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Das Klavierkonzert der Berliner Schule und Ihres führers Philipp Emanuel Bach, Sowie neue beiträge zur Geschichte des Klavierkonzerts. (Teildruck) ...Uldall, Hans, January 1927 (has links)
Inaug.-Diss.--Marurg. / Lebenslauf. Published in full (vii, 119 p.) as Das Klavierkonzert der Berliner Schule, mit Kurzem überblick über seine allgemeine Entstehungsgeschichte und Spätere Entwicklung. (Sammlung Musikwissenschaftlicher Einzeldarstellungen, 10. Hft.). eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Das Klavierkonzert des 19. Jahrhunderts und die Kategorie des Symphonischen : zur Kompositions- und Rezeptionsgeschichte der Gattung von Mozart bis Brahms /Koch, Juan Martin. January 2002 (has links)
Diss.--Regensburg, 1999. / Bibliogr. p. 355-382.
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Curio shop, concerto for piano and chamber orchestraPicton, Michael January 1997 (has links) (PDF)
No description available.
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Concerto for Piano, Winds, and PercussionRing, Gordon L. (Gordon Lee) 08 1900 (has links)
"Concerto for Piano, Winds, and Percussion" is, as the title implies, a piece which features the solo piano in combination with an ensemble of winds and percussion. The instrumentation of the ensemble is two flutes; oboe; two Bb clarinets; Eb alto clarinet; Bb bass clarinet; bassoon; two Bb trumpets; two F horns; two trombones; baritone; tuba; and a percussion section of three players playing timpani, tambourine, xylophone, vibraphone, glockenspiel, chimes, triangle, suspended cymbal, snare drum, bass drum, two bongos, and small woodblock. The major sections of the piece are distinguished primarily by tempo. The fast-slow-fast arrangement of those sections aligns it with the traditional concerto format. The piece is in one movement and is approximately twelve and one-half minutes in duration.
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A master's recital and lecture recital / Oiseaux tristesAnschutz, Janet Kay, Haydn, Joseph, 1732-1809. Sonatas, piano, H. XVI, 50, C major. January 2010 (has links)
Title from accompanying document. / Janet Anschutz, piano ; Jerry Langenkamp, tenor. / Digitized by Kansas Correctional Industries
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L.U.K.L.O.V.: concerto pour piano / LUKLOVPatch, Marc January 1991 (has links)
Abstract Not Available.
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Aspects of piano performance : stylistic analysis of the concerto in D, op. 13, for piano and orchestra by Benjamin BrittonLee, Jung-Eun January 2006 (has links)
The purpose of this study was to acknowledge and bring to light the undeniable significance of Benjamin Britten as a composer and his Piano Concerto in D, Op.13. This dissertation delved into the depth of the concerto with structural and harmonic analysis along with suggested pedagogical methods and performance aspects.The first chapter included an introduction of the piano-concerto genre in general, motivation for the study of Britten's Piano Concerto, review of literature on Britten and the piano concerto, and methodology of the dissertation. The second chapter continued with an overview of Britten's life, accomplishments as a pianist, and his contribution to the piano repertoire in general. The third chapter provided a stylistic analysis on each movement of the concerto. It included structural analysis based on the formal, motivic, thematic, rhythmic, melodic and harmonic elements presented throughout the concerto. Additionally, possible technical challenges and suggestions for practice methods were recommended based on the issues of phrasings, articulations, dynamics, musical expressions and styles. Since each movement has its own unique titles such as Toccata, Waltz, Impromptu, and March, the origins of the genre and Britten's association with the terminology was also examined.The dissertation not only underlined the importance of Britten as a composer for the piano, it also revealed his distinct compositional characteristics shown in the piano concerto in relation to his other significant piano repertoire. The dissertation closed with a summary of the detailed analysis of the concerto and recommended further studies on Britten and his piano concerto. / School of Music
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Mozart's Piano concerto in D minor, K. 466 : analysis and discussion of interpretation and performance /Hsu, Mei-Na, January 1994 (has links)
Thesis (D.M.A.)--Ohio State University, 1994. / Includes bibliographical references (leaves 126-130). Available online via OhioLINK's ETD Center
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Beautiful day concerto for piano/celesta and chamber orchestra /Kindred, Kyle Douglas. Puts, Kevin, January 2004 (has links) (PDF)
Thesis (D.M.A.)--University of Texas at Austin, 2004. / Supervisor: Kevin Puts. Vita. Includes bibliographical references.
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Rachmaninoff and Russian pianism performance issues in the Piano concerto in C minor, opus 18 / by Natalya V. Lundtvedt.Lundtvedt, Natalya V., January 2009 (has links)
Thesis (D.M.A.)--UCLA, 2009. / Vita. Description based on print version record. Includes bibliographical references (leaves 90-93).
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