Thesis (Ph. D.)--University of Hawaii at Manoa, 2005. / vii, 194 leaves, bound 29 cm

Thesis (M.A.I.S.)--Oregon State University, 2008. / Printout. Includes bibliographical references (leaves 106-113). Also available on the World Wide Web.

Thesis (M.A.)--Central Connecticut State University, 1998. / Thesis advisor: Dr. Mary Anne Nunn. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 92-94).

Thesis (M.A.)--Humboldt State University, 2008. / Includes bibliographical references (leaves 77-80). Also available via Humboldt Digital Scholar.

Thesis (Ph. D.)--University of Toronto, 2007. / Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: 2286. Includes bibliographical references (leaves 236-247).

Inaug.-Diss.--Heidelberg. / Vita. Bibliography: p. 320-327.

Indiana University-Purdue University Indianapolis (IUPUI) / Joan Didion, a native of Sacramento, California, is the author of many acclaimed collections of journalism and memoir, the first of which were Slouching Towards Bethlehem (1968) and The White Album (1979). Eve Babitz, a lifelong resident of Los Angeles, has produced two such volumes: Eve’s Hollywood (1974) and Slow Days, Fast Company: The World, The Flesh, and L.A. (1977). While much critical ink has been spilled over Didion’s oeuvre, Babitz was, until the recent reprinting of the aforementioned titles, known best as an artist and muse. Perhaps due to this disparity in recognition and renown, no extant critical piece serves to compare the nonfiction of Didion and Babitz, despite their close geographic and social proximity. In viewing their early work side by side, the Golden West of the 1960s and ’70s emerges as the clearest point of comparison; however, the ways in which Didion and Babitz use place and time in their work often differ due to the marked contrasts in the identities they convey. In characterizing herself as a journalist and an observer, Didion offers a perspective that feels objective but is, at turns, wry and cool. Babitz, writing in a manner that was, at one time, considered autofiction, positions herself as the freewheeling focal point around which Hollywood’s dizzying cultural landscape unfolds. By manipulating the constructs of place and persona, these writers are better equipped to tell the story at hand and analyze their places within it, cementing their work in California’s literary canon.

Extant literature on White Nationalism illustrate the myriad of social issues members of this racialist extremist group presently recognize as threatening the continuation of the white race and the preservation of white heritage (Swain 2002). One of these threats includes the high incidences of black-on-white violent crime within the United States. The March 2008 murder of UNC student body president Eve Carson, a 22 year-old white woman, by two young black males elicited heated discussion among White Nationalists. This paper analyzes, via content analysis, the thematic discourse surrounding Carson's homicide among White Nationalists on two popular White Nationalist websites. Functionalist theory guides this investigation in the attempt to illustrate how White Nationalists use scientific theories of criminality and government crime statistics as tools for justifying their racist beliefs. Also, this study intended to answer whether or not Carson's murder prompted an increase in online membership on the two websites used for the analysis. Moreover, this study sought to unearth thematic discourse which involved attacking whites who do not subscribe to White Nationalism; Eve Carson as either a sacred or profane symbol of whiteness; criticism of government policies, media, and the criminal justice system; evoking fear within the White Nationalist community; and calls for white solidarity and action. This analysis suggests that White Nationalists primarily used Carson's death as an opportunity to attack whites who do not subscribe to White Nationalist beliefs. / Master of Science

This analysis of Keats's poem proffers evidence and arguments to support the contention that The Eve of St. Agnes presents allegorically the poet's speculations regarding the relationship between eros and agape, speculations which include a sharp criticism of Christianity and a model for a new, more "humanistic" system of salvation. The union of Madeline and Porphyro symbolizes the reconciliation of the two opposing types of love in an apocalyptic marriage styled on the Biblical union of Christ and the Church. The irony inherent in the poem arises from Keats's use of Christian myths, symbols, and sacraments to accomplish this purpose.

abstract: Eighteen late medieval central Italian paintings featuring the figure of Eve reclining on the ground beneath the enthroned Virgin have been the center of a decades-long debate among scholars. The dispute centers on whether the imagery depicts Mary as Eve's counterpart in the role of virgin mother or intercessor as the Second Eve. I argue that these two possibilities are not mutually exclusive and instead support one another. I maintain that Eve and Mary appear as opposites according to their contrasting sexual statuses because their antithesis lies at the center of the theology of the Second Eve and the heart of the signification of these paintings. Though frequently overlooked, my exploration of this imagery begins with the attributes used to identify Eve: the woman-headed serpent, the fig, and clothing. Specifically, I analyze the relationship between the particular attributes employed and the theological interpretation of the Fall as a result of concupiscent sexual intercourse. My study then turns to the individual imagery of the central figure of Mary and its reference to church teachings. Appearing amidst allusions to the Annunciation and with emblems of her roles as mother and queen, the Marian imagery in these eighteen paintings specifically reiterates the dogma of her perpetual virginity. I conclude my investigation with a discussion of how the attributes and imagery examined in the first two chapters relate to the theology of the Second Eve and provide a fundamental meaning for all medieval audiences. In light of the references to these women's sexual statuses, the imagery of the Second Eve suggests that Mary is the special advocate of men and women, religious and lay. / Dissertation/Thesis / Masters Thesis Art History 2015