Diss.--Universität Passau, 1999. / Bibliogr. p. 341-385. Index.

Inaug.-diss. - Breslau. / Vita. Bibliography; p. [146].

This thesis deals with the 20th century Neapolitan dramatics; it is divided into two thematic subjects. Firstly, the text tries to describe the life and work of three important Neapolitan playwrights, Eduardo De Filippo, Annibale Ruccello and Enzo Moscato. Apart from highlighting the most significant biographical events and sociohistorical circumstances that influenced not only the work of the individual playwrights but also the artistic creation of the movement called the New Neapolitan dramatics, to which both younger playwrights belong, the text thematises the question if the younger generation continued the rich work of Eduardo De Filippo and the traditional Neapolitan dramatics and if so, how. The second part makes use of the findings gained from the literary-historical research done in the first part to reflect upon the optimal translation of the analysed plays into Czech. Initially, the text briefly ponders upon the agelong theoretical translation issues and then introduces the two main translational strategies, namely the conformist (konformní) and the adaptation one (adaptační). Having marked out the problematic features of the analysed plays from the translation theory point of view, the text subsequently discusses the question of how to translate them into Czech as faithfully as possible...

Nel 1969, il poeta, scrittore, giornalista e pittore Enzo Benedetto, calabrese di nascita, romano d'adozione, la cui adesione al Movimento Futurista risale al 1923, fondava nella capitale la rivista «Futurismo-oggi», assumendone la direzione fino al 1993, anno della sua morte e della cessazione delle pubblicazioni. Lo studio si concentra sulla ricca e selezionata corrispondenza epistolare, relativa al periodo 1969-1992, tra il Direttore e numerosi collaboratori del periodico laziale che, nella seconda metà del Novecento, si contraddistinse quale organo di difesa, di propaganda e di valorizzazione dell'avanguardia marinettiana. Al corpus documentario seguono i profili bio-bibliografici dei corrispondenti e l'indice dei nomi. Si presenta infine lo spoglio integrale di «Futurismo-oggi» uniformato alle norme del progetto di ricerca Iride 900. / The poet, author, journalist and painter Enzo Benedetto, was born in Calabria with Rome as his adopted city. Since 1923, he belonged to the Futurist Movement. In 1969, he founded, in Rome, the review «Futurismo-oggi» providing its direction until 1993 the year of his death. The research concentrates on the copious and selected correspondence concerning the period 1969-1992, between the Director and several collaborators of the roman periodical. This review has represented in the second half of the twentieth century a defence, propaganda and exploitation of the Marinetti's avant-garde. Biographic and bibliographic outlines of the correspondents and the list of the names follow the index of the documents. At the end the whole filing of «Futurismo-oggi» is of the equivalent standard of the research-plan Iride 900.

Enzo Cucchi--Martin Disler--Sandro Chia--A.R. Penck (Ralph Winkler)--Rolf Winnewisser--Jonathan Borofsky Francesco Clemente--John Baldessari--Eric Fischl. / English and German. Includes bibliographical references.

Made available in DSpace on 2016-04-28T20:18:35Z (GMT). No. of bitstreams: 1 LUIS GUSTAVO PICORELLI DE OLIVEIRA 1-75.pdf: 8291753 bytes, checksum: d0e3e8919d70356d42c7098b6af1d1a4 (MD5) Previous issue date: 2009-01-28 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Ninety bovine bladders, from a slaughterhouse from the district of Barra Mansa/RJ and from bovine necropsies in Pteridium arachnoideum invaded locations, were examined when associated with clinical signs as those found in bovine enzootic hematuria. A diffuse wrinkling of the bladder mucosa was found in 40% of the cases which was correlated to increased mucous normal irregularity, polyp proliferation, lamina propria thickening, fibrose and, in severe cases, urotelial carcinoma multicentric proliferation of endophitic growth. Papillary tumours were microscopically classified as urotelial carcinoma in 35% of cases and papiloma in 65%. In some cases, carcinoma and adenocarcinoma presented less commom differentiation patterns as intestinal, of Paneth cells, and a mesonefroid adenocarcinoma in the trigone area, which demonstrated bladder embryological origin influence on different types of lesions that were found. Mucosal hemorrhagic lesions occurred in 100% of the cases and were associated with vascular proliferation and lamina propria hemorrhage or, in sever cases, 77,4% of hemorrhagic elevations were correlated to hemangioma or hemangiosarcoma. At last, we have established a correlation between P. arachnoideum chronic poisoning lesions and ionizing radiation bladder alteration in humans. / Em um frigor?fico no munic?pio de Barra Mansa, RJ, e por ocasi?o de visitas a campo em regi?es infestadas pela Pteridium arachnoideum, foram coletadas 90 bexigas de bovinos que apresentavam sinais cl?nicos e ou les?es macrosc?picas compat?veis com o quadro de hemat?ria enzo?tica. As les?es encontradas tanto ao exame macrosc?pico quanto microsc?pico foram mais frequentes no corpo e na base da bexiga. ? macroscopia um enrugamento difuso da mucosa da bexiga foi observado em 40% dos casos, o que foi correlacionado ao aumento do pregueamento da mucosa, ? prolifera??o de p?lipos, ao espessamento da l?mina pr?pria, ? fibrose e, nos casos mais graves, ? prolifera??o multic?ntrica de carcinomas uroteliais com crescimento endof?tico. Tumores papiliformes foram classificados microscopicamente como carcinomas uroteliais em 35% dos casos e papilomas em 65%. Carcinomas e adenocarcinomas apresentaram, em alguns casos, diferencia??es consideradas pouco frequentes, como intestinal, em c?lulas de Paneth e em c?lulas claras. Um adenocarcinoma mesonefr?ide foi encontrado na posi??o do tr?gono, o que demonstra a influ?ncia da origem embriol?gica da bexiga sobre os tipos de les?es encontradas. Les?es hemorr?gicas na mucosa ocorreram em 100% dos casos, e estavam correlacionados a prolifera??es vasculares e hemorragias na l?mina pr?pria ou, nos casos mais graves, 77,4% das eleva??es hemorr?gicas foram correlacionadas a hemangiomas ou a hemangiossarcomas. Foi estabelecida uma identidade entre as les?es produzidas pela intoxica??o cr?nica por P. arachnoideum em bovinos e as altera??es provocadas na bexiga de seres humanos expostos a radioterapia ou ? radia??o ionizante ambiental.

