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A study and analysis of the instrumental theme and variations in Benjamin Britten's The turn of the screw /Smith, Sara Elizabeth. January 1983 (has links)
Thesis (M.A.)--University of Rochester. / Typescript (Photocopy). Includes bibliographical references (leaves 125-127). Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3990
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Expanded perceptions of identity in Benjamin Britten's Nocturne, op. 60Perkins, Anna Grace. January 2008 (has links)
Thesis (M.M.)--University of North Texas, 2008. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 64-67).
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Early Benjamin Britten : a study of stylistic and technical evolution /Mark, Christopher, January 1995 (has links)
Texte remanié de: Thesis--Southampton, 1989. / Bibliogr. p. 343-344. Index.
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The conflict of good and evil a musical and dramatic study of Britten's "Billy Budd" /Boubel, Karen Anne, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1985. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 212-213).
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Benjamin Britten's Sonata in C for cello and piano, op. 65 a practical guide for performance /Lee, Jeong-A, January 2009 (has links)
System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 13, 2002, Apr. 18, 2003, Oct. 31, 2005, and Oct. 29, 2008. Includes bibliographical references (p. 46-49).
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Institutional voices : five Britten operasMcKellar, Shannon Colwyn January 1998 (has links)
No description available.
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A study of concept of Britten's cello sonata opus 65Chang, Ting-Yi 09 September 2004 (has links)
Benjamin Britten was a British composer who was notable in the twentieth century. His masterpieces in composing, conducting or in piano performance profoundly affected the later ages. This dissertation discussed his unique features in his creation and the use of skills in the cello sonata.
Britten¡¦s motivation of creation was inspired by the perfect skills in performing cello music of Mstislav Rostropovich. First at all, this dissertation discussed Benjamin Britten¡¦s creative opinion of cello sonata and briefly mentioned the music environment at that time in the view of the British contemporary music. In addition, it introduced Britten¡¦s background in order to know the influences of his following musical creations. Lastly, the backbone of this dissertation was to analyze the inter-correlation of the musical forms, tonal analysis, motives, intervals and themes of the masterpiece, in order to induct the original idea of this composition.
Britten¡¦s cello sonata not only combined the musical elements from traditional and contemporary period, but also used proper skill to perform the content of cello sonata in the adept skills. I hope the dissertation helped players perform this sonata wonderfully and correspond Brittan¡¦s music languages. Beside music lovers will able to get closer to his deeply thought from this dissertation.
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Autour d'Albert Herring : recherches sur l'expression de l'humour dans la musique vocale et lyrique de Benjamin Britten /Desblache, Lucile, Bayer, Francis, January 1987 (has links)
Th. 3e cycle--Musicologie--Paris VIII--Saint-Denis, 1987. / Contient le texte du livret "Albert Herring" en anglais avec la trad. française en regard. Bibliogr. f. 289-311. Index.
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An analytical study of the Sonata in C for cello and piano by Benjamin Britten.Baker, Charles August. January 1965 (has links)
Thesis (D.M.A.)--University of Rochester, 1965. / Appendix: leaves 240-245. Bibliography: leaves 246-248. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/3873
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The choral style of Benjamin Britten's Spring Symphony and Saint Nicholas a thesis submitted in partial fulfillment ... for the degree of Master of Music (Theory) /DeMol, Karen A. January 1965 (has links)
Thesis (M.M.)--University of Michigan, 1965.
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