, news service and propaganda. The thesis describes formation of party fractions and deals with how they defined themselves, communicated and presented themselves in the media. The thesis then goes on to analyse the newspaper format, production and financing thereof as well as the number of copies. It looks into broadcasting activities of social democrats and their plans related to the setup of illegal radio. Based on the cases of party secretary Vilím Blažej and Bohumil Laušman, the last party chairman prior to February 1948, the thesis analyses the question whether single groups within the party in the given time period tried by its journalistic activities to primarily influence events in Czechoslovakia or whether these efforts slowly faded due to rivalry between fractions and frustration over hopeless political situation and lack of audience in such an extent that media outputs were later on confined only to discussions within the party and to barely expressing political views.

1 Abstract The diploma thesis Fragments of a Love Story (in Photographs) focuses on visuality of a lover's speech; it follows various possible connections between the media of photography and text. In comparison with the disintegrating lover's discourse, as developed by Roland Barthes in A Lover's Discourse: Fragments, and in a dialogue with it, the thesis highlights love story as a traditional way of expressing a love theme. The elaboration of the topic is based on the interpretation of works written by Vasily Rozanov (Opavshie list'ya), Jakub Deml (Listy Jakuba Demla Otokaru Březinovi), Ludvík Vaculík (Český snář), Bohumil Hrabal (Vita nuova) and others. An appendix that includes the discussed photographs accompanies the thesis.

The master's thesis Čin magazine in 1929 - 1939 deals with the cultural-political magazine Čin, which was issued in Prague in between the world wars. This left-wing and democratically orientated weekly, later a fortnightly, magazine focused on current cultural and public issues within former Czechoslovakia. The thesis aims to provide a thorough profile of what was an important and distinctive periodical in its time. Firstly, the thesis deals with outlining the notion of the magazine within the mass media, further on it describes the characteristics of the media landscape in the period of the first and second republic, where the printed media and their related area of problems are dealt with in detail. A subchapter on the cultural and political standing of Czechoslovakia in the 20s and 30s of the 20th century is also included, the focus is also on the position of the Čin magazine in the array of magazines of that time. The ensuing parts of the thesis already deal with the periodical itself, firstly in the period from 1929 to 1936, when the magazine was under the leadership of Marie Majerová, and secondly in the period of leadership of Bohumil Přikryl, that is from 1937 to 1939. These separate chapters inform about the publisher of the Čin magazine, the eponymous press and publishing cooperative of...

Mgr. Ing. Maria Molchan Bohumil Hrabal v ruských překladech Богумил Грабал в русских переводах Bohumil Hrabal in Russian Translations Abstract The aim of this doctoral thesis is to analyze existing translations of Bohumil Hrabal's works into the Russian language, to create an adequate translation of Hrabal's novel Harlequin's Millions, to accompany it with an introspective commentary on the translation process, and to place it into the context of the current translational norm. The present work can be defined as an empirical-analytical study. The empirical part of the thesis consists of the first translation ever done of Harlequin's Millions into Russian preceded by a complex theoretical-analytical study. This study has a multilevel structure and includes translation criticism of Hrabal's works in Russian based on a special methodological framework, which was developed specifically for the purposes of our research. The study also covers the issue of translational norm, offers a review of secondary literature on Hrabal, and defines the author's role among other Czech writers on the Russian book market. The translation of Harlequin's Millions is followed by an extensive multilevel analysis of the novel's translation, including its correspondence with the existing translational norm in Czech-Russian...

This thesis focuses on a media image of children's choirs influenced by the so-called "Kulínský Case". The aim of this thesis is to find out how and how often the Czech press informs about children's choirs and if the aforementioned case somehow changed the presentation of this content. The term "Kulínský Case" refers to the controversial case when choirmaster Bohumil Kulínský was found guilty of sexually abusing underage girls. First part of this thesis covers the media theories such as the news values and also describes the concepts linked with choir singing. In the research part, the results of quantitative and qualitative content analysis of three Czech daily newspapers Mladá fronta DNES, Lidové noviny and Právo are presented and interpreted. The analysis is focused on the content published in Prague editions of these three newspapers in two selected time frames. These time frames had been selected in accordance with the development of the "Kulínský Case". The research focuses on the frequency of the published texts, on used genres, newspaper sections and on the meaning and quality of the texts. Afterwards ensues the comparison of the two selected time frames. Furthermore, the last part of this research is focused on the media coverage of the death of Bohumil Kulínský by the online news...

Diploma thesis "I become speech." Death and Return of the Author in the Perspective of Philosophy of Identity focuses on the question of inclusion of the author into the interpretation of literary text and aims to highlight the fruitfulness of such inclusion as well as some of its dangers. The thesis is divided into three parts. In the first part the author of the thesis presents a polemic account of some antiauthorial approaches, especially the "death of the author" as appearing in the texts of R. Barthes, M. Foucault and Jacques Derrida, along with a short mention of antiintentionalism of W. K Wimsatt and M. C. Beardsley and a theory of the model author by U. Eco. The common feature of the aforementioned antiauthorial theories is a reductive idea of the author and his relation to text - the problematic aspects of authorial interpretation, which their texts wish to make evident, is then only a consequence of the problematic underlying notion of the author-subject. The second part of the thesis intends to present an alternative theoretical understanding of the "real author" using the philosophy of identity od J. Butler and P. Bourdieu. These authors are proposing a theory of a person who is not understood as a "real thing" that would be available for a complete delimitation, description and...

The detailed comparative analysis of four Czech translations of Alexander Blok's poem The twelve is at the crux of this diploma thesis. Concurrently, it sets the assessment of translation mastery of each translation based on criteria of poetry translation as defined by the signifiant Czech theorecian Jiří Levý. Aesthetic interpretaton of the poem and the description of distinctive features of Block's poetry precede the main part of the thesis. The author comes to a conclusion only two of the translations can be called acceptable to present-day readers (Vojtěch Jestřáb's and Václav Daněk's translations). Nevertheless, the translation by Bohumil Mathesius has a certain aesthetic quality, and if it is looked at from a historical perspective it can be appraised as succeful translation work. The very first translation by young Czech poet Jaroslav Seifert satisfies current poetry translation criteria the least. But there is also an another reason for it: both the Seifert's and Mathesius's translations are greatly influenced by the former language standard (the language obsolescence manifests itself at differet levels). Yet, the latest translations differ too. Jestřáb's method focuses upon stressing exotisicm in his translation, whereas Daněk concentrates on naturalisation. Considering the fact that both...