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K. Keblys knygoje „Lietuvių literatūra svetur 1945-1967“ pažymi, kad M. Katiliškio romanas „Miškais ateina ruduo“ (1957) kartu su tokių lietuvių literatūros kūrėjų, kaip A. Barono „Mėnesiena“ (1957) ir A. Škėmos „Balta drobulė“ (1958), veikalais išsiskyrė iš 1956-1959 m. parašytų kūrinių. Pirmųjų dviejų rašytojų romanai „įpūtė“ naujų vėjų į lietuvių literatūros erdvę. Tvirtinama, kad A. Škėmos „Baltos drobulės“ įnašas buvo didžiausias, ir 1956-1959 m. laikotarpis sietinas būtent su A. Škėmos romanu „Balta drobulė“. Bet M. Katiliškis lietuvių literatūros istorijoje išsiskiria šiuo savo romanu iš kitų rašytojų gretų dėl jame tvyrančios drąsios erotikos sklaidos. Šio darbo tema – Erotikos sklaida M. Katiliškio romane „Miškais ateina ruduo“. Temos pasirinkimą lėmė noras atskleisti lietuvių kūrėjo ir jo amžininkų požiūrį į erotiką, pažvelgti, kaip kiekvienas jų suvokė ir vaizdavo, atrodo, lietuvių tautai nepriimtinus (tabu), tačiau aktualius dalykus. Šio darbo tikslas – nagrinėti, analizuoti M. Katiliškio novelių romane „Miškais ateina ruduo“ erotikos sklaidą. Taip pat kaip kontekstą pasitelkiant Lazdynų Pelėdos „Klaida“ (1909), A. Kazio Puidos „Žemės giesmė“ (1911), J. Lindės-Dobilo „Blūdas arba Lietuva buvusios Rosijos revoliucijos mete“ (1912), Juozo Tumo-Vaižganto „Pragiedruliai. Vaizdai kovos dėl kultūros. Gondingos kraštas“ I T. (1918), Juozo Tumo-Vaižganto „Pragiedruliai. Vaizdai kovos dėl kultūros. Vaduvų kraštas“ (1920), A... [toliau žr. visą tekstą] / In the book “Lietuvių literatūra svetur 1945-1967” K. Keblys says, that the novel “Miškais ateina ruduo” (1957) by M. Katiliškis together with the works of such Lithuanian writers as “Mėnesiena” (1957) by A. Baronas and “Balta drobulė” (1958) by Škėma stood out from other works written in 1956-1959. The novels of the first two authors were breath fresh impetus in Lithuanian literature. The biggest contribution was of the novel “Balta drobulė” by A. Škėma and the period of 1956-1959 is associated with the novel “Balta drobulė” by A. Škėma. But M. Katiliškis with this novel stands out from other writers in Lithuanian literature because of its bold spread of eroticism. The topic of the thesis is the spread of eroticism in the novel “Miškais ateina ruduo” by M. Katiliškis. The selection of the topic was determined by the wish to reveal the attitude of the author and his contemporaries towards erotika, to see how each of them perceived and portrayed rather relevant subjects which seem unacceptable (taboo) subjects to Lithuanian nation. The aim of this paper is to investigate the spread of the eroticism in the novel “Miškais ateina ruduo” by M. Katiliškis. As a means of background taking the novel “Klaida” (1909) by Lazdynų Pelėda, “Žemės giesmė” (1911) by A. Kazys Puida, the novel “Blūdas, arba Lietuva buvusios Rosijos mete” (1912) by J. Lindė-Dobilas, “Pragiedruliai”. Vaizdai kovos dėl kultūros. Gondingos kraštas I T (1918) by Juozas Tumas-Vaižgantas... [to full text]

In the first part the thesis deals with the definition and characteristics of the time period of the turn of the 19th and 20th century and intends to show the change in the perception of world and man and their psyche in the context of the new sexuality concept. The second part focuses on homoeroticism in the sexology of that time and its position in contemporary literary science, particularly in the work of Thomas Mann. In the last part the analysis of the three literary texts - "Death in Venice" by Thomas Mann, " The Confusions of Young Torless" by Robert Musil and Arthur Schnitzler's "Fräulein Else"- appears in order to explain the function of abnormal sexuality, specifically homoeroticism and autoeroticism, in German prose of the 19th and 20th century.

This thesis {\clqq}The last paladin`` of czech decadence Jarmil Krecar from Ruzokvet. Erotic, stylization and inspiration in his life and creation tries to present the personality of Jarmil Krecar and tries to place him in to the cultural {--} historical context of Czech history at the end of the 19th century and the beginning of the 20th century. Than reflects the erotic themes in his literary works and his life attitude. And also concentrates how his life was pervaded by anachronism decadent stylizations, esthete and dandyism. The thesis is devided into five chapters. The first part of the introduction essay should outline the complex atmosphere of the end of the 19th century and the beginning of the 20th century and should deal circumstances, rise and progress of the important periodical organ of Czech decadent artists, Moderni revue. The second part of the introduction essay tries to describe the phenomenon of decadent stylizations and place it in to the larger Europe connections. The subject of the third part of the first chapter is the reflection of erotic and sex in Czech culture at the end of the 19th century and the beginning of the 20th century. The second chapter describes Jarmil´s life, emphasizes to the condition which Jarmil came from and the condition he was later living in. The third chapter analysis in literary way Krecar´s published and unpublished literary works with consideration to the substitution of erotic and pornography motives. The fourth chapter tries hard on the basis of the relation to Jarmil´s Muses and mistresses to understand his personality of a radical decadent artist. The fifth chapter want to present by using concrete example the selfpresentation of the decadent personage in his imaginary and his real world.

