This thesis aims to discuss the heroic and the monstrous aspects of Beowulf. In the heroic part, I will discuss Beowulf as a culture hero and a mythological hero; in the monstrous part, I will discuss Beowulf as a monster-man and monsters as man-monsters. Beowulf is about a hero who intends to prove himself by killing malicious monsters. The victory over the villains further brings Beowulf the character to the Geatish throne, though Beowulf¡¦s obsession with glory finally results in the fall of his kingdom. Beowulf¡¦s rise represents the rise of the Geatish kingdom and meritocracy; and his fall also triggers the fall of the kingdom. Beowulf¡¦s journey to the Danish kingdom also resembles Joseph Campbell¡¦s theories of mythological heroes. Beowulf has been regarded as a hero for decades, but however heroic, Beowulf embodies some monstrous tendencies. His rationale to kill repugnant monsters and gain glory in return does not work on the combat with Grendel¡¦s mother and the fire dragon, since the ogress kills Aeschere in order to avenge her only son¡¦s death; and the dragon causes strife because of the theft. The monsters, on the other hand, are somewhat heroic since they know the ethics of vengeance.

This thesis explores the trickster character through the lens of his role as a cultural hero. The two characters that I chose to examine are from North American myth, specifically Winnebago Hare and Brer Rabbit. These two characters represent the duality of the trickster while simultaneously embodying the lauded abilities of the hero. Through their actions these two characters shape culture through the very action of disrupting societal norms.