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Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, General musical characteristics: majestic. The form, tonal structure and harmony of each movement are influenced by the characteristics of an original synthetic scale.

Typescript (photocopy). / Digitized by Kansas Correctional Industries

Thesis (M.S.)--University of Wisconsin--Madison, 1968. / For unison to 4-part children's chorus (specifically, 5th graders) with piano (in part also with flute or percussion). Ms. (arranger's holograph). Includes bibliographical references. eContent provider-neutral record in process. Description based on print version record.

Te Deum is a single movement work for chorus and orchestra. It employs an ensemble comprising the complement of string, woodwind, and brass instruments typically available in a small symphony orchestra with an expanded percussion section. The choral forces are in proportional relation to the instrumental forces are in proportional relation to the instrumental forces and it is sung in the original Latin. The intended performance time is approximately 18 minutes. Temporal aspects of the work are characterized by three contrasting sections. The slow and solemn opening section is given to long stretches of silence sparsely punctuated by low drums. The remainder of the work is texturally more dense and employs a much quicker tempo. A steady core pulse is also a key feature, with attention given to avoiding any regular metrical implications by use offset accents, non-consecutive identical phrase lengths, and a slow harmonic rhythm.

by Lo Hau Man. / Thesis (M.Mus.)--Chinese University of Hong Kong, 1995. / Chapter 1 --- Programme notes of Requiem --- p.1-1 / Text of Requiem --- p.1-3 / Programme notes of Dream --- p.1-7 / Chapter 2 --- Requiem --- p.2-i / Instrumentation --- p.2-ii / Note and Directions --- p.2-iii / Chapter (I) --- Requiem Aeternam --- p.2-1 / Chapter (II) --- Dies Irae 2- --- p.24 / Chapter (III) --- Offertorio --- p.2-108 / Chapter (IV) --- Sanctus --- p.2-122 / Chapter (V) --- Agnus Dei --- p.2-137 / Chapter (VI) --- Libera Me --- p.2-147 / Chapter 3 --- Dream - Ballet Suite --- p.3-i / "Instrumentation, Note & Direction" --- p.3-ii / Chapter (I) --- Allemande --- p.3-1 / Chapter (II) --- Air --- p.3-6 / Chapter (III) --- Gigue --- p.3-11

Thesis (D.A.)--Ball State University, 2009. / Title from PDF t.p. (viewed on Nov. 12, 2009). Includes bibliographical references (p. [224]-229) and indexes.

Thesis (D.M.A.)--Univeristy of Oklahoma, 1997. / Includes bibliographical references.

Not available / text

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