Our master's thesis is an interdisciplinary study on the play No Exit by Jean-Paul Sartre and its film adaptations - the French one directed by Jacqueline Audrey in 1954, and the English one directed by Philip Saville in 1964. The work is divided into two parts - literary and cinematographic analysis. In the first part we will focus on the play No Exit in the historical, cultural and philosophical context, find its role among the other literary texts of Sartre and study in more detail the text itself - its form, main motifs, etc. In the second part we will analyze its cinematographic potential. Comparing the two adaptations with each other and with the play, we will start with the general characteristics and then move on to the comparative analysis of two chosen episodes.

The main topic of this thesis is the subjective experience of anxiety. The author has attempted to secede from the strictly psychological level, therefore there are authors dealing with the overlap of human existence included. As a result, the thesis is also a partly philosophical view of anxiety. However, given the focus of the author, the greater part of the work is based on the psychological view. In the practical part, the hypothesis that the consciousness of the meaning of life has a certain influence on the experience of anxiety was confirmed. However, this effect is not as large and as clear as Frankl describes in his work.

The main objective of this research is to study the affinities between Brazilian writer Graciliano Ramos (1892-1953) and French philosopher and writer Albert Camus (1913-1961). More precisely, we tend to explores the reflections of camusian revolt in three Ramos' prose works: Barren Lives (1938), Anguish (1936) and São Bernardo (1933). The literary and philosophical direction of existentialism is outlined at the beginning of the thesis. Therefore, the first chapter is devoted to an explanation of Camusian existentialism and his philosophical concept of revolt, not only in his philosophical works, but also in his novels. The subsequent chapter focuses on the life and work of Graciliano Ramos. Thereafter the three aforementioned Ramos' novels are analyzed in order to uncover in them motives of existentialism solitude, anguish, revolt against society ─ all of the more or less interlinked by the problem of incommunicability. Powered by TCPDF (www.tcpdf.org)

The work deals with the selected ethical concepts of social work, such as human and person, freedom, conscience, values, suffering and death. These concepts are thoughtful and their understanding is deepened on the basis of the texts of Viktor Emil Frankl. In the work the personality of V. E. Frankl is presented, his method of logotherapy and existential analysis, further are presented the fields of ethics and social work. The selected concepts are introduced as they are introduced in the work of V. E. Frankl and in the works of representatives of existential philosophy whose approaches Frankl used. There is also evaluated the relevance of these concepts for ethics of social work on the basis of monographs and on the basis of the academic articles of the authors dealing with ethics in social work.The work pointed out the potential benefits of logotherapy and existential analysis of ethics of social work during the application of Frankl's psychotherapeutic methods into the fields of social work.

The diploma thesis examines the specific work of Albert Camus and Gabriel Marcel, focusing on the question of human values. The aim is to show two forms of existential philosophy concerning human existence in their chosen dramas. The work is divided into chapters. In the first chapter we can find the basic characteristics of existentialism and its development. The second and third chapter deals with Camus' and Marcel's conception of philosophy. In these chapters will present the Camus' problem of suicide, revolt, absurd and sense of being. In the case of Marcel will be dealt with the issue of duality of being and have, relationship I-You, love, hope, death, freedom and faith. Diploma thesis results in subsequent chapters where you can find comparison existential themes in the works of authors.

The work deals with the aspects of the role and responsibility of a worker in helping professions at work with a client who lost their meaning of life. The work answers the questions on what sphere of knowledge the helper is supposed to have to be able to provide a high-quality and expert care. Life situations are mentioned here, which presuppose the loss of meaning of life as well as the riscs of loss of meaning of life are evaluated. Also the role and responsibility of the worker in helping profession is outlined. The work was based primarily on literature by existential-minded authors and on professional literature focused on psychology, psychiatry, social work and ethics.

The Political Thought of Karl Jaspers - Abstract The aim of the dissertation was to interpret the thinking of Karl Jaspers as an endeavour to clarify the connecting lines between the basic characteristics of human being and its historical and political dimensions. In the book we reconstructed Jaspers' spiritual development from systematic-theoretical research to the engagement of a public intellectual. As his main legacy are shown the importance of the inseparability, of a mutual cultivation and prove of philosophical foundation and historical being as well as exploration. Jaspers is presented as an important participant in the discussions about the problems of German society from the 1930s to the 1960s, whose contribution laid not in a philosophically "more abstract" analysing of problems, but in discovering that social and political being cannot do without philosophical self-reflection of man, of the structure of human existence and knowledge and of the principial values derived from it. In his confrontations with the situation of German culture, politics and society, Jaspers enriched the public debate by cultivating the philosophical and methodical consciousness. He emphasized the distinctions between the nature and instruments of the different spheres of human spirit (of sciences, religion, philosophy...

The main topic of this diploma thesis resides in the comparison of the expressionist painting and the existential literature in connection with the motif of screaming. Despite the temporal and geographical distance of the two artistic movements (we are focused more profoundly in the German and Austrian expressionist painting, while the main literary work of this thesis, the existential novel The Fall comes from the great mind of a French writer, Albert Camus), the research aspires to prove the interconnection of the two movements and their common tendencies, based on the analyses of chosen themes, motifs, technics, and structure. We propose the motif of screaming as the main part of the comparison, as it constitutes an essential axis of the occidental art, as well as the crucial contact point between Expressionism and Existentialism. In spite of the bountifulness of the various interpretations this motif offers, we have chosen only selected ideas and concepts. As far as the formal structure is concerned, the work is divided into three chapters, where the first two are focused on the origins, a brief characterization of the main point of the two esthetics. Furthermore, they describe their related counterparts of the visual arts and literature (the Expressionist literature and Existential painting...

The dissertation under the title Transformations of the Concept of House (An Analysis of the House in the 20th Century Portuguese Novel) endeavours to map the concept, portrayal and primarily the transformations of the space of a house, which is at the same time interpreted as an archetypical space universal in the 20th century Portuguese novel. Following the introduction and a summary of various literary theory approaches to the analysis of a house, Chapter 2 focuses in particular on a topological analysis and an analysis of the symbolic space. The topos of the house is fundamental for thematology and literary topology. A house, representing either a dwelling place, a temporary refuge or a home, is an essential space in the majority of literary stories; it is a certain static counterpart to a literary character, it forms their background or represents an aim to which they are heading. Its organization may reflect a character's nature or emphasize a significant contradiction between the space and the human being inhabiting it. As the role, function, form and significance of a literary character and of other constitutive elements of a narrative text were transformed in the course of the 20th century, the concept of the space of a house also underwent significant changes. Chapter 3 of the...

This dissertation thesis deals with the work of three contemporary Czech artists - Josef Bolf, Jakub Špaňhel and Lubomír Typlt. The reason for choosing these three was the fact that all of the artists represent the same generation which entered the art scene in the late 1990s and their canvases can be equally described as expressive, although right at first glance there are noticeable differences in the intervention of the emotional and sense elements which participated in the creation process of the work of art, but also in its content. Contemporary expressive paintings are influenced by the development of art in the second half of the 20th century which is based on the continuous comparing of expressive subjectivity and its negation or intentional application and irony. That is why I decided to illustratively explore the movements which took place in terms of the foreign and Czech scene during the second half of the 20th century in the field of expressive painting. Because the Czech art arose in different conditions, I explored the changes of this phenomenon separately in these geographical areas, but at the same time I carried out a partial analysis of the works and comparisons with the work of the three chosen artists based on these findings. Subsequently, I analysed the work of the chosen...