The diploma thesis "The Poet Sings Poorly. The Media Response to The Song about Viktorka by Jaroslav Seifert in The Fifties of 20th Century" deals with the campaign set against the poet Jaroslav Seifert and his piece "The Song about Viktorka". The affair was raised by the communist weekly magazine "Tvorba". There is a critical historical analysis applied in the diploma thesis. The event is outlined from the wide perspective and also the medial, cultural-political, aesthetical and personality sights are viewed and combined there. It attends to the cultural, political and medial conditions in the turn of the 40s and 50s and it also analyses Seifert's position in this period. It investigates the acceptance of Seifert's poetic skills after the year 1948 and also it describes poet's political profile and his relationship to the communist party. It follows in details by broad circumstances which the critics of Seifert's poem "The Song about Viktorka" provoked and which were extended until the inter-war period. It analyses the reviews of the mentioned Seifert's piece of work, its impact on poet's future life and the cultural area of the beginning of the fifties. The aim of the diploma thesis is to set a comprehensive view of the affair Seifert had to face up with. It can also be used as an example of...

The diploma thesis "The media image of the Occident in magazines Obzory and Tvorba in 1945-1948" examines by using quantitative content analysis the portrayal of the Western world in provided magazines. It can be assumed that the magazines wrote about the Occident differently. Tvorba, magazine published by the communist party, is likely to be negative, while Obzory, published by the People's Democracy, would probably describe the West in a positive way. A description of the political situation in Czechoslovakia and in the world in postwar years, as well as the Czechoslovak media landscape, are included in the thesis to put into context.

The thesis deals with religious sects in Czechoslovakia in the 1950s. Firstly, it describes new religious movements, which occurred in Czechoslovakia in the first half of the 20th century, especially Jehovah's Witnesses, Adventism, Mormonism and the others. The key theme of this thesis is the phenomenon of religious sects. It explores a procedure of the government, Communist party of Czechoslovakia and State Security. The thesis deals also with the conscientious objection in Czechoslovakia in the 1950s. In conclusion the thesis tries to describe the image of religious sects in newspapers. It draws from various primary sources (National Archives of the Czech Republic, Security Services Archive, Military History Archive) and from various historiographical and sociological literature.

This work deals with legal aspects of changes in Czechoslovakia in 1938-1939. Firstly, it outlines the historical background and relationships that were being formed during the First Republic. It further deals, in particular, with the constitutional development in course of so-called Munich crisis, i.e. describes plans for rebuilding of Czechoslovakia, as well as adopted measures and the Munich agreement itself that led to reduction of the territory of the state and liquidation of its political and economic independence. It also deals with development of the Second, post-Munich Republic from both internal and international perspective. Regarding internal changes, it points out to creation of autonomous lands, election of president Hácha, adoption of Enabling Act and elections to autonomous assemblies. To make the picture complete, several issues regulated on level of ordinary acts are chosen that demonstrate a shift from principles of humanism and democracy. A part devoted to the international development depicts territorial losses in favor of neighboring countries, effort to obtain guarantees of borders, as well as it mentions forms of forced cooperation with Germany. The end of the work deals with disintegration of the state, i.e. declaration of Slovak independence and invasion in the Czech lands...

The thesis focuses on the phenomenon of students from the so-called less developed countries in communist Czechoslovakia, specifically Arab students in the 50s and 60s of the twentieth century. In the first part the issue is put into a broader context of political and cultural connections. Apart from the situation inside the Arab region after the Second World War, the work offers insight into the mutual Czechoslovak-Arab contacts followed by a recap of Czechoslovak tertiary education after the year 1948. The text also presents the general situation of international students in the Czech environment in the observed era. Because it was the first wave of Arab scholarship holders supported by the Czechoslovak government to arrive at the end of the 50s, it is crucial to describe the shape of negotiation between the Czechoslovak and Arab sides. At the beginning of the second thematic part dealing with Arab students in Prague the attention is shifted towards cultural agreements and forms of studies in Czechoslovakia. The aspects of arriving abroad, preparatory language courses, accommodation in Prague, studying, everyday life of Arab students in Czechoslovakia and the conflicts they had faced are analyzed in the following subchapters. The problem of Arab student adaptation to the new environment and...

