81 |
Cistercienserkunst in Österreich während des MittelaltersNeuwirth, Josef, January 1903 (has links)
Rede (Inauguration des Rektors)--K.K. Technische Hochschule, Vienna.
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82 |
Die spätromanische Fensterformen im Kirchenbau des RheinlandesKroh, Marianne, January 1960 (has links)
Inaug.-Diss. --Mainz. / Lebenslauf. Includes bibliographical references (p. 191-206).
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Der "Bernhardinische Plan" im Rahmen der Kirchenbaukunst der Zisterzienser im 12. JahrhundertRug, Wolfgang, January 1983 (has links)
Thesis (doctoral)--Eberhard-Karls-Universität Tübingen.
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84 |
Experiencing meaning in two presbyterian churches a qualitative analysis /Ingham, Diana L., January 2005 (has links)
Thesis (M.S.)--University of Missouri-Columbia, 2005. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 13, 2006) Vita. Includes bibliographical references.
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The church in the 'hyperghetto' : an architectural investigation into an African American neighbourhood in New Orleans, LouisianaBambury, Jill Ellen January 2015 (has links)
No description available.
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86 |
Der Dom von Faenza ein Beitrag zur Problematik der Basilika-Architektur in der 2. Hälfte des Quattrocento /Hellerforth, Brigitte, January 1975 (has links)
Thesis--Bonn. / Vita. Includes bibliographical references (p. 263-284).
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87 |
Frühchristliche Architektur in Kaukasien : die Entwicklung des christlichen Sakralbaus in Lazika, Iberien, Armenien, Albanien und den Grenzregionen vom 4. bis zum 7. Jh. /Plontke-Lüning, Annegret, January 2007 (has links) (PDF)
Rev. udgave af Habilitationsschrift (Friedrich-Schiller-Universität Jena, 2005). / Med litteraturhenvisninger.
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Hierophanies and heterotopias : magic, moving picture theaters and churches, 1907-1922 /Hemingway, Simon Peter, January 2001 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references (leaves 310-316). Available also in a digital version from Dissertation Abstracts.
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89 |
Development of Wing Kwong Pentecostal Holiness Church /Yeung, Chun-kwong. January 2000 (has links)
Thesis (M. Arch.)--University of Hong Kong, 2000. / Includes special report study entitled: Meditation space for church architecture. Includes bibliographical references.
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Fusion without confusion: use of Chinese traditional elements in the Holy Trinity Church at Kowloon City, HongKongFu, Yiu-lou., 傅曉蕾. January 2009 (has links)
Having been a colony of the British, a country with Anglicanism as the national religion, Hong Kong had opened her door to the missionaries. It was believed that the fusion of Chinese tradition and Christianity facilitated the local Chinese to accept this imported system of religion. Some churches in Hong Kong were built with Chinese traditional elements, a blend of Chinese and Western cultures, in order to attract the local Chinese and break the ice between East and West. The architectural design of the church buildings echoed the Chinese indigenous church movement in the 1920s. These buildings in Hong Kong were distinctive.
In this study, we look into the historical background of Holy Trinity Church at Kowloon City, Hong Kong, try to know more about the relationship between her and the development of Christianity in Hong Kong and China that may influence the concept of using Chinese traditional elements in her church building. By reading the selected symbols in the Church, cloud motif, red colour, scroll, bamboo, we study the dialogue between Christianity and the Chinese culture. The intention of using Chinese traditional elements in an Anglican church demonstrates an open mind to start the conversation between cultures. The use of Chinese traditional elements in Holy Trinity Church, that is, the fusion of meaning of symbol, is one of the presentations of the influence of the Indigenization to the Church. Studying the symbols is the reading of the dialogue between cultures. The symbols in Holy Trinity Church are not only the bridge between God and the world, but also the bridge between Christianity and Chinese culture.
It is expected that this study, at the first stage of a conservation plan – understand the site, forms the basis for establishing the cultural heritage values of Holy Trinity Church. The Church demonstrates the folk wisdom of Hong Kong local Chinese. This is a more adoptive approach to Chinese culture, a successful marriage of Chinese tradition and Christianity, an achievement of the local Christians. / published_or_final_version / Conservation / Master / Master of Science in Conservation
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