The thesis deals with the Czechoslovakian philosophy in the nineteen-sixties. It focuses not only to its historical description but intends to enter its philosophical thinking from inside and analyse its principal categories. Especially it focuses on the category of work and examines its various formulations, developed in different theoretical perspectives of Czechoslovakian philosophers. This allows distinguish these perspectives in their similarities on one hand and differences on the other. The thesis notably focuses on so called "Hegelian movement" and its evaluation of category of work. This movement, which is in fact the Czechoslovakian variation to the philosophy of praxis, formulates the category of work in its philosophical meaning, i. e. as an ontological category decisive for an origin of the reality and human being. It was originally Hegel, who developed this meaning of category, and Czechoslovakian Hegelian movement continued in developing his ontology adopted through Marx. The Czech philosophers enriched it with aspects of socialistic humanism. The thesis is divided into three parts. The first part explains historical conditions of philosophical scientific performance in Czechoslovakia. The second interprets the texts of Czechoslovakian Hegelian philosophers and their expositions of category...

Univerzita Karlova v Praze Filosofická fakulta katedra estetiky Diploma thesis Šimon Svěrák Situation of the Surrealist Subject (abstract) 2012 thesis supervisor: prof. PhDr. Vlastimil Zuska, CSc. Abstract This thesis focuses on the situation of a substantial subject in the historical development of the surrealist experience and confronts it with our original postmodern interpretation of thoughts of early Marx. The surrealist consciousness is based on a dialectical opposition between rational and irrational elements of cognitive processes. André Breton apprehends this dialectics under the perspective of love life and relates it to values of love, freedom and poetry. Nevertheless, this conception changes in the immanent development of the surrealist consciousness from Breton over the work and thoughts Salvador Dalí and Mikuláš Medek to Vratislav Effenberger. Effenberger removes positive values from surrealism and puts emphasis on the critical functions of the irrational. On the psychological field, all these ideas are based on the conception of the unconscious which means there is the substantial approach in them. Our critical interpretation of Marx shows, that the surrealist concept of subject is in the contradiction with its substantial determination. The subject has to be perceived as the essential...