Ústav pro dějiny umění Diplomová práce Dana Christianová Relations of Fine Art and Design in interwar Czechoslovakia Abstract (in English) The work deals with relations of Fine Arts and Design in the context of the First Republic, when marked a fundamental transformation not only in art in general, but just in handicraft and design. This work demonstrates changes that have occurred in the perception, classification and finally democratization of design, by the example of textile art and personality of Marie Teinitzerová, who was at the interface of fine art, handicraft and design and significantly contributed to the promotion of new aesthetic values in all of these areas.

The thesis studies the consumption of tobacco as a specific cultural phenomenon owing to the fact that since a tobacco plant has been brought to Europe; its use has spread over other continents and has rooted in many developed civilizations. From the theoretical standpoint, the thesis argues that as cultures are not constant entities, the same applies for public opinions regarding tobacco, from the firm belief that tobacco has positive effects on our health to the stigmatization of tobacco. The paper has four parts. First three parts discuss smoking in marketing communication and further identifies key topics; the final part presents the semiotic analysis of tobacco advertising from the selected periodicals printed (from newspapers and magazines) in the former Czechoslovakia from twenties to fifties of the twentieth century. The main objective is to specify both verbal and visual motives that ad makers used to use in order to create ideological implications of their ads (decoding symbols and interpretation of their meanings). Further, the thesis describes the former advertising style for tobacco products ( brands, targeting, products). The methodology of the work is partly based on the work of Jan Stern (2005, Latent meaning of advertisement text), further some of his terms are being applied in...

This diploma thesis is about the post-war retribution on all its levels, from international military tribunals in Nuremberg and Tokyo to work of two extraordinary people's courts in Plzeň and Most, of whose activity the text applies. The text aims on women, because previous theses were mostly focused on men, which hold the more important position in the Nazi regime. On account of different roles of both sexes there is a diverse structure of committed crimes - the most frequented type of crimes for men were crimes against the state, while in a women's case it was denunciation. This fact could be partly explained by lesser possibilities of women for direct using of a repressive apparatus of the regime. The aim of the thesis is to bring in a comparison of activity of both mentioned courts against women. Main difference between those two regions is that the most of the Plzeň region was in Czech inland, but the Most area was located in the borderlands with a German majority. We could say that the result for this fact was higher rigidity of the Extraordinary People's Court in Plzeň that exceeded the second court in both percentage of sentences and rigidity of punishments. The thesis describes activity of these two courts simultaneously, with regard to all types of crimes that were committed during the...

My master thesis examines lifestyle in the sixties of the 20th century as depicted on pages of Vlasta weekly magazine. Vlasta has been published since 1947 and thanks to the long continuity and grounding in the Czech environment, it is considered to be a traditional magazine. It has gained and maintained its broad network of readers throughout the years and is considered to be a leading magazine of Czechoslovak women during the communist era. In my thesis, I focus on the content analysis of the magazine in years 1960 - 1968. The thesis is set in a historical, social and media context. I emphasize the topics that are closely related to lifestyle. The areas that determine the lifestyle and on which I focus are, in particular, housing issues, workload, family relations, education, fashion, art and leisure time. I have also covered questions involving emancipation of women and their position in society. I also deal with the question whether the image of the lifestyle as presented by the Vlasta magazine matched the actual lifestyle of people in the sixties. In addition, I examine whether the magazine actually fulfilled the role of a weekly magazine for women, as it is well known that Vlasta was under the political supervision. The thesis is divided into two parts, the theoretical and analytical. The...

TITLE: History of the State Film Theatre AUTHOR: Bc. Markéta Pechačová DEPARTMENT: Katedra dějin a didaktiky dějepisu SUPERVISOR: doc. PhDr. Alena Míšková, PhD. ABSTRACT: This thesis endeavours to comprehensively describe history of the State Film Theatre since its foundation (as the Film Studio Theatre) in 1948 until it was definitively closed down in 1951. The opening chapter gives insight into cultural policy objectives and institutional structure of Czechoslovak theatres at the turn of 1940s and 1950s. The remaining three chapters, covering the time scope of particular theatre seasons, monitor organisational, dramaturgic, ideological and artistic transformations of the State Film Theatre; these changes were related particularly to social and cultural-political development in Czechoslovakia. The content of the thesis draws chiefly from primary sources: theatre programmes, scripts, theatre reviews, period articles, official records and other archival materials; thanks to these sources it was possible to authentically document both forms of particular productions and the position of the State Film Theatre within a broader cultural and social context. KEYWORDS: The State Film Theatre, The Film Studio Theatre, history of theatre, cultural politics, Czechoslovakia 1948-1951