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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

A study of can computers assist creative thinking? an investigation into eLearning in art & design /

Lau, Kung-wong, Robert. January 2003 (has links)
Thesis (M. Sc.)--University of Hong Kong, 2003. / Also available in print.
2

Textile design inspiration based on traditional artistic culture of the Ibo in eastern Nigeria

Azunna, Ogbonna. January 1977 (has links)
Thesis--Wisconsin. / Includes bibliographical references (leaves 419-424).
3

What design means to art

Marshall, Lisa 05 1900 (has links)
A renewed merging of art and design accompanied by the inflation of design in relation to art has been increasingly noted by writers since the 1990s. Some critics and artists such as Dan Graham have celebrated this phenomenon as a critical opportunity; others such as art historian and critic Hal Foster have criticized the trend as a catastrophic loss of the limits required for liberal subjectivity. In the first chapter, I consider Graham's position as outlined in "Art as Design/Design as Art" (1986) and contrast it with Hal Foster's argument as presented in "Design and Crime" (2002).While the writers share some points of reference, it becomes clear that the two texts are based on different critical models. My second and third chapters present case studies of works often considered to be part of the "design art" trend. At either end of the 1990s, Dia Center for the Arts realized large-scale projects: Dan Graham's Two-Way Mirror Cylinder Inside Cube and a Video Salon: Rooftop Urban Park Project for Dia Arts Center (1981- 1991) and Jorge Pardo's Project (1998-2000). Both works fit the profile of art projects that make use of the modes and methods of the fields of architecture and design. My study considers how each project related to its art institutional site, to the greater art historical and contemporary context and to changes in social, political and cultural conditions that unfolded during the 1990s. My third chapter considers works by Andrea Zittel, an artist also often discussed in terms of design, architecture and lifestyle. While Zittel's "critical optimism" offers promise, there are some critical failings of her project. I analyze some of the problems presented by Zittel's works in relation to comparable projects by Dan Graham and Jorge Pardo. These projects question, but also contribute to, the overvaluation of design that accompanies the contemporary phenomenon of obsession with styling self.
4

A discipline-based approach towards teaching architecture on the secondary level

Beck, Catherine Tacci. January 1988 (has links)
Thesis (M. Ed.)--Kutztown University, 1988. / Source: Masters Abstracts International, Volume: 45-06, page: 2744. Abstract precedes title page. Typescript. Includes bibliographical references.
5

Development by design - an example in the South African craft industry the Due-South travel guide /

Rankin, Carin. January 2007 (has links)
Thesis (MA(Visual Arts))-University of Pretoria, 2007. / Includes bibliographical references.
6

Electronic design and publishing for the Mexican textiles exhibition /

Robledo Arcos, Maria Andrea. January 1990 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 1990. / Includes bibliographical references (leaf 40).
7

International conceptualism and popular regionalism in Nova Scotia 1967 - 1995 /

Hollenberg, Sarah. January 2005 (has links)
Thesis (M.A.)--York University, 2005. Graduate Programme in Art History. / Typescript. Includes bibliographical references (leaves 104-113). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url%5Fver=Z39.88-2004&res%5Fdat=xri:pqdiss &rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR11811
8

A journey in the valley (Lily) I am a flower of Sharon, a Lily of the valley, as a Lily among thorns.." :btherapeutic art environment for the physically handicapped /

Wong, Wai-yi, Wendy. January 1999 (has links)
Thesis (M.Arch.)--University of Hong Kong, 1999. / Includes special report study entitled : Therapeutic architecture : the role of therapeutic approach to physical therapy. Includes bibliographical references. Also available in print.
9

Opening Minds through Art (OMA) an art program for people with dementia /

Lokon, Elizabeth J. January 2008 (has links)
Thesis (M.G.S.)--Miami University, Dept. of Sociology and Gerontology, 2008. / Title from first page of PDF document. Includes bibliographical references (p. 40-45).
10

Architektura ve službách Československých aerolinií. Interiéry reprezentačních cestovních kanceláří ČSA a letiště Praha-Ruzyně v 60. letech / Architekture and Czechoslovak Airlines (ČSA). Interiors of ČSA Offices and Prague Ruzyně International Airport in the Sixties

Papežová, Petra January 2017 (has links)
In the 1960s Czechoslovak Airlines (ČSA) set up offices in the countries to which they operated regular flights. ČSA branches abroad were to match high standards of other airlines premises. In those years travelling by air was still regarded a luxury. ČSA had to take these facts into consideration. The same group of architects, designers and artists who participated in the design of ČSA branch offices took also part in the outline of the new Prague Ruzyně international airport checking-in hall. This thesis aims to depict some former, now vanished, ČSA premises. In the 1990s ČSA closed down some offices abroad and the Prague Ruzyně international airport checking- in hall (now Terminal 1) was completely reconstructed. Press and other articles, archive documents, monographies as well as information provided directly by architects, designers and artists or their relatives were used in order to describe some previous ČSA publicly accessible premises and works of art that they included. On the basis of ascertained facts, it is obvious that in the 1960s ČSA offices abroad were not only to promote the good company reputation but further fulfilled a political role to create a positive picture of the Czechoslovak Republic. ČSA offices were designed by groups around Karel Filsak and Jan Šrámek. Their signatures can...

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