Ma Shouzhen (1548-1604), one of the most acclaimed courtesans at the Qinhuai pleasure quarters in the late-Ming period, is well-known for her orchid paintings in Chinese art history. This thesis explores the courtesan-painters success in the courtesan world and in the male-dominated history of Chinese art, with its focus upon the artistic interactions between Ma Shouzhen and her lifelong lover Wang Zhideng (1535-1612), an exponent of the Wu School literati painting. This thesis argues that it was Wang Zhideng in particular who played a crucial role in constructing the courtesans image and position in history. Through Wang Zhidengs interventions, Ma Shouzhen played an intermediary role in the dissemination of art theory advocated by the Wu School artists. The acceptance and popularity of Ma Shouzhens orchid works in the history of Chinese painting mirrors the prominent position of the Wu School in this field. / East Asian Interdisciplinary Studies

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