Malgré son indéniable talent, le peintre vénitien Leonardo Corona est négligé : la seule étude systématique qui lui ait été consacrée remonte à une quarantaine d’années (E. Manzato, « Leonardo Corona da Murano », Arte veneta, XXIV, 1970, p. 128-150). Grâce aux nombreux documents inédits que nous avons découverts dans les archives vénitiennes, nous sommes parvenue à reconstituer au moins en partie sa « vraie vie », fixant la date de mort de Corona à 1596.L’exploration des fonds d’archives nous a permis également de mettre en lumière l’une des caractéristiques les plus fascinantes des chantiers vénitiens de la fin du XVIe siècle : leur « esprit choral », les intervenants étant toujours très nombreux, tant du côté des commanditaires que du côté des artistes. Dans ce travail, nous nous sommes intéressée tout particulièrement à quatre chantiers (les églises de San Zulian, Santo Stefano, Santa Maria Formosa et San Bartolomeo), à fin de reconstituer le contexte historique et social de chacun d’entre eux / Despite his undeniable talent, the Venetian painter Leonardo Corona, has been strongly neglected in recent studies: the only contribution dedicated to him goes back to forty years ago (E. Manzato, “Leonardo Corona da Murano”, Arte veneta, XXIV, 1970, pp. 128-150). Thanks to numerous unknown and unpublished documents discovered in Venetian archives, it was possible to reconstruct the ‘real life’ of Corona, died in 1596.After long and exthensive archival researches it was possible, as well, to highlight one of the most fascinating aspect in Venetian ‘cantieri’ at the end of Sixteenth century: the choral spirit which involved a variety of patrons and artists in several artistic adventures. The research focused on four main Venetian ‘Cantieri’ (the Church of San Zulian, Santo Stefano, Santa Maria Formosa and San Bartolomeo). The intent was to reconstruct the social and historical context that charaterized each of them / Nonostante l’innegabile talento, il pittore veneziano Leonardo Corona è stato fortemente trascurato dalla storia degli studi: l’unico contributo a lui dedicato risale ormai a una quarantina d’anni fa ((E. Manzato, “Leonardo Corona da Murano”, Arte veneta, XXIV, 1970, pp. 128-150). Grazie a numerosi documenti inediti ritrovati negli archivi veneziani, è stato possibile ricostruire almeno in parte la “vera vita” di Corona, morto in realtà nel 1596. L’esplorazione dei fondi d’archivio ha permesso ugualmente di far luce su uno degli aspetti più affascinanti di cantieri veneziani della fine del XVI secolo: lo spirito corale, che vuole coinvolti una molteplicità di attori, tanto fra i committenti che fra gli artisti chiamati ad intervenire. In lavoro si è concentarto su quattro cantieri veneziani (le chiese di San Zulian, Santo Stefano, Santa Maria Formosa e San Bartolomeo), con l’obiettivo di ricostruire il contesto storico-sociale caratteristico di ciascuno di essi

Ce doctorat trouve son origine dans la compréhension des prises de décision et des comportements collectifs des animaux. Comment ces derniers parviennent-ils à effectuer des choix collectivement ?Comment les membres d’un groupe procèdent-ils pour synchroniser leurs comportements spatialement et temporellement ?Mon principal objectif a été de dégager, lors des déplacements collectifs et du fur rubbing chez le capucin moine, les évènements décisionnels dépendants de processus anonymes de ceux dépendants de processus liés à l’identité des individus et à leur réseau de relations sociales au sein du groupe. Dans les prises de décision collective relatives aux déplacements, les membres du groupe sont influencés dans leurs choix par leur identité sociale mais aussi par des mécanismes anonymes, de type mimétique. Le fur rubbing est également un comportement collectif dont les mécanismes sous-jacents incluent une dépendance interindividuelle de type mimétique. Des mécanismes similaires mettant en jeu des interactions entre individus basées sur des règles comportementales simples se retrouvent dans chacun des phénomènes collectifs étudiés. Ces résultats sont les premiers à démontrer l’émergence de prises de décision collective à partir de telles interactions anonymes dans un groupe de primates non humains. Ils permettent de faire le lien entre choix individuels et comportement collectif et de mieux concevoir comment un groupe de primates peut se coordonner, maintenir sa cohésion spatiale et synchroniser ses activités./How do animals reach collective consensus? How do group members spatially and temporally synchronise their behaviour? My main purpose was to demonstrate the respective roles of anonymous processes (contagion, mimetism) and individual-dependent processes (hierarchical rank, age, sex, kin, social relationships) in collective decision-making. During decision-making relating to collective movements, group members’ decisions depend on their social identity (individual-dependent mechanism) as well as anonymous processes. Fur rubbing is also a collective behaviour involving interindividual dependence with mimetic underlying mechanisms. We found similar mechanisms, involving interindividual interactions according to simple behavioural rules, in both collective phenomenon studied. These results are the first to demonstrate the emergence of collective decision-making based on anonymous interactions in a group of non human primates. They help to understand the link between individual choices and collective behaviour and to appreciate how a social group of primates maintain its spatial cohesion and synchronize its activities. / Doctorat en sciences, Spécialisation biologie animale / info:eu-repo/semantics/nonPublished

Full Name: Marek Brčák Thesis title: Capuchin Order and its activities in Bohemia and Moravia between 1673-1783 Abstract This dissertation deals with the history of the Capuchin order in Czech-Moravian territory during 1673-1783. The year of the establishment of the Czech-Moravian Capuchin province is 1673. In 1783, this province was divided into a Czech and a Moravian province; this led to the establishment of two new independent provinces of the Capuchin order. At the same time the upper time limit coincided with the religious reforms of Joseph II., which had essential influence on activities of the Capuchin order. The first chapter introduces a review of the existing secondary literature that deals with this theme, analysing and explaining the methodology used in the thesis. The second chapter describes historiography and archival databases that existed in the Czech-Moravian Capuchin province, which contributed to the formation of collective memory. This chapter also portrays concrete institutions which keep records in their archives on the history of the Capuchin order. The history of the Czech-Austrian Capuchin province is covered in the third chapter. This period witnessed significant progress in admission of new members to the Capuchin order; therefore the thesis examines the national origin of the...

The main topic of this thesis is reconstruction of the monastery like a nursing house for elderly people. The main reasons for this solution is very advantageous position of the monastery in the historic center, the possibility of using the existing building and possibility to use gardens of monastery like an area for relaxation. In gardens of monastery is designed new house for elderly people. This new building is designed with the greatest emphasis on tolerance to the surrounding environment and the historical importance of this area. The footprint of the house follows the trace of the original fortification, which led to the toe of Vlčí věž. It´s floor plan arrangement recalls the letter U. in the center of the house, there is an inner courtyard, which corresponds with the inner courtyard of the monastery. The design of new object is trying to find the best position to fit into the context of the town of Znojmo. At the same time, this arrangement allows the solution to the inner garden, resting place of relaxation, which refers us back to the monastery garden, which occurred in these places since the time of establishment of the monastery.