Thesis (Ph. D.)--University of Wisconsin--Madison, 1984. / Typescript. Vita. Includes bibliographical references (leaves 261-280).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1981. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 317-325).

"December 2002." / Thesis (Ph.D.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (p. 254-269). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in English and Chinese.

No description available.

The dissertation develops a theory-based, state-centered revisionist explanation of the development of Canadian broadcasting policy during the years 1955 to 1968. The hypothesis contends that state officials seek their own preferred policy outcomes rather than reflecting the preferences of societal actors. The concept of decision points is used to explore the origins of the 1958 Broadcasting Act and the 1968 Broadcasting Act. The evidence suggests the content of these measures was largely determined by bureaucratic actors. Two aspects of the 1968 legislation (the power to approve broadcasting licenses and extension of broadcasting regulatory jurisdiction to cable television) are examined in detail. In both cases, the evidence points to the decisive role of state rather than societal actors in the policy process. Confirmation of the central hypothesis raises questions about society-centered theories of the democratic state.

Thesis (Ph.D.) -- University of Newcastle, 1999. / Department of History. Bibliography: leaves 387-410. Also available online.

No description available.

In the 80's, European broadcasting changed dramatically. The rising of new technologies resulted into a growing number of TV programmes' demand while the amount of supply stays unchange. / There are two European strategies: (1) A regulation policy, with the European directive "Television without frontiers"; (2) A promotion of European programmes industry, with MEDIA and EUREKA. / The challenge is beyond the means implemented until now. The building of European audiovisual industry is a slow process, since cultural union and economic union are linked.

Thesis (M.P.A.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 149-151).

Thesis (M.P.A.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 149-151). Also available in print.