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1	After My Third Tattoo Wurz, Elizabeth A. 06 August 2007 (has links) This dissertation presents thirty-two poems and an introduction to the collection. In After My Third Tattoo, the poems’ speaker explores methods with which she perceives and constructs reality. Her exploration is the dramatic situation of each poem and the plot of the collection. The poems’ speaker regards physical objects, recalls experiences, and discovers how these objects and experiences hold psychological significance for her. With the intellectual and emotional associations she makes among objects and experiences, the speaker constructs, repeats and varies image patterns. Through her associations, she perceives overlaps in: the rational and emotional, the earthly and divine, the order imposed on her by society and the order that she builds through her own agency, and her perception and the perceptions of others. Finding agency through meditation and language liberates the speaker from identity-making terms that the lesbian speaker rejects. agency speaker order identity lesbian image patterns associations After My Third Tattoo dramatic situation plot dissertation poetry English Language and Literature
2	Režijní tvorba Miroslava Macháčka v Národním divadle v 70. a 80. letech / Miroslav Macháček's Stage Work at the National Theater in the 70's and 80's Černá, Johana January 2014 (has links) The master thesis attempts to characterise the staging poetics of Miroslav Macháček, one of the most remarkable Czech theatre directors of the second half of the 20th century. Based on his stage works in the 70's and 80's at the National Theater, the author of this thesis attempts to make a reconstruction of all his productions of that period; and thus the detailed analysis of the more significant productions characteristic to the director's style is provided. In order to define the stagings, the author bases her research upon archival theater reviews and studies in particular periodicals, photographical materials from the productions and in some cases also audiovisual recordings. Furthermore, other sources include the director's correspondence, notes about his work and the memories of his contemporary witnesses. The thesis also focuses on the historical context and the conditions at the National Theater of that particular time, which influenced Macháček's activity there.

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After My Third Tattoo

Režijní tvorba Miroslava Macháčka v Národním divadle v 70. a 80. letech / Miroslav Macháček's Stage Work at the National Theater in the 70's and 80's