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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Can I Be Forgiven? Expressing Conversion through the Eyes of Mary Magdalene: Lope de Vega and Richard Crashaw

Gama De Cossio, Borja 01 January 2013 (has links) (PDF)
The present study examines the figure of Mary Magdalene in the poetry of Lope de Vega and Richard Crashaw. I propose that while setting Mary Magdalene as the perfect example to convert, both authors could also express their conversion through the composition of two different poems: “Las Lágrimas de la Magdalena” by Lope de Vega and “Saint Mary Magdalene or, The Weeper” by Richard Crashaw. Each poem is centered on the idea of Mary Magdalene’s copious tears as the performative mark of her repentance which will effect her conversion. These two conversions are placed within two European literary traditions, Spain and England; as well as two different processes: on the one hand, Lope de Vega would go from a licentious life in his early years to becoming a priest at the end of his life, thus, devoting his life to religion. On the other hand, Richard Crashaw’s conversion would take place in between two conflicting religious beliefs, i.e., his transition from Protestantism to Catholicism. The other main goal of this work is studying these poems through the Baroque movement developed at the beginning of the seventeenth century. Hence, Lope de Vega’s poem is full of Baroque characteristics typical of the Spanish conceptism despite his reluctance consider his poetry Baroque. Crashaw, on his side, presents a poem which differs from the literary production in England in the first part of the seventeenth century. His Baroque sensibility would be, accordingly, influenced by his readings of the Spanish Golden Age authors. Therefore, anomaly, exaggeration, tempus fugit, conceptism, contradiction, paradox, and binary oppositions are Baroque characteristics both authors have in common in regard to their own particular description of both Mary Magdalene’s biblical stories and tears. Lastly, both poems will lead us to draw parallels with the Song of Songs in terms of spiritual conversation, and feminine identification.
2

Sociální postavení členů jednoty bratrské v Mladé Boleslavi na počátku 17. století / The social status of members of the Unity of the Brethren in Mladá Boleslav in the early 17th century

Simon, Karel January 2012 (has links)
The Unity of the Brethren has a rich history in Mladá Boleslav. This thesis focused on the social status of members of the Unity of the Brethren in Mladá Boleslav in the early 17th century. The basic source, from which the research is based, is a part of a unique finding of the Brethren Church correspondence, which had been found in 2006. This is the registra of Boleslav corps Church from the years 1610 and 1611. By the processing and evaluation of entries in these registers is determined by amount of members of the Corps unity and their percentage representation of Bohemian Brethren in the population of the city. The participation of members of the Unity in the administration of the city has been identified according to the data in the indexes and records preserved in the books of the early 17th century. The work also pays attention to the representation of Bohemian Brethren in the leading positions of individual guilds in Mladá Boleslav. The subject of research is also the property status of the members of the Unity corps in Mladá Boleslav. Research found that in 1610 and 1611 members of the Unity corps in Mladá Boleslav were 17 % to 18 % of the population of the city. Members of the Unity of the Brethren participated in the administration of the city. The average representation of Bohamian...

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