Mung Siu Hei Vinco. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1999-2000, design report." / Includes bibliographical references. / Introduction and appendix also in Chinese. / Chapter 1) --- 序 / Chapter 2) --- Introduction / Chapter 3) --- The purpose of my thesis / Chapter 4) --- What is dwelling? / Chapter 5) --- The gap between dwelling and housing / Chapter 6) --- An alternative resettlement programme 一 Pui Man Village / Chapter 7) --- Conclusion / Chapter 8) --- Analysis of Tai Horn Village / Chapter 9) --- Tai Hom Village's sketches / Chapter 10) --- Project brief / Chapter 11) --- Site analysis / Chapter 12) --- Design criteria / Chapter 13) --- Text / Chapter 14) --- "Drawings, models and sketches" / Chapter a. --- Sketches / Chapter b. --- Sections / Chapter c. --- Plans / Chapter d. --- Design of three houses / Chapter i. --- House for an elder / Chapter ii. --- A young family's house / Chapter iii. --- Peter's house / Chapter e. --- Models / Chapter f. --- Details / Appendix / Chapter a. --- Record of interviews / Chapter b. --- Documentary drawing / Chapter c. --- Site sketches / Bibliography

Thesis. 1977. M.C.P.--Massachusetts Institute of Technology. Dept. of Urban Studies and Planning. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography : leaves 108-109. / M.C.P.

Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1981. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Bibliography: leaves 99-101. / by Amy Faye Philipson. / M.C.P.

Cheung Sze Lai Shirley. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2004-2005, design report."

Chong Ho Wang Alex. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2005-2006, design report." / Includes bibliographical references (leaf 37). / Acknowledgements --- p.P.3 / Prefece --- p.P.4 / Chapter 01 --- Intoduction --- p.P.5 / Chapter 02 --- Research study --- p.P.6 / Chapter 03 --- Thesis design --- p.P.18 / Bibliography --- p.P.37

The aim of this study was to investigate the bio-climatic characteristics of traditional and contemporary residential architecture in three different climatic/geographical regions of Libya, which are represented by Tripoli in the &ldquo / coastal region&rdquo / Gharyan in the &ldquo / mountainous region&rdquo / and Ghadames in the &ldquo / desert region&rdquo / . It was undertaken to understand and evaluate the effects of building layout and orientation, wall thicknesses, ceiling height, construction materials, thermal mass and size of windows, on the resultant thermal comfort conditions of the buildings/dwellings in question. An architectural survey of the dwellings was carried out and indoor and outdoor photos of houses were taken. Temperature and humidity data in pre-determined rooms of the dwellings, in addition to data relevant to exterior weather conditions were recorded by thermo-hygrometers. Residents who had experience of living in both traditional and contemporary dwellings were interviewed informally before preparing a comprehensive questionnaire, which was distributed to them to gather the required data. It was found that traditional dwellings in Tripoli and Ghadames, in their present condition, did not provide the desired level of thermal comfort. This was attributed to a number of reasons. One was the abandonment of these dwellings by their occupants, in favor of those of modern style. The resulting collapse of some parts of adjacent house blocks, which used to provide a degree of protection against climatic conditions when working as a whole block of several attached houses. Another was the introduction of new construction materials that were incompatible with the original ones. However, traditional dwellings in both cities appeared to provide relatively better thermal comfort conditions in comparison with the use contemporary dwellings of recent years, except for those with air conditioning. This situation was different in Gharyan, where the troglodyte dwellings were concerned. These dwellings were thermally more comfortable than the modern ones in the city. This was attributed to the fact that most of the existing troglodyte dwellings still preserved their original features to a large extent. At length, this study recommends that modern types of dwellings should adapt those features of the traditional ones that are more compatible and suitable for the local climatic conditions, in a way which guarantees optimum exploitation of local resources in terms of energy consumption and cost.

published_or_final_version / Architecture / Master / Master of Architecture

No description available.

