Thesis (Ph. L.--Philosophy)--Catholic University of America, 2003. / Includes bibliographical references (leaves 64-65).

Thesis (Ph. L.--Philosophy)--Catholic University of America, 2003. / Includes bibliographical references (leaves 64-65).

Thesis (doctoral)--Paris, France. / Includes bibliographical references (p. [139]-145).

Thesis (Ph. L.--Philosophy)--Catholic University of America, 2003. / Includes bibliographical references (leaves 64-65).

Thesis (M.Phil.) - University of Queensland, 2006. / Includes bibliography.

Thesis (D.M.A.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 17, 2000, Apr. 18, 2002, and Oct. 25, 2005. Includes bibliographical references (p. 95-96).

Thesis (Ph.D.)--University of Nebraska-Lincoln, 2007. / Title from title screen (site viewed July 12, 2007). PDF text: iii, 301 p. UMI publication number: AAT 3251357. Includes bibliographical references. Also available in microfilm and microfiche formats.

The general aim of this thesis is to further undermine the convention that British moral philosophy of the early eighteenth century is best conceived as a struggle between rationalist and sentimentalist epistemologies. I argue that the philosophers considered here (Samuel Clarke, Francis Hutcheson, Gilbert Burnet, John Balguy and John Gay) situated their moral epistemologies within the wider framework of an attempt to prove the ‘reality' of virtue in terms of virtue being an achievable, practical endeavour. To this end, they were as much concerned with the attributes that motivated or caused God to create in the way that he did – his communicable attributes - as they were with our own natural moral abilities. I maintain that this concern led Clarke, Burnet and Balguy to look beyond a rationalist epistemology in an attempt to account for the practical possibility of moral action. I claim that it led Hutcheson to develop a moral theory that reflected a realist theistic metaphysics that went some way beyond an appeal to providential naturalism. I argue that it led Gay to try to synthesise the approaches of rival moral schemes in order to offer a unified account of agency and obligation. The thesis has three key objectives: 1) to examine the relationship of rationalism to obligation and motivation in the work of Clarke, Burnet and Balguy, and 2) to explore the relative roles of sense and judgment in the moral epistemologies of Hutcheson, Burnet, Balguy and Gay and to (re) examine the nature of Hutcheson's moral realism, and 3) to investigate the theistic metaphysical claims made by all parties with respect to their arguments about moral realism.

abstract: Throughout centuries of great classical music, many clarinet compositions have been adapted from a wealth of literature for string instruments and instruments of similar ranges. Viola, violin, and cello literature can often be adapted into challenging literature for the clarinet. While the works of English composer and violist, Rebecca Clarke (1886-1979), have gained popularity in the early 2000s, many of her compositions have yet to be discovered by musicians performing on wind instruments of similar ranges. While legendary western composers such as Mozart, Weber, and Brahms, will continue to be enduring icons in classic clarinet literature, performers and educators alike should always consider the integration of transcribed works for the expansion and diversity of the repertoire. Although a sizeable amount of literature for clarinet is contained in orchestral and chamber works of the late-Romantic era, the availability of solo clarinet literature in this style is lacking. The purpose of the project is the addition of Rebecca Clarke’s 1919 Viola Sonata for B-flat soprano clarinet and piano to the solo clarinet repertoire. The transcription preserves the integrity of the original music while exploring the virtuosic nature of the clarinet and its interaction with the piano. Comments on the historical background of Clarke’s Viola Sonata and the transcription procedures are provided as well. / Dissertation/Thesis / Doctoral Dissertation Music 2019

Richard A. Clarke and Robert K. Knake’s book, Cyber war, claims to identify a new threat and vulnerability in the United States. By examining the points they make and evaluating them in the context of the first cyber attack, STUXNET, we shall conclude that the technical argument is correct; however the overall argument is incomplete. What they fail to emphasize is the amount of human intelligence involved in committing a successful cyber attack, and the extent to which having intelligence operations greatly enhances a state's cyber capabilities. / text