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An introduction to the composition and generation of computer musicSposato, Peter Charles January 2010 (has links)
Digitized by Kansas Correctional Industries
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Writing on the surfaceBattey, Bret. January 1900 (has links)
Thesis (Ph. D.)--University of Washington, 2001. / Vita. "Realized at the University of Washington's Center for Advanced Research Technology in the Arts and Humanities (CARTAH) and School of Music Computer Center (SMCC).
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An application of Max/MSP in the field of live electro-acoustic music : a case studyProtsidym, Oles. January 1999 (has links)
For many years the integration of real-time digital audio signal processing with dynamic control has been one of the most significant issues facing live electro-acoustic music. While real-time electro-acoustic music systems began to appear as early as the 1970's, for approximately two decades a lack of portability and prohibitive cost restricted their availability to a limited number of electronic music studios and research centers. / The rapid development of computer and music technologies in the 1990's enabled desktop-based real-time digital audio signal processing, making it available for general use. The introduction of the Max/MSP programming language in the 1990's ushered in a new era in electro-acoustic music by bringing a new unified environment for real-time digital signal processing and dynamic control to a wide audience. / The potential of the Max/MSP programming environment for applications to live electro-acoustic music is the subject of this thesis. A prototype example of a real-time electro-acoustic music system based on Max/MSP is developed and discussed.* / *This dissertation includes a CD that is compound (contains both a paper copy and a CD as part of the dissertation). The CD requires the following applications: Mac OS 8.5; Opcode Max 3.5; Opcode OMS 3.6.2; Cycling '73 MSP; Microsoft Word 98; & Finale 3.5.
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AwakeningsCarroll, Nicole Lea. Goldberg, Justin, Simmonds, Kevin. January 2005 (has links)
Thesis (M.M.)--Bowling Green State University, 2005. / Document formatted into pages; contains iv p. + streaming video (ca. 10 min.) Video with two-channel electroacoustic music. Includes bibliographical references.
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An application of Max/MSP in the field of live electro-acoustic music : a case studyProtsidym, Oles. January 1999 (has links)
No description available.
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Musical applications of digital synthesis and processing techniques : realisation using Csound and the Phase VocoderFischman, Rajmil January 1991 (has links)
No description available.
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The creation and control of digital audio waveforms : An investigation into techniques for the creation and real-time control of audio waveforms using data representations which result in timbral flexibility and high audio qualitySlater, P. January 1988 (has links)
No description available.
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Interactivity between a saxophone performer and a computer operatorWard, Cameron Bryan. January 1900 (has links) (PDF)
Thesis (M.M.)--University of North Carolina at Greensboro, 2006. / Title from PDF title page screen. Advisor:Mark Engebretson; submitted to the School of Music.
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Jn4.gesture an interactive composition for dance /Holmes, Douglas B., January 2003 (has links)
Thesis (D.M.A.)--University of North Texas, 2003. / For dancer and computer. Includes bibliographical references (p. 62-64).
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Press /Tchamni, Avi. January 2003 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2003. / Vita. For 15 instruments and electronics. Tape includes recording of performance of work. Duration: ca. 20:00.
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