This study attempts to demonstrate symbolic whale bone patterning within 31 Thule winter houses along the southeast coast of Somerset Island, Northwest Territories, Canada. All visible architectural whale bone incorporated within the dwellings was mapped. Trends towards particular patterns of whale bone distribution were demonstrated using Spearman's Rank-order Correlation Coefficient. The potential symbolic nature of such patternings was determined within the context of north Alaskan ethnographic and oral historical sources. The extensive use of whale bone in some Thule entrances suggests that their builders sought to create a distinction between the entrance tunnel and main room, not unlike the Inupiat dwellings in 19th-century Tikigaq. The significance of this architectural phenomenon is rooted in the Inupiat, and to some extent Inuit, association between women, the house and the bowhead whale. It is also suggested that whaling status may be reflected in differential access to bowhead whale bone.

The main goal of this project is to achieve successful architecture regarding its creativity and authenticity. It is always the content, not the aesthetic, that forms the basis for the final evaluation of design. Thus, the main intention is to bring together -in a design- issues from three different circumstances: the 'present' situation -a personal view of femininity and women's permanency in dwelling, the 'past' cultural background -tradition in the "porteria" culture- and its evolution and the 'future' possible direction of society -the critical innovative thought through the project. The reaching of the 'concept' in the architecture makes a design authentic. "True architecture does not just agree with [essence] but also asserts the agreement." (Kaersten Harries, Representation and Re-presentation in Architecture, 1988). Ludwig Wittgenstein, an Austrian philosopher of the 1940's, defines architecture as the 'innovative critical thought' of a given situation summarized in a concept -idea, emotion, intention- which is translated and transformed into visual representation to be understood by the designer, and then communicated and shared with society."Remember the impression one gets from good architecture;that it expresses a thought "(Ludwig Wittgenstein, 1940's)The proposed approach concerns itself with the idea of un-veiling and re-vealing the hidden knowledge in the design actions that architects make in their search for realization. These actions are both conscious and unconscious, where accidents also occur allowing for the limitlessness characteristic of the design process. In this way, the objective of this journey of exploration is to find and visualize those steps that architects take while designing. The process of design is very rich in options and in alternatives. It is also rich in its detours and deviations. When all the stages are seen and visualized to the point of bringing them into the consciousness, the design in itself becomes richer and is taken to a further and more profound definition.The underlying ideas of the creative thesis is segmented into attitudes that give shape to the final project. Each attitude is a constituent concept of the end design. The blending and fusion of these diverse issues are perceptible in the final venture. These components begin appearing with the first attempt, evolve in the next various undertakings, and are finally intertwined in the last design."To explain howsbvctures come to hare specific designs[..) we must examine the design process. In particular, we mustidentify thegeneral causal factors (and their inteffeladonsfirp) that influence the decisions leadingto the designs for specific structures " (McGuire & Schiffer, 1938)The following is an enumeration of the attitudes or 'casual factors' that create the basis for the decisions taken along the design process. The basic foundation is the urbanity, the framework or system where the project takes place. This element comprises the urban context and the history of the place which eventually become the rules -the limits- set by the environment. The idea of dwelling also comes into play suggesting the need of permanency and the understanding of the concept of living and inhabiting a space. Next, the feminine component acts as a basis for reflections on femininity, where protection, subtlety and sensuality play important roles. This feminine attitude is carried not only thematically but also architecturally. Also, the culture is important in regards to tradition and contemporaneousness. The fact that the site is situated in Buenos Aires -Argentina- implies an understanding of its people and the values of its culture. Finally, the architectural component establishes personal beliefs toward architecture and the role of the architect in society along with the personal ability to realize the design. All these attitudes fuse together to become the final project: a house for a woman in Buenos Aires.In this way, the challenge is to work with and within the different limits and find the inherent freedom. "Architects are able to creatively play with these limitations and still achieve great responses to both their own intentions and today's society's needs" (previous research). This search carries various decisions regarding a balanced 'giving and taking', and a great deal of creativity. Certainly, it is in the creative 'way-finding' that architecture can express itself most gracefully and truthful. In conclusion, in this project there are limits regarding the contextual issues, rules and norms (urbanity), society's needs and beliefs (women issues), cultural constraints (tradition) and the architect's social responsibilities. In spite of these limitations and thanks to them, the intention is to 'seek for a solution' manipulating and creatively handling these limitations to achieve an architectural artifact. / Department of Architecture