<p>One of the central questions in the philosophy of sounds and hearing is the question of space: what spaces or locations, if any, do sound perceptions make one aware of? When I hear a sound, do I perceive the direction of the sound? The direction (or distance) of the sound's source? The boundaries or dimensions of the space the sound is produced in, or of the source itself? And if sound perceptions do make one aware of space, then with what level of determinacy?</p> <p>In the first chapter of this essay, I describe my approach to sounds and hearing, and state what I take to be the fundamental challenges for any view of sound perception. For one, I take the everyday experience of sounds to be one of the most significant obstacles to an account of sound perception, and one that has scarcely been recognized as such. In everyday hearing, we are not the least bit concerned with sounds. We use sounds to gather information about the behaviour of their sources, which are typically the object of our attention whenever we perceive a sound. If I hear the sound of a car honking or a person speaking, I immediately pay attention to the car and how I can avoid it, or to the person and the meaning they intend to communicate. In everyday hearing, our awareness of sounds is similar to our awareness of windowpanes while watching the goings on outside. Consequently, the everyday experience of sounds is problematic as a model of sound perception.</p> <p>In the second and third chapters, I discuss the two most popular views of sound perception in the philosophical literature, the remote view and the non-spatial view. Since these views have received much attention in the literature, I spend more time raising objections to them in chapter III than describing them in chapter II. One of the principle aims of this essay is to make the case that both of these views are mistaken, despite the valuable insights contained in each.</p> <p>In the fourth and fifth chapters, I discuss the medial view. While the idea that sounds are sound waves located in a medium is the predominant view of sounds themselves in auditory science and the history of philosophy, the view that we hear sounds to be located in the medium has received little attention. Some objections to the medial view have been raised, which I address in chapter V, but very little has been said to defend or even describe the medial view. Part of the motivation for this essay is that I am struck by the fact that the medial view, which would seem to follow naturally from auditory science and the history of philosophy, has been so little discussed. Consequently, the bulk of this essay is dedicated to a description and defence of the medial view.</p> / Master of Arts (MA)