No description available.

International Telemetering Conference Proceedings / October 26-29, 1992 / Town and Country Hotel and Convention Center, San Diego, California / The Space Ground Link Subsystem (SGLS) provides full duplex communications for commanding, tracking, telemetry and ranging between spacecraft and ground stations. The up-link command signal is an S-Band carrier phase modulated with the frequency shift keyed (FSK) command data. The command data format is a ternary (S, 1, 0) signal. Command data rates of 1, 2, and 10 Kbps are used. The method presented uses direct digital synthesis (DDS) to generate the SGLS command data and clock signals. The ternary command data and clock signals are input to the encoder, and an FSK subcarrier with an amplitude modulated clock is digitally generated. The command data rate determines the frequencies of the S, 1, 0 tones. DDS ensures that phase continuity will be maintained, and frequency stability will be determined by the microprocessor crystal accuracy. Frequency resolution can be maintained to within a few Hz from DC to over 2 MHZ. This allows for the generation of the 1 and 2 Kbps command data formats as well as the newer 10 Kbps format. Additional formats could be accommodated through software modifications. The use of digital technology provides for encoder self-testing and more comprehensive error reporting.

International Telemetering Conference Proceedings / October 18-21, 2004 / Town & Country Resort, San Diego, California / Hardware architecture and design details of a multi-channel GPS signal simulator with highly flexibility is presented, while the dynamic performance objectives and the requirements on the hardware architecture are discussed. The IF part of the simulator is implemented almost entirely in the digital domain by use of a field programmable gate array (FPGA), which mainly include C/A code generators, carrier generators, spreaders, and BPSK modulators. The results of testing the proposed simulator hardware architecture at IF with the help of a GPS receiver are presented.

No description available.

No description available.

International Telemetering Conference Proceedings / October 17-20, 1994 / Town & Country Hotel and Conference Center, San Diego, California / With the increased concerns for reducing cost and improving reliability in today's telemetry systems, many users are employing simulation and automation to guarantee reliable telemetry systems operation. Pre-Mission simulation of the telemetry system will reduce the cost associated with a loss of mission data. In order to guarantee the integrity of the receive system, the user must be able to simulate several conditions of the transmitted signal. These include Doppler shift and dynamic fade simulation. Additionally, the simulator should be capable of transmitting industry standard PCM data streams to allow pre-mission bit error rate testing of the receive system. Furthermore, the simulator should provide sufficient output power to allow use as a boresite transmitter to check all aspects of the receive link. Finally, the simulator must be able to operate at several frequency bands and modulation modes to keep cost to a minimum.

Thesis (PhD)--University of Stellenbosch, 2005. / ENGLISH ABSTRACT: Keywords: software-defined radio, SDR, quadrature mixing, quadrature modulation, quadrature demodulation, digital compensation, software radio, direct-digital synthesis, DDS. An often-stated goal of software-defined transceiver systems is to perform digital signal conversion as close to the antenna as possible by using high-rate converters. In this dissertation, alternative design principles are proposed, and it is shown that the signal processing techniques based on these principles improve on the prior system's accuracy, while maintaining system flexibility. Firstly, it is proposed that digital compensation can be used to reverse the effects of hardware inaccuracies in the RF front-end of a software-defined radio. Novel compensation techniques are introduced that suppress the signal artefacts introduced by typical frontend hardware. The extent to which such artefacts may be suppressed, is only limited by the accuracy by which they may be measured and digitally represented. A general compensation principle is laid down, which formalises the conditions under which optimal compensation may be achieved. Secondly, it is proposed that, in the design of such RF front-ends, a clear distinction should be drawn between signal processing complexity and frequency translation. It is demonstrated that conventional SDR systems often neglect this principle. As an alternative, quadrature mixing is shown to provide a clear separation between the frequency translation and signal processing problems. However, effective use of quadrature mixing as design approach necessitates the use of accurate compensation techniques to circumvent the hardware inaccuracies typically found in such mixers. Quadrature mixers are proposed as general-purpose front-ends for software-defined radios, and quadrature modulation and demodulation techniques are presented as alternatives to existing schemes. The inherent hardware inaccuracies are analysed and simulated, and appropriate compensation techniques are derived and tested. Finally, the theory is verified with a prototype system. / AFRIKAANSE OPSOMMING: Sleutelwoorde: sagteware-gedefinieerde radio, SDR, haaksfasige menging, haaksfasige modulasie, haaksfasige demodulasie, digitale kompensasie, sagteware-radio, direk-digitale sintese, DDS. 'n Gewilde stelling is dat digitale seinomsetting in sagteware-gedefinieerde kommunikasiestelsels so na as moontlik aan die antenna moet geskied deur gebruik te maak van hoëspoed omsetters. Hierdie verhandeling stel alternatiewe ontwerpsbeginsels voor, en toon aan dat hierdie beginsels die eersgenoemde stelsel se akkuraatheid verbeter, terwyl stelselbuigsaamheid gehandhaaf word. Dit word eerstens voorgestel dat digitale kompensasie gebruik word om die effekte van hardeware-onakkuraathede in die RF-koppelvlak van sagteware-gedefinieerde radio's om te keer. Nuwe kompensasietegnieke, wat seinartefakte weens koppelvlak-onakkuraathede kan onderdruk, word aangebied. Die mate waartoe hierdie artefakte onderdruk kan word, word slegs beperk deur die akkuraatheid waarmee dit gemeet en digitaal voorgestel kan word. 'n Algemene kompensasiebeginsel word neergelê waarin die voorwaardes vir optimale kompensasie vasgelê word. Tweedens word voorgestel dat 'n duidelike onderskeid getref word tussen seinverwerkingskompleksiteit en seinverskuiwing in RF-koppelvlakke. Daar word getoon dat konvensionele SDR-stelsels dikwels nie hierdie beginsel handhaaf nie. 'n Alternatief, naamlik haaksfasige menging, word voorgehou as 'n tegniek wat duidelik onderskei tussen seinverskuiwing en seinverwerking. Akkurate kompensasietegnieke is egter nodig om effektief van sulke mengers gebruik te maak. Haaksfasige mengers word voorgestel as veeldoelige koppelvlakke vir sagteware-gedefinieerde radio's, en haaksfasige modulasie- en demodulasietegnieke word voorgestel as plaasvervangers vir bestaande tegnieke. Die inherente hardeware-onakkuraathede word geanaliseer en gesimuleer, en geskikte kompensasietegnieke word afgelei en getoets. Laastens word die teoretiese resultate met 'n praktiese prototipe bevestig.

