Spelling suggestions: "subject:"cantata""
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Doctoral thesis recital (mezzo-soprano)Fernandes, Joanna T. 20 July 2012 (has links)
Lieder eines fahrenden Gesellen / G. Mahler -- Aria des letters from Werther / J. Massenet -- Cinco canciones negras / X. Montsalvatge -- Cantata / J. Carter. / text
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Doctoral thesis recital (choral conducting)Bolin, Joseph 10 April 2014 (has links)
Requiem / Maurice Durufle -- Ach wie fluchtig, ach wie nichtig, BWV 26 / J. S. Bach. / text
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Doctoral thesis recital (conducting)Arredondo, Daniel II 21 May 2014 (has links)
Wie schon leuchtet der Morgenstern, BWV 1. / text
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Go down death; a cantata for solo and mixed voices; poem by James Weldon Johnson; music by Myrtlebelle JarrettJarrett, Myrtlebelle, 1913- January 1937 (has links)
No description available.
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The fool's prayer, cantataPhilibosian, Aram Edward, 1919- January 1942 (has links)
No description available.
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Stylistic Influences and Application of Gebrauchsmusik in the Late Choral Cantatas of Daniel PinkhamBrown, Trent R. January 2009 (has links)
Daniel Pinkham (1923-2006) composed numerous works for chorus, orchestra, organ, and combinations of these forces. This body of repertoire comprises a broad and eclectic collection of styles and levels of complexity. Pinkham’s compositional career was driven by the commissions he received, and the diversity of his oeuvre is a reflection of the varying size, make-up, and ability of the commissioning ensembles. Pinkham’s compositions show influences of his mentors, and are colored by his tastes and philosophy. The stylistic contrast in Pinkham’s choral cantatas as a whole makes it difficult to place the works into categories or style periods. In his late cantatas, however, an amalgamation of styles is found. Multiple elements from his past can be found in his late works. Additionally, the application of Gebrauchsmusik as understood by Pinkham is evident in these late compositions. This potpourri of Pinkham’s musical interests melds to create a unique sound - distinctly contemporary by twentieth-century standards - that maintains accessibility for a broad range of performers and listeners. The purpose of this study is to demonstrate that in Pinkham’s late choral cantatas - specifically Advent Cantata (1991) and The Creation of the World (1994) - his compositional style is defined by serial writing, economy of means, and classic formal structures, and these devices are utilized in a fashion consistent with the composer’s understanding of Gebrauchsmusik.
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Religious influences on Americah secular cantatas, 1850-1930Bolton, Jacklin Talmage, January 1964 (has links)
Thesis--University of Michigan. / Also issued in print.
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The secular cantatas of Mario Savioni (1608-1685)Eisley, Irving Robert, Savioni, Mario, January 1964 (has links)
Thesis--University of California, Los Angeles. / Vol. 2 contains scores of 5 cantatas by Savioni. "Thematic catalogue of the secular cantatas of Mario Savioni": v. 1, leaves 226-324. Includes bibliographical references. Also issued in print.
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Alessandro Scarlatti's cantatas for soprano and basso continuo, 1693-1705Damuth, Laura. January 1993 (has links)
Thesis (Ph. D.)--Columbia University, 1993. / Includes bibliographical references (leaves 239-249).
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Religious influences on Americah secular cantatas, 1850-1930Bolton, Jacklin Talmage, January 1964 (has links)
Thesis--University of Michigan.
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