K DISERTAČNÍ PRÁCI Mgr. Martin Chochola PSAV2005 : Základní subjektivní a objektivní faktory ovlivňující vnímání sexuálně explicitních materiálů 2010 AABBSSTTRRAACCTT The study "I know when I see it: basic subjective and objective factors affecting the perception of sexually explicit materials" conserns the curent issue of perception of the existence, presentation and distribution of visual and audiovisual sexually explicit materials in the Czech Republic. In the theoretical part, the psychological significance of these materials and understanding thereof is being reviewed, in the context of society alignment, politics, technology development, religion, law, sociology and psychology. The empirical part is, by means of a mapping research, focused on those basic subjective and objective factors, that affecting directly our perception of sexually explicit materials, and represents four of these factors, that are affecting demonstrably. It is the factor of socio-demographic characteristics of the consumer, his attitudes toward sexually explicit materials, sexually explicit content of specific materials and finally forms of their presentation and distribution. Moreover, the study outlines the ...

The thesis titled "The body of the other. The erotics as learning content in Art education." have character of an exploration probe. It focuses on erotism in environment of educational institutions. This work deals with the body and its erotic contents in art education. It seeks to clarify the concept of erotica. This work seeks various overhangs of erotica into philosophy, advertising, school, personal and public life. This thesis is linked to the teaching of erotic theme and with the issues of integration of eroticism in lessons of art education. The aim is to determine how are the children / students on this topic sensitive. All the text is supplemented by authentic testimonies of students, teachers and parents related to the topic of erotica in school.

The topic of the diploma thesis is "The Concept of Woman: Philosophical Reflection." The purpose of this paper is to discuss the phenomenon of femininity and the position of woman not only in the world but in her own body as well. It examines the relationship between a woman and a man. Attention is focused on sameness and difference in self - concept and thinking of both genders. The primary aim is equality of rights and duties between both genders. The paper expands upon eight basic areas. The first chapter deals with woman and the mental and physical form of love. Furthermore, attention is paid to women and marriage, with attention focused on engagement, wedding ceremony and divorce. The chapter regarding women and family correlates to a high degree with the chapter about women and work, attention is focused on the traditional distribution of roles and on the distribution of work at home and outside of home. The chapter "Women and Feminism" maps the demands of that ideology. The chapter "Women for Women" points to the fact that women are not always supporting each other. The chapter "Women and Cognition" analyses the possibilities and conditions of cognition of women. The last chapter focuses on woman's relationship to her own body and evaluates the impact of today's age on the impression of...

This thesis compares eroticism in the post-revolutionary work of the Czech prose writer Vladimír Páral with the bestseller Fifty Shades of Grey by the British writer E. L. James. From Páral's work, the works of Dekameron 2000 or Love in Prague, Playgirls, Book of pleasure, laughter and joy, and the Book about the whip are discussed. Also included is The Professional: Vladimír Páral about himself and other interesting things, which came out in the 1990s, but it is an autobiography. Therefore, this book will be included in the chapter on autobiographical connotations. The thesis is divided into three main parts. The first one is mainly terminological, it explains the terms sex, eroticsm, pornography, erotic and pornographic literature and love. The second part deals with the authors themselves and their body of work. It is organised into sub-chapters in which specific pieces are analysed. In the case of Páral, the parallel between the Book of pleasure, laughter and joy and Kundera's Book of laughter and forgetting is also taken into account. In the case of Fifty Shades of Grey, some similarities with the erotism in Milan Kundera's work are found. In the summary, the texts are compared in terms of the role of eroticism, sex tools, plot characters as well as author's intention and style. The subjective...

Eroticism and pornography in animated puppet film is a niche genre. Nevertheless, it deserves attention for its unique means of expression. The subject matter of this thesis is a reflection on the relationship between corporeality and the puppet in film. It also includes selected auteur independent films and their analysis, in which sexual behavior is the prevalent topic or which contain explicit erotic scenes. The puppet functions as a representation of human body; specifically, within the context of this thesis, of the body in erotic situations. The body of the puppet becomes a representation of our own body. With the emergence of new technologies, we can become a representation of the puppet, which in turn becomes a puppeteer, an animator. The principle of identification with the main protagonist is essential for interpretation of the role and function of the puppet in film. One of the key instruments of interpretation of the role of the puppet in film and understanding its function in film. The chosen theme is accompanied by definitions of key terms and a brief overview of legislation concerning pornographic animated film.

The aim of this thesis was to analyse the reception of the Fifty Shades book trilogy and a film adaptation of its first part from the perspective of a female audience - both women who like the books and/or the film and women who do not like them. The thesis sought to describe the fundamental ways of the reception of the Fifty Shades phenomenon and to connect them to media and public discourse about the trilogy. The research questions were particularly focused on women's motivations to reading the books and/or watching the film, their approach to and evaluation of the trilogy. A part of the thesis was also a comparison of the two groups of female readers and viewers regarding the questions mentioned above and a connection of those questions with media and public discourse about Fifty Shades. During the conducted research 13 individual semistructured interviews with female readers and viewers of Fifty Shades have been done. The gained data were analysed by using the grounded theory method (particularly in vivo coding and axial coding). The outcome of the analysis is a description of two different ways of reception and interpretation of Fifty Shades which show persisting ambiguity of romantic fictions for women. The analysis also revealed an impact of media and public discourse about the trilogy on...