Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-03-18T21:55:11Z No. of bitstreams: 1 GeronimoBritoVieira_DISSERT.pdf: 2786919 bytes, checksum: a2f8a28f3d46c4dd502130a0cb75f671 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-03-18T23:20:12Z (GMT) No. of bitstreams: 1 GeronimoBritoVieira_DISSERT.pdf: 2786919 bytes, checksum: a2f8a28f3d46c4dd502130a0cb75f671 (MD5) / Made available in DSpace on 2016-03-18T23:20:12Z (GMT). No. of bitstreams: 1 GeronimoBritoVieira_DISSERT.pdf: 2786919 bytes, checksum: a2f8a28f3d46c4dd502130a0cb75f671 (MD5) Previous issue date: 2015-02-13 / O presente trabalho tem como objetivo relatar o processo de prepara??o para a execu??o da ?Cantata Para Louvor e Gl?ria?, composta em 1985, pela compositora Cleide Dorta Benjamim (1936 - ), visando antecipar para futuros regentes, cantores e instrumentistas, as poss?veis dificuldades encontradas e enfrentadas. Inicialmente, atrav?s de uma breve apresenta??o da obra, s?o abordadas quest?es relacionadas ao texto escolhido, bem como a sua estrutura e import?ncia no processo composicional. Mais ? frente, s?o analisadas, identificadas e propostas resolu??es para as dificuldades existentes do ponto de vista das execu??es, vocais e instrumentais, e do gestual aplicado ? reg?ncia, sendo abordado, detalhadamente, cada movimento que comp?e a obra. O trabalho tamb?m apresenta um memorial que descreve todo o processo pr?tico de prepara??o da Cantata: reedi??o da partitura; sele??o e perfil dos cantores e instrumentistas; os ensaios; modifica??es e adequa??es na partitura; e uma breve entrevista com quatro cantores e dois instrumentistas que participaram do processo. A intera??o com a compositora, durante parte significativa do trabalho, traz uma marcante amplia??o dos poss?veis esclarecimentos e desenvolvimento das ideias, potencializando uma execu??o coerente da obra. / This study aims to document the preparation process for the implementation of "Cantata To Praise and Glory"(Cantata Para Louvor e Gl?ria), composed in 1985 by composer Cleide Dorta Benjamin (1936 - ), in order to anticipate and address the possible difficulties faced by future conductors, singers and instrumentalists. Issues that relate to the chosen text as well as its structure and importance in the compositional process, are initially addressed through a brief presentation of the work. Consequently, by addressing every detail of the work, solutions to vocal and instrumental execution difficulties, as well as with the conducting gesture, are analyzed, identified and proposed. The work also presents a report that describes all the practical processes of preparation of the Cantata: reissue of the score; selection and profile of singers and instrumentalists; rehearsals; changes and adjustments to the score; and a brief interview with four singers and two musicians who participated in the process. The interaction with the composer throughout a significant part of the work, brings a notable increase of possible clarifications and idea development, enabling a coherent performance of the work.