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Rejoice!Choi, Soh Young January 2012 (has links)
No description available.
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WHEN WORDS SING: THE CHORAL MUSIC OF R. MURRAY SCHAFERSCOTT, L. BRETT 21 May 2002 (has links)
No description available.
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Stephen Chatman's DilemmaVice President Research, Office of the 05 1900 (has links)
One part experimental composer, one part choral craftsman, Stephen Chatman reveals the unique harmony of his musical double-life.
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Hudební fond františkánů na Považí / Music Fund of Franciscans in PovažieMekiňa, Lukáš January 2020 (has links)
8 ABSTRACT MEKIŇA, Lukáš: Music Fund of Franciscans in Považie. [Diploma thesis]. Charles Univerzity in Prague (Pragu, Czech Republic). Pedagogical faculty. The Department of musical culture. Supervisor: PhDr. Leona Stříteská, Ph.D. Degree of qualification: Master. Prague: UK, 2017, p. The aim of my thesis is the exploration and familiarization forgotten composers and their advanced music creation on the nature. The focus of the thesis will be researched historical documents, records and sheet music that has been preserved in the State Archives of the Ministry of Interior of the Slovak Republic, based in Bytča. The thesis is divided into three chapters. History and nature area of the upper. The second chapter deals with independent Franciscan Order, from inception to the present. A final chapter discusses the pivotal surviving musical fund Franciscans on the nature, composers and musicians and musical analysis of the extant literature. Keywords: Bytča. Juraj Thurzo. Franciscans in Považie. Music. Choral composition. Analysis of compositions.
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Portfolio of compositions and exegesis: composing for a choral spectrum.Wood, Callie January 2008 (has links)
This portfolio of compositions and exegesis submitted for the degree of Master of Music in Composition, at the Elder Conservatorium of Music, comprises original creative works supported by a detailed commentary. The creative investigation has focused on ‘Composing for a Choral Spectrum.’ This was investigated through practical experiments in choral composition, designed to test the compositional limitations of the choral spectrum, and resulted in a portfolio of choral works. The portfolio includes: simple choral works for young children in one part; choral works for children in two parts; choral works for children in three parts; a choral work for teenage treble voices; a multimedia choral work for boys with changing voices with a moving image DVD; a choral work for male voices; choral works for adult female voices; a complex choral work for adult choirs of a professional standard; and a larger scale choral and orchestral work. The exegesis provides a commentary on the genesis, composition processes, limitations and solutions, for each original work included in the portfolio. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1345050 / Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2008
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