Ce travail de recherche s’interroge sur l’usage des langues dialectales dans le théâtre italien contemporain. De fait, celles-ci restent une source d’inspiration importante dans les créations les plus innovantes des trente dernières années, malgré l’affirmation de l’italien sur tout le territoire national depuis l’Unité. Cette étude s’interroge sur les valeurs et les enjeux de ces langues dialectales dans un théâtre actuel qui est, pour une part importante, le fait d’acteurs-auteurs : ainsi, la relation qui s’établit entre l’artiste, à la fois créateur et interprète, et la langue théâtrale, s’appuie sur une approche de l’élément langagier qui est aussi fondamentalement pré-cognitive, voire corporelle.Après avoir élucidé dans un premier temps les dynamiques linguistiques à l’œuvre dans le théâtre italien depuis l’Unité, cette étude se resserre autour de la pratique de cinq acteurs-auteurs contemporains : Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) et Enzo Moscato. L’analyse du parcours de chacun de ces artistes, ainsi que d’une œuvre en particulier, se propose d’établir une cartographie du théâtre italien contemporain puisant dans les dialectes la matière de sa langue théâtrale. Il s’agit de mettre en évidence les lignes de fuite de créations qui interrogent trois notions clés au cœur de l’analyse : le temps, le territoire et l’identité, notions qu’une réflexion constante sur le concept de limite et de frontière affine et redéfinit progressivement. / This doctoral dissertation deals with the use of dialectal languages in the contemporary Italian theater. Indeed, these languages remain an important source of inspiration in the most innovating creations of the last thirty years, in spite of the paramount place the Italian language has come to have in the whole national territory since the Italian Unification. This study deals with the values and with what is at stake in these dialectal languages in today's theater which is, most of the time, created by actors-authors: therefore, the relationship between the artist, who is both creator and performer, and dramatic language, relies on a way of tackling the linguistic element that is fundamentally precognitive and corporal as well.After having cleared up the linguistic dynamics in the Italian theater since the Unification ; the study focuses on the work of five contemporary actors-authors: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) and Enzo Moscato. Studying the work of these artists, as well as a specific play, intends to draw up a cartography of the contemporary Italian theater that is inspired by dialect languages to create its own dramatic language. The study aims to lay emphasis on the convergence lines of creations which deals with three key notions, at the core of the study: time, territory and identity. These three notions will be progressively redefined and precised by working on the idea of limit and boundary. / Questo lavoro di ricerca si interroga sull’uso delle lingue dialettali nel teatro italiano contemporaneo. Infatti, esse restano un’importante fonte d’ispirazione nelle creazioni più innovative degli ultimi trent’anni, nonostante l’affermarsi dell’italiano sull’intero territorio nazionale a partire dall’Unità. Questo studio si interroga sui valori e sul peso di queste lingue dialettali nel teatro odierno che, in larga parte, viene realizzato da attori-autori: perciò, la relazione che si stabilisce tra l’artista, insieme creatore ed interprete, e la lingua teatrale è fondata su un approccio fondamentalmente pre-cognitivo, e perfino corporeo, dell’elemento linguistico.Dopo aver chiarito, in un primo momento, le dinamiche linguistiche in atto nel teatro italiano sin dall’Unità, questo studio si accentra intorno alla pratica di cinque attori-autori contemporanei: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) e Enzo Moscato. L’analisi del percorso di ognuno di questi artisti, nonché di una loro opera in particolare, mira a stabilire una cartografia del teatro italiano contemporaneo che attinge dai dialetti la materia della propria lingua teatrale. Si tratta di evidenziare le linee di fuga di creazioni che interrogano tre nozioni-chiave al cuore dell’analisi: il tempo, il territorio e l’identità, nozioni affinate e progressivamente ridefinite da una costante riflessione sul concetto di limite e di confine.