Based on the first part of the author's thesis, Hamburg, 1957. / Bibliography: p. 179-185.

Based on the first part of the author's thesis, Hamburg, 1957. / Bibliography: p. 179-185.

Que., Mcgill Univ., Diss., 1998--Montreal

Inaug. _ Diss.: Philosophische Fakultät: Zürich: 1975. Bibliogr. p. 124-129.

This is an examination of the position of Catharina Regina von Greiffenberg (1633--1694) with regard to contemporary societal gender-paradigms, which were the conditions under which she produced her literary work; these same conditions are also reflected in her texts. / The first chapter includes a methodological discussion and establishes the importance of applying a socio-historical approach in order to better understand the situation of women in the Baroque period, and of Greiffenberg in particular, in order to answer the question, how it was possible for the author to write and publish at a time that generally excluded women from such activities. / The second chapter provides a brief biography of Greiffenberg and a review of secondary literature, with the main focus on the positioning of the poet within patriarchal society. / The socio-historical framework includes the religious, social, and legal position of women. These include: the hierarchy of power based on gender-roles, definitions of women in marriage, educational paradigms, as well as characteristics typically attributed to women. An analysis of the moral and theological view of women, as outlined by Martin Luther and presented in sermons by Johann Michael Dilherr, evaluates the general conditions for women during the Baroque period and the specific position of Greiffenberg (chapter three). With a similar aim in mind, chapter four examines the genre of "Hatisvaterliteratur" through the example by Wolfgang Helmhard von Hohberg. / This provides a framework for the investigation of Greiffenberg's expressions of her views regarding gender politics. She made the restrictions placed on women a topic in both her published and unpublished texts. She also developed strategies to overcome these restrictions. She found the courage to act against the proscribed role for women by defining her writing as God's will and thus based her profession on a higher authority. She also affirmed the gender-paradigms, while at the same time transgressing their boundaries, whereby she was able to negotiate the roles of both a woman and a publishing writer at a time when one identity conflicted with the other (chapters five and six).

Thesis--Zurich. / Vita. Includes bibliographical references (p. 124-129).

Akademisk avhandling--Teologi--Uppsala, 1982. / Bibliogr. p. 206-215. Index. Résumé en anglais.

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O ano era 1912, e um imigrante italiano e um grupo de irmãos provindos da aristocracia fazendeira encontraram-se nos escritórios sobre o famoso Café Guarany, no pulsante coração comercial da cidade, o Triângulo, para combinarem os trâmites à fundação da primeira fábrica de louças em faiança fina do país, em moldes industriais, produção em série e larga escala, no, então, rural bairro da Lapa. Assim teve início a história da Fábrica de Louças Santa Catharina, posteriormente Indústrias Reunidas Fábricas Matarazzo (IRFM) - São Paulo, que abarrotou a cidade de São Paulo com toneladas de louças brancas ou decoradas feitas em seus inúmeros fornos. Fundada no fulcro dos projetos de modernização para a Paulicéia tão desvairada, fábrica e louças dialogaram com as conjunturas das quais eram agência e estrutura. Formas e motivos espalharam-se pelos diversos consumidores da cidade, desbancando, muitas vezes, o monopólio da louça branca estrangeira, da qual se diferenciou produzindo-se segundo lógicas e tecnologias locais. Esta pesquisa baseia-se na análise do sítio arqueológico Petybon, no bairro da Lapa, cidade de São Paulo, região da Água Branca/Vila Romana, escavado no ano de 2003, que revelou ter sido o local de uma antiga fábrica de louças em faiança fina, inaugurada em 1913, fundada meio à maciça imigração italiana e o financiamento das indústrias pelo capital do café. Funcionou até 1937, já pertencente aos Matarazzo que a adquiriram em 1927. O local tem extrema relevância não apenas no contexto da Arqueologia Urbana no Brasil, como também enquanto exemplar dos primórdios da industrialização do país e da história da produção da louça nacional, parcamente tratada pela literatura, pouco valorizada e identificada, apesar de sua freqüência nos sítios arqueológicos do século XX. / The year was 1912, and an Italian immigrant and a group of brothers, drawn from an Aristocratic family farmer, met at an office above the famous Guarany Coffee House, in the beating heart of the city, the Triangle, to establish a fellowship and combine the procedures to the foundation of the first refined earthenware factory in the country, based on an industrial manufacturing, by a mass and large scale production, at the rural district of Lapa. That was the beginning of the history of Santa Catharina Pottery Factory, later Matarazzo United Manufacturing - São Paulo, who crammed São Paulo city with tons of white or decorated pottery, made in its many kilns. Forged at the center of modernizations project for the city, the pottery and factory dialogue with the contexts whose were agency and structure. Forms and motifs spread out by various consumers, beating, often, the foreign pearlware and whiteware monopoly, from whom it was distinguished by organizing itself according with its own logic and technology development. This research is based on the analysis of Petybon archaeological site, in the neighborhood of Lapa, São Paulo, at the region known as Água Branca / Vila Romana, excavated in 2003, which appeared to have been the site of one of the firsts refined earthenware factories, opened at 1913, founded through the massive Italian immigration and the financing of industries by coffee profits. Worked until 1937, then belonging to the Matarazzo Family, who acquired it in 1927. The site is extremely important not only in the context of Brazilian Urban Archeology, but also as an example of the early industrialization in Brazil and the history of national pottery industry, barely treated by literature, almost unknown and unappreciated, despite its frequency at Brazilian archaeological site from the 20th century.

