The submitted thesis analyses cultural politics of Prague 7 municipal district, based on a pilot strategical project of culture planning Art District 7 starting in 2016. The study conducts Charles Landry's concept of Creative Cities and its application in the Czech cities; critically evolve Richard Florida's theory about Creative Classes; and understanding of authenticity by Sharon Zukin. The research methodology uncovers, by comparative analysis, implementation of the project Art District 7 in reality and differences of cultural practices of municipality and the actors themselves. Each chapter of the analytical part is a category of critical viewpoint to cultural politics at Prague 7 district. Transformation of cultural actor's politics (a theater, a hall, a cafe) within 2 years long research at Dolní Holešovice is clearly characterized in individual parts named Community, Space and ART. The chapter Community follows gradual change of cultural actor's relationships towards local inhabitants of the Dolní Holešovice district and presents actor's understanding of themselves as a distinct community. Second chapter emphasizes spacial changes on the interior level of the objects as well as the outer ones on the level of street and parter. Third chapter ART presents different understanding of art and...

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The thesis "Controlling and managing a music production in the period of normalization on the example of rock music and its media portrayal" describes and analyses the system of controlling and managing Czechoslovak music production in the period of normalization with a particular attention to the mechanisms that deployed socialist ideological and aesthetical standards in the area of rock music. Additionally, this included a prescriptive media coverage highlighting socialist values using coordinated and centralised management through state institutions. The goal of the thesis is then to reveal a modus operandi of communist cultural policy on the examples of media approach to the trials with leading underground music protagonists in 1976 as rock music was a vehicle for expression their dissent attitude toward the system in an artistic way.