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The binary nature of relationships in two David Mamet duologues : A life in the theatre and OleannaBalcerak, Jonathan M. January 1996 (has links)
Although David Mamet is one of the most frequently studied of the postmodern American playwrights, scholarly criticism has neglected to examine the dynamic that is unique to his two-person plays, or duologues. This study explores various aspects of that duologic dynamic, concentrating on two of Mamet's two-person plays, A Life in the Theatre and Oleanna. The relationships in both plays are sustained by the characters' desire for power. As is typical of a Mametian play, power is obtained through language and dialogue. The fact that there are two characters in each of the plays serves to intensify the conflict and to remind the audience of the binary nature inherent in drama. / Department of English
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Concord in Massachusetts, discord in the world : the writings of Henry Thoreau and John Cage /Bock, Jannika. January 2008 (has links)
Dissertation: Hamburg University, 2008 / Includes bibliographical references.
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Zitat und Anspielung im Frühwerk von D. H. Lawrence /Jansohn, Christa, January 1990 (has links)
Diss.--Bonn--Universität Bonn, 1990. / Résumé en anglais.
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The art of David Lean : a textual analysis of audio-visual structure /Moraitis, Catherine. January 2004 (has links)
Doct. thesis Univ. of Kent, Canterbury, 2001. / Includes filmography. Includes bibliographical references.
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Concord in Massachusetts, discord in the world the writings of Henry Thoreau and John Cage /Bock, Jannika. January 2008 (has links)
Dissertation: Hamburg University, 2008 / Includes bibliographical references.
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An Examination of David Maslanka's Marimba Concerti: Arcadia II for Marimba and Percussion Ensemble and Concerto for Marimba and Band, A Lecture Recital, Together With Three Recitals of Selected Works of K.Abe, M. Burritt, J. Serry, and OthersVarner, Michael L. 12 1900 (has links)
Although David Maslanka is not a percussionist, his writing for marimba shows a solid appreciation of the idiomatic possibilities developed by recent innovations for the instrument. The marimba is included in at least eighteen of his major compositions, and in most of those it is featured prominently. Both Arcadia II: Concerto for Marimba and Percussion Ensemble and Concerto for Marimba and Band display the techniques and influences that have become characteristic of his compositional style. However, they express radically different approaches to composition due primarily to Maslanka's growth as a composer. Maslanka's traditional musical training, the clear influence of diverse composers, and his sensitivity to extra-musical influences such as geographic location have resulted in a very distinct musical style. His exemplary attention to detail and sound timbres give his works an individualized stamp. The evolution of motivic gestures is the most distinctive characteristic of Maslanka's compositional process. Maslanka freely incorporates forms and structural principles of the baroque and classical periods, but these principles are not applied in a strict sense. These factors combine to produce two works that are both unique and significant in the literature for marimba. They exhibit a sensitivity to sound timbres while maintaining a mature approach to melody, harmony, and rhythm acknowledging the traditions of earlier eras. This study examines compositional techniques, aspects of formal structure, tonality, melodic content, and marimba technique found in David Maslanka's Arcadia II: Concerto for Marimba and Percussion Ensemble (1982), and Concerto for Marimba and Band (1990). Transcripts of personal interviews provide valuable insights into Maslanka's approach to composition and other issues pertinent to the study of his compositions for marimba. Biographical information and an overview of his works that include marimba will serve as background material.
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Saul und David in der judäischen Geschichtsschreibung : Studien zu 1 Samuel 16 - 2 Samuel 5 /Adam, Klaus-Peter. January 2007 (has links)
Univ., Habil.-Schr./2005--Marburg, 2004.
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Geschichts- und Raummodelle bei Albert Krantz (um 1448-1517) und David Chytraeus (1530-1600) : Transformationen des historischen Diskurses im 16. Jahrhundert /Bollbuck, Harald. January 2006 (has links)
Teilw. zugl.: Kiel, Universiẗat, Diss., 2003.
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250 years of Caspar David Friedrich: experience the true spots of Romance29 April 2024 (has links)
This folding map invites you to see the
world through the eyes of Caspar David Friedrich and takes you to
the original locations of his famous works
and his life.
Verantwortlich als Urheber und Herausgeber für VisitDresdenElbland (https://www.visit-dresden-elbland.de und https://www.visit-dresden-elbland.de/impressum) ist die Dresden Marketing GmbH.
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250 Jahre Caspar David Friedrich: die echten Spots der Romantik erleben29 April 2024 (has links)
Dieser Faltplan lädt Sie ein, die Welt mit den Augen Caspar David Friedrichs zu sehen und führt
Sie zu den Originalschauplätzen seiner
berühmten
Werke und seines Lebens.
Verantwortlich als Urheber und Herausgeber für VisitDresdenElbland (https://www.visit-dresden-elbland.de und https://www.visit-dresden-elbland.de/impressum) ist die Dresden Marketing GmbH.
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