Given the accessibility of media devices available to us today and utilising van Leeuwen's concept of inscription and synthesis as a guide, this thesis explores the practice of re-presenting a domestic material object, the Croxley Recipe Book, into digital media. Driven by a creative practice research method, but also utilising materiality, digital storytelling practices and modality as important conceptual frames, this project was fundamentally experimental in nature. A materiality-framed content analysis, interpreted through cultural analysis, initially unraveled some of the cookbook's significance and contextualised it within a particular time of New Zealand's cultural history. Through the expressive and anecdotal practice of digital storytelling the cookbook's significance was further negotiated, especially as the material book was engaged with through the affective and experiential digital medium of moving-image. A total of six digital film works were created on an accompanying DVD, each of which represents some of the cookbook's significance but approached through different representational strategies. The Croxley Recipe Book Archive Film and Pav. Bakin' with Mark are archival documentaries, while Pav is more expressive and aligned with the digital storytelling form. Spinning Yarns and Tall Tales, a film essay, engages and reflects with the multiple processes and trajectories of the project, while Extras and The Creative Process Journal demonstrate the emergent nature of the research. The written thesis discusses the emergent nature of the research process and justifies the conceptual underpinning of the research.

In this thesis, a direct digital synthesis (DDS) based function generator design module is presented, defined and implemented using two digital hardware modeling/design languages namely SystemC and VHDL. The simulation, synthesis and applicability performances of these two design languages are compared by following all digital hardware design stages. The advantages and open issues of SystemC based hardware design flow are emphasized in order to be a reference for future studies. SystemC initially appeared as a modeling language like HDL design languages. In the last years, SystemC gained popularity also as a hardware design language and it is expected to become alternative to traditional design languages. Using a single platform for hardware modeling, design and verification reduces the spent time and cost. The designed DDS function generator module supports standard I2C and UART communication protocols and it is in ready to use format for digital applications. In this thesis, the function generator module VHDL code is implemented into Xilinx FPGA and verified on the hardware platforms.

Mass/360 is computer music in the sense that the audio tape was realized with a computer language for digital synthesis. This tape is combined with traditional choral and instrumental forces, and demonstrates only one technique available for the use of computers in composition. The work displays a number of elements which afford both unity and contrast. The arch span of the whole is supported by timbral, melodic, rhythmic, and textural parameters. Recurring events include tone clusters, chant-like melodies, angular melodies, and counterpoint. Special vocal effects are found in all movements, and the large scale tonicizing effect of the movement from f to b-flat gives the composition a sense of direction over a long temporal span. The single pitch (doubled unison/octave) arises as the major event in the work, and other events are generated from this element. The use of different formal designs within each movement corresponds to the natural textual divisions found in the liturgy, and affords a contrast from one movement to the next. The relationship of the Gloria/Qui Tollis to the Sanctus/Benedictus, which is not a mirror relation, contrasts with the chiastic design of the whole. Traditional contrapuntal devices juxtaposed against contemporary vocal techniques and the use of diversified timbres from movement to movement add variety to the composition. Controlling parameters in the Mass are timbral, harmonic, textural, and formal. Rhythmic and melodic parameters are of surface importance, and not considered in the higher structural levels of the composition. This particular handling of musical parameters as elements of unification and diversification is the foremost structural force at work in Mass/360.