O ano era 1912, e um imigrante italiano e um grupo de irmãos provindos da aristocracia fazendeira encontraram-se nos escritórios sobre o famoso Café Guarany, no pulsante coração comercial da cidade, o Triângulo, para combinarem os trâmites à fundação da primeira fábrica de louças em faiança fina do país, em moldes industriais, produção em série e larga escala, no, então, rural bairro da Lapa. Assim teve início a história da Fábrica de Louças Santa Catharina, posteriormente Indústrias Reunidas Fábricas Matarazzo (IRFM) - São Paulo, que abarrotou a cidade de São Paulo com toneladas de louças brancas ou decoradas feitas em seus inúmeros fornos. Fundada no fulcro dos projetos de modernização para a Paulicéia tão desvairada, fábrica e louças dialogaram com as conjunturas das quais eram agência e estrutura. Formas e motivos espalharam-se pelos diversos consumidores da cidade, desbancando, muitas vezes, o monopólio da louça branca estrangeira, da qual se diferenciou produzindo-se segundo lógicas e tecnologias locais. Esta pesquisa baseia-se na análise do sítio arqueológico Petybon, no bairro da Lapa, cidade de São Paulo, região da Água Branca/Vila Romana, escavado no ano de 2003, que revelou ter sido o local de uma antiga fábrica de louças em faiança fina, inaugurada em 1913, fundada meio à maciça imigração italiana e o financiamento das indústrias pelo capital do café. Funcionou até 1937, já pertencente aos Matarazzo que a adquiriram em 1927. O local tem extrema relevância não apenas no contexto da Arqueologia Urbana no Brasil, como também enquanto exemplar dos primórdios da industrialização do país e da história da produção da louça nacional, parcamente tratada pela literatura, pouco valorizada e identificada, apesar de sua freqüência nos sítios arqueológicos do século XX. / The year was 1912, and an Italian immigrant and a group of brothers, drawn from an Aristocratic family farmer, met at an office above the famous Guarany Coffee House, in the beating heart of the city, the Triangle, to establish a fellowship and combine the procedures to the foundation of the first refined earthenware factory in the country, based on an industrial manufacturing, by a mass and large scale production, at the rural district of Lapa. That was the beginning of the history of Santa Catharina Pottery Factory, later Matarazzo United Manufacturing - São Paulo, who crammed São Paulo city with tons of white or decorated pottery, made in its many kilns. Forged at the center of modernizations project for the city, the pottery and factory dialogue with the contexts whose were agency and structure. Forms and motifs spread out by various consumers, beating, often, the foreign pearlware and whiteware monopoly, from whom it was distinguished by organizing itself according with its own logic and technology development. This research is based on the analysis of Petybon archaeological site, in the neighborhood of Lapa, São Paulo, at the region known as Água Branca / Vila Romana, excavated in 2003, which appeared to have been the site of one of the firsts refined earthenware factories, opened at 1913, founded through the massive Italian immigration and the financing of industries by coffee profits. Worked until 1937, then belonging to the Matarazzo Family, who acquired it in 1927. The site is extremely important not only in the context of Brazilian Urban Archeology, but also as an example of the early industrialization in Brazil and the history of national pottery industry, barely treated by literature, almost unknown and unappreciated, despite its frequency at Brazilian archaeological site from